THEATRICAL

4to, 3 pp. Bifolium. Fifty lines of text. Clear and complete. Good, on lightly-aged and worn paper. He is willing 'to become a Patronizer' of the 'Society', and gives directions regarding shares. Suggests that 'the Committee should be a little more dovetailed with men of Rank & M.P.s as People always look at the Names in a Committee [...] I trust the Theatre will be West of Regent Street if Possible or of the Pantheon, & that the Committee Room may likewise be in the West'.

4to, 1 p. Text clear and complete. On creased, aged paper. He will not be able to visit Margate that season, as he is 'entirely occupied with private business', and is 'as much "nail'd to the Counter" as if I had to act every Night at Cov[en]t. Garden'.

12mo, 3 pp. Forty-two lines of text; clear and complete. On aged and lightly-stained paper, with pin holes and short biographical details typed at head. The Lambs and the Mathews were friends, and the letter begins with a reference to Lamb's celebrated collection of essays, which Anne Mathews had presumably presented to Carr: 'Many thanks my dear Mrs Mathews for the pleasures I have derived from Elia.' Discusses introducing 'two old Devonshire female friends' to the Mathews: 'They do not like to return to Devonshire [...] without this gratification.

Photocopy of word processor typed print-out. 8vo, [ii] + 53 pp. Good. In plastic binder. Title carries Dee's address. Second page lists the twelve sections of the play. Loosely inserted is a photocopy of a long review, with photograph, from the East Hampton Star, 26 March 1992, of 'a dramatic reading' of the play at Canio's Books, Sag Harbor. The play was not published, and there are no copies of this item on WorldCat or COPAC.

4to, 2 pp. Text clear and complete. On aged and lightly-creased paper. 'The nature of my business is a desire to become a tenant of the Prince of Wales Theatre, for a long or short time, and entirely subject to existing arrangements in order to produce a play which good judges (as well as myself) regard as one (if not the) play of the present generation'. The name of the play is not given. Barnes states that 'if Mr Harvey is your permanent tenant it would quite suit me to do the play at any time <?> another provincial Town'. He offers 'a short or long lease [...] with unimpeachable security'.

12mo, 2 pp. On bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. Part of the leaf to which the item was attached in an autograph album adhering to blank part of reverse of second leaf. 'Miss Cross' has written to him again, 'desiring me to use my influence in obtaining an engagement for her. - She states she is "quite disengaged now" '. Sothern states that when she made a similar request on a previous occasion 'there was some little misunderstanding', so he considers it best to 'drop you a line'.

Dimensions 25 x 20 cm: [ii] + 87 pp, all on rectos. Bound in stained yellow wraps, with black tape spine. Well-thumbed, but in fair condition internally, tight, clear and complete. The names of the eight actors are added in pencil in the list of characters. In the first six cases only the christian names are given ('Dracula' is given as 'Alan'), but 'Professor Abraham van Helsing' is played by Andrew Turner, and 'Lucy Westenra' by Jannina Tredwell (who featured in a 1974 revival of the musical 'Hair').

All four items good, on lightly aged paper. Two of the five leaves have small dog-ears to corners. Goodman has done his accounts on the blank reverse of one leaf. An important collection, in which the most important British post-war play agent reveals, in entertaining and increasingly-brusque terms, the criteria by which she judges scripts. Goodman was hailed by Jacques Barzun as 'the greatest living master of true-crime literature', but his first love was, as his obituary in the Daily Telegraph (16 January 2008) states, the theatre.

On one side of a piece of laid paper, 25 x 17.5 cm. Text clear and complete. Aged, foxed and creased. Giving casts of the two plays (the first headed by 'Mr. Waddy' as 'Twineall'; and the second by 'Mr. Inchbald' as 'Don Antonio'. After the first cast list: 'End of the PLay, an Address in the Character of The Genius of Charity. To be spoken by Mrs. Sharpe.' At foot: 'Tickets too be had at W. Keymer's Printing-Office; and Places for the Boxes may be taken at the Theatre from Ten to Twelve o'Clock each Day.

Around 140 items, laid down on 53 pp of a contemporary 37 x 25 cm stapled scrapbook. In original red and orange wraps, with 'Edinburgh Festival 1958' in manuscript on front cover. The collection is in good condition, on lightly-aged paper, with occasional items a little discoloured from mounting. The scrapbook itself is slightly grubby and ruckled. Collected by Victor Conn of Eltham, London, who was presumably responsible for the neat captions to some newspaper cuttings and other items.

On a piece of paper 6 x 14 cm. Laid down on part of leaf from autograph album. Good, on lightly-aged paper. Evidently in response to a request for an autograph. Good firm signature, with looped underlining. Reads: ' "We take the compositions as they are" | "Our Bazaar" | [signed] Albert Chevalier'. Chevalier's song 'Our Bazaar' was hugely popular. The published version (1894) gives the authors as Chevalier and Brian Daley, but the British Library ascribes it to John Charles Bond Andrews.

On fifty-seven pages, in a notebook of forty leaves (eighty pages). Dimensions: 20 x 16 cm. In red card covers with 'THEATRES' in manuscript on front. Pages aged and ruckled, with a little damp staining at rear (not affecting any of the ephemera) and a small amount of loss to a corner of the rear cover, but in fair condition overall. The first page, signed 'R. J. Olive', with title 'London Theatres'.

Both items in fair condition, on lightly-aged and foxed paper. Letter One: 12mo (15 x 10 cm), 1 p. He thanks him 'for the Tickets': 'we are looking forward to seeing you act. I shall be very pleased to come to smoke a cigarette after the first act off the Duel.' ('The Duel' was produced at the Garrick Theatre, London, in 1907.) Letter Two: 12mo, 2 pp. He thanks him 'for the excellent evening you gave me at The Coronet the other night. | The Incubus is an admirable play, and admirably acted.' He hopes France 'had a good week of it': 'I told innumerable people not to miss it.'

8vo, 72 pp. Stapled and unbound. Complete. On aged paper. The outer leaves are worn and coming apart at the spine. Otherwise the item is sound and tight. 1976 items. Items 783 to 883 concern 'the Bacon-Shakespeare Controversy'. Items 888 to 893 are 'Books from the Library of the late Dame Ellen Terry.' ('Only a few Books from her Library were sold, and Association Books are very difficult to obtain.'). Items 894 to 982 are 'Books on the Drama and Shakespeare, from the library of Henry Arthur Jones'. Items 983 to 1976 are 'Books on the Drama'.

The greater part of this collection consists of the responses of the British actor-manager Sir George Alexander (1858-1918) - best known as the first producer of Wilde's 'Importance of being Earnest' and 'Lady Windermere's Fan' - and his representatives to the requests of the scrapbook's compiler, Harry E. King. Twenty-eight leaf quarto scrap book, in which twelve leaves have been used. Items in good condition, with occasional spotting and fading. Album itself, on discoloured, high-acidity paper, in poor condition: binding loose and worn, with damage to spine.

On one side of a piece of green paper, 8 x 15.5 cm. Aged and spotted, and with traces of glue and paper from mount still adhering. Central closed tear (not affecting text) caused by removal from mount. In Cushman's florid hand, with the signature roughly 3.5 x 9 cm. Reads ' "Oh! I am fortunes fool!" | Charlotte Cushman | Dublin April 4th. 1846.'

12mo, 1 p. Fair, on aged paper, with traces of previous mount adhering to the corners of the blank reverse. Of course Hollingshead should 'wait till the last night of "used up" ' before writing to Mathews, who has 'hunted up Buckstone - hunted up Turpin - but in vain. Not a box to be had'. He has sent 'the best I could get': '3 Dress Circle to Mrs Smiles with "Mr Hollingshead's best compliments." '. In a postscript states that if Hollingshead wants 'a box for the "Overland Route" before the last night' he will be 'too happy'. 'There is always a run on last nights.'

LETTER: One page, quarto. Somewhat aged and creased. An attractive item in Carter's disciplined calligraphic hand. A damning assessment of Craig's son Edward Anthony Craig ('Edward Carrick', 1905-98). '[...] If you know him, you presumably also know what you are taking on! We had some dealings with Teddy over possibly printing old EGC's engravings of Robinson Crusoe, but Teddy sold them, [...] My impression is that the old rogue manufactured archives in order to sell them to someone - preferably twice.

One page, 12mo. Very good. 'Do forgive my delay. I had lost your letter!'

On a leaf of pink paper, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. The score, on the recto, consists of eight grand staff bars, titled 'St. Andrew | A + M 403. | Jesus calls us; o'er the tumult | E. H. Thorne'. The score is folowed by the signature 'A. E. Thorne | 30th. Aug 1929.' The autographs, on the reverse, read 'Yours Very Sincerely | Russell Thorndike. | (Death in Everyman.) | Grey Friars Mar. 1929.' and 'Harry Alfred Harding | June 1. 1929.' Thorne was a leading figure in the late-Victorian Bach revival. Thorndike was the detective novelist.

Quarto: 140 pages. 62 plates. Somewhat grubby and with a few nicks and dogears, but good overall, on browning high-acidity paper. In original red printed cloth, stained and with cover becoming detached. Accession number in red in top-right hand corner of title-page.

12mo bifolium (leaf dimensions 21 x 13 cm): 4 pp. On lightly-aged and creased paper, with a little spotting. Strikingly simple stylised illustration (14 x 9 cm) by Ross on cover, depicting a girl with long blonde hair, large black bow an elongated neck. The 'special appeal' (whose patrons are the king and queen) aims to raise £100,000 for 'The Brompton Hospital for Consumption'. The second page lists the Appeal's officers, and the third gives the cast list for Byng's play, including Ernest Thesiger, Viola Tree, Florence Desmond and Cicely Courtneidge.

From the collection of Alec Clunes, who performed as Don Juan in this excerpt from 'Man and Superman' ('Don Juan in Hell') at the Arts Theatre Club in 1946. Carbon copy of typescript by May Hemery Ltd, paginated 1 to 60, on the rectos of sixty leaves, preceded by title leaf ('Excerpt from Act Three | "MAN AND SUPERMAN" | By | BERNARD SHAW'. In original blue paper wraps, with yellow tape spine and label on front wrap. Grubby and worn, and with light staining to wraps, but tight, complete and clear. Numerous manuscript stage directions, mostly on the facing versos.

The dimensions of the envelope are roughly 6.5 x 12 cm. The flap has been gummed down and the reverse bears traces of glue from previous mounting. The front of the envelope is good, though slightly grubby. Reads 'James Claude Webster Esqe. | Secretary | Athenaeum Club | Pall Mall'. Docketed in a contemporary hand, in the top left corner, 'Charles Kean the Actor. | Decr. 1857.'

Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.

Dimensions roughly 26 x 20 cm. Four printed pages, in a bifolium, stapled into coloured illustrated covers. A scarce piece of theatre ephemera, in reasonable condition: creased, with rusted wraps and with one short closed tear to front cover, which carries the words 'Adelphi Theatre. Sole Proprietors, A. & S. Gatti.' and an illustration, painted in an impressionist style, of a fashionable group dining. Stamped 'Saturday Feb 19'. The back cover, also in colour, carries an advertisement for 'Vinolia Toilet Preparations', with an illustration, entitled 'Envy', by 'W.

On a leaf (roughly 15.5 x 18 cm) removed from an autograph album. Aged and a little grubby. Both hands bolder than usual. Recto reads '"Courage Mounteth with occasion" - | Yours sincerely | [signed] Violet Vanbrugh'. Verso reads 'Yours sincerely | Dora Labebette.'

Octavo: viii + 201 pages. Good and tight, on aged high-acidity paper, with some chipping and a little light staining at foot. A few pencil marks. In original printed grubby and chipped wraps cloth-taped to spine. Front wrap annotated in pencil. Four-page introduction entitled 'A PLