THEATRICAL

1p., 12mo. Good, on lightly-aged paper. He thanks him for his 'letter and expression of appreciation - judging by the wonderful reception of "Sunny" in Manchester I am hopeful of its success in London.' He is enclosing 'the two photos asked for' (not present).

On one side of a piece of 33 x 52 cm paper. In fair condition, on aged and worn paper. A form printed in black and red, completed in manuscript. Divided into sections on: Artiste's Salaries; Advertising; Stage Expenses; Front of House Expenses; Gas and Electricity; Printing & Stationery; Author's Fees; Miscellaneous; Receipts; Summary of Expenses. The 'Artiste's Salaries' were: Leslie Howard £20; Reginald Owen £40; Betty Schuster £20; Adrienne Allen £40; Robert English £15; Duncan McRae £15; Jack Carlton £8.

[4] + 43pp., 12mo. Stabbed as issued. An attractive and elegantly-printed little book. Internally very good, on lightly-aged paper, loose in worn light-brown calf binding, marbled endpapers, all edges gilt, back hinge sprung. Stamped in gilt on the front cover: 'ACIS & GALATAEA | A PIECE OF OXFORD EXTRAVAGANCE | BY | T. F. PLOWMAN'. Inscribed on fly-leaf: 'H. W. Chapman, Esq. | with the author's sincerest regards. | 1869.' A scarce item: only three copies on COPAC, at Oxford, Cambridge and the British Library, all three of which attribute this anonymous work to Plowman.

In addition to his pioneering cinematographic work, Herkomer was a theatrical innovator. As Lynda Nead points out in her 'The Haunted Gallery' (Yale, 2007), it was shortly after the opening of his art school that 'he and his students created an auditorium, modelled on Wagner's Festspielhaus in Bayreuth, for public performances of plays, written, directed and, indeed, performed by Herkomer'. See also M. A. K. Taylor, 'The New Stagecraft' (1953); J. Stokes, 'Resistible Theatres' (1972); and L. M. Edwards, 'Herkomer: A Victorian Artist' (1999). These five items all relate to the project.

1p., 8vo. With mourning border. In fair condition, on aged and lightly-ruckled paper. After exclaiming 'How kind of you!' Pinero explains that he has been 'inoculated regularly since the autumn, and it has done me no good'. He continues: 'No, I won't say that; I might have been worse but for the injections.' He concludes by stating that he will show Shore's letter to his doctor, 'to prick his conscience'.

The eight images are arranged in four pairs, each on the central pages of an 8vo bifolium. Dimensions of page: 24.5 x 16cm. Dimensions of image: 9 x 14cm. In fair condition, on lightly-aged and creased paper. Irving is shown in five roles, including Lear, Shylock, and Becket. Also present are two portraits of Irving out of character, and a picture of the exterior of a dilapidated building. Presumably intended for an early twentieth-century biography.

Both items in good condition, on aged paper. ONE: Letter of 10 September 1891. 2pp., 12mo. Bifolium. He begins by thanking her for a photo of Henry Irving, before turning to his mother, Ellen Terry. 'Mother &

taken at Window &

2pp., 12mo. In envelope addressed by Stirling to 'C Lonsdale Esqre. | Bond Street'. In fair condition, on aged and worn paper. 'Mrs. Stirling does not know how to thank Mr. Londsdale for his great kindness - not only now but always shewn to her by him. Mrs. Stirling remembers that she has the full store of the Midsummer Nights' [sic] Dream belonging to Mr. Lonsdale but she is warned by Mr. Lonsdale's Messenger that she must not now stop to thank Mr. Lonsdale fully, as she would wish.'

1p., 12mo. Good, on lightly aged and worn paper. The note reads: 'Mercredi. | Merci mille fois, mon cher Maitre, si vous êtes content, me voilà ravie! | Encore merci | Réjane'. In a postscript she states that she has profited from his criticisms.

Both items in good condition, on lightly-aged paper. ONE. Autograph note. 1p., 12mo. In envelope with stamp and postmark, addressed by Campbell to 'Lawrence W. Hodson Esq | Compton Hall. | near Wolverhampton'. The note reads: 'Dear Mr. Hodson. | I shall be very happy to see you on Thursday at 4 o'c. I consider it most kind of you to consider the matter at all. | Yours very truly | B S Campbell'. TWO. Secretarial letter or copy. 2pp., 12mo. Bifolium. In a neat close hand, with what purports to be the signature of 'Beatrice Stella Campbell', but is not.

1p., 4to. In fair condition, lightly aged and creased. He asks her whether she means by 'a favourite recipe' one 'which I know of that others are likely not to know of? Or just one that I like but might well be familiar?' He ends by suggesting that she try asking Alan Bates, 'who I think has a secret recipe'. He gives an address for the actor.

1p., landscape 12mo. In fair condition, on aged and dusty paper. The receipt, for £19 5s 4d, is printed, and completed in manuscript in another hand. Archer has signed over a red tax stamp: 'William Archer | 7/12/06'. Stamped, and numbered '2801' in blue pencil. In top right-hand corner, in the same hand as the receipt: 'C. B. 215'.

3pp., 12mo. Bifolium. Very good, on lightly-aged paper. He writes that her letter has 'exhilarated' him: 'I think there is nothing wh. gives one such thorough pleasure as praise frm those of whom one is fond. But I wish you would write some stories in the style of "Scenes of Clerical Life" (if that is the book I mean).' He has received 'cheerful telegrams from Mentone' and was 'pleased to get a note from old Weatherby who was in front the other night - & who left after the first piece'.

1p., 12mo. 25 lines, neatly and tightly written. In good condition, lightly-aged, and with pin hole to one corner. Blashfield declares himself 'much disappointed' that Thomas will not be presiding 'at the joint meeting on the 17th. Nov.', stating that he has been urging 'from the beginning' that Thomas should 'so preside'.

17 items, the collection in good condition, on aged paper. Item One: Autographs of sixteen individuals associated with the production, all signing to 'Sonia'. 2pp., 12mo. On bifolium removed from ruled notebook. The signatories are: Michael Bryant, Robert Hunter, Margaret Whiting, Hilda Braid, Vivian Matalon, Tony Church ('Sonia, our proletarian beauty | from hungry Hugo'), Jack MacGowran, Robert Adams, Prunella Scales ('Maggie'), Michael Balfour ('May you triumph over virtue'), Patrick Magee, Tony Robertson, Joby Blanshard, Anthony Jacobs, Lee Montagu and Ian Bannen.

Poyser was the author of the first 'Official Song-book of the Scout Movement', 'The Scout Song Book' (1912). He published a history of the Tower of London in 1908, 'when I was Master of the Music of the Collegiate Church of Allhallows Barking-by-the-Tower, City of London'. For more information, see The Times, 3 August 1964 ('Roll of Honour for Scouts'). 125 items, including letters, programmes, drawings, postcards, invitations, newspaper and magazine cuttings, relating to the Boy Players and 1st City of London Scout Troop.

2pp., on both sides of the lower half of a 4to leaf. The recto is numbered by Reade '2', indicating that the two pages constitute the second leaf of a letter. The text reads: '[...] therefore you will consent to do me a bare act of justice viz not to let that gentleman be my public critic in "the World." Of course I should be still more pleased if you would do me the honor to see the play yourself and pronounce upon it. However half a loaf is better than no bread.

2pp., 12mo. Very good, on lightly aged paper. In worn stamped and postmarked envelope, addressed by Jerrold to 'J. T Baron Esq | 18 Griffin Street | Wilton | Blackburn'. The letter begins: 'Messrs Bradbury Agnew & Co are the publishers of my "Life of Douglas Jerrold": but, the "Disgrace to the Family" is, I hope, out of print. It was written when I was a boy.' His plays 'Beau Brummel [sic]' and 'Cupid in Waiting' are both available from Lacy's Acting Drama. He concludes by apologising for being unable to give Baron 'Sir Charles Gibbon's address', being unacquainted with him.

2pp., 12mo. Good, on lightly-aged paper. A pencil footnote states that the poem referred to is 'In Praise of Puns' (subtitled on that occasion 'Paronomasiarum Laudatio'), published in the magazine 'Mirth', edited by H. J. Byron, 1878, p.115. Archer has no objection to the poem being reprinted, 'on one or other of two conditions: that you either omit my name (and any description pointing to me), or give the date of their original publication, and the name of the magazine (Mirth was it not?) in which they appeared. In either case, please omit the Latin sub-title.'

2pp., 12mo. Very good, on lightly-aged paper. In worn envelope, with stamp and postmark, addressed by Martin to 'John T. Baron Esq | 48 Griffin Street | Witton | Blackburn'. He begins by explaining that he has 'had every minute so fully occupied of late', that he has not been able to comply with Baron's request. 'Lady Martin has done what she is now most reluctant to do - written the name she once bore with a few lines from Cymbeline. I have copied the verse you wish from the little Bon Gaultier Poem'.

Six addressed to 'Edward'; five to 'Teddy'; one to 'Eddy; one to 'Edouard'; one to 'Cher amis' and one to 'Dear Roger'. Totalling 22pp., 4to; 11pp., 8vo; 2pp., 12mo. Ten of the fifteen letters are dated, the other six having only month and year. With copies of two typed letters to Ceccaldi from Edward, one from 1973 in English (1p., 4to), and the other from 1980 in French (2pp., 8vo), the latter accompanied by a synopsis of Ceccaldi's 'The Flight of Icarus', with a foreword by him, and a biography (the three items totalling 4pp., 8vo); also manuscript notes (1p, 8vo; 3pp., 12mo).

2pp., 12mo. Bifolium with mourning border. Very good, on lightly-aged paper. Barrett writes: 'Dear Hall Caine/ | The scheme promises well. I have made an arrangement for eight weeks at the Princess's. I thought it better to fight for the play there. Will certainly have a fair chance, although there can be no <?>.' According to Barrett's entry in the Oxford DNB, he returned from the Globe Theatre 'to the Princess's, where he began work with Hall Caine on adapting The Deemster, renamed Ben-my-chree (17 May 1888).

[1] + 10pp., 4to. Printed on rectos only, and stapled into blue printed card wraps. Very good, on lightly-aged paper, in creased and stained wraps with rust to staples.

2pp., 4to. Bifolium. Very good, on lightly-aged paper. Addressed by Waylett on reverse of second leaf 'To/ | J. M. Donnell Esq | Theatre Royal | Cork', with oval postmark in red, in two parts: 'MIDDAY MAIL | 20 AP | 1829'. According to Waylett's entry in the Oxford DNB, 'On 12 May 1825 she made, as Zephyrina in The Lady and the Devil, her first appearance at the Haymarket, under D. E. Morris. It was a successful début, but she was not encouraged by the managers, and after playing many different parts, some original, she went to Dublin.

1p., landscape 12mo. Good, on aged paper, laid down on fly-leaf of book. Bold signature, written in response to a request for an autograph: 'To/ | Miss Micheline Keating | With affectionate good wishes. | David Belasco. | 1924.'

The first four letters are each 1p., 12mo; and the fifth letter is 1p., 4to. The price list, which accompanies the last letter, is 2pp., 4to. All items in good condition, on lightly-aged paper. In the first letter (4 May 1980) he replies to his correspondent, thanking him for a letter 'concernant la representation d'Orphée aux Enfers que vous avez vu à Oxford en 1977'.

Letter One: 4pp., 12mo. Bifolium. With decorative letterhead in red. Very good, on lightly-aged paper. Addressed to 'My dear Old DD' and 'E. D. Davis'. He realises that Davis is in 'a precious state of mind', and will only send 'a few lines to exchange domestic greetings of kindliness & good fellowship from the circle of Balham to the Square in N'Castle - the waters of the Thames mingle with those of the Tyne'.

2pp., 12mo. Bifolium. Good, on lightly-aged paper, with small hole through both leaves. He will be too busy over the following days to visit Clark in person, 'and so I send you the first act of the MSS I talked to you about - I may say I read the 1st. act one afternoon to Miss Terry who wanted to take it to Webster - but I was disinclined'. If Clark 'had anything to do with it - the Blacksmith would be the [last word underlined] part'. He asks Clark to return it as soon as he can: 'as this is the American copy - and they expect it (but of course won't get it) by next mail'.

The sheet is 38 x 27.5cm; and the dimensions of the plate are34 x 25cm. At foot of plate: 'London, Published by Thos. Mc.Lean, 26 Haymarket, 1824.' The engravings, each 11 x 8cm., are arranged in two rows of two. In good condition, lightly-aged and with a torn pin hole at head, presumably where the print was torn from its string. Moving clockwise from top left, the prints are as follows.

12pp., 12mo. In original printed wraps bearing the title, dramatis personae, printer's slug, and contemporary pencil note: 'Performed at Literary Institute Wednesday June 8th 1898.' On aged and worn paper, with curling to fore-edge, and a cloth strip sewn on to strengthen spine. A comedy in heroic couplets. Excessively scarce: no copies on COPAC or WorldCat OCLC. Kirshaw was active between the 1870s and 1890s.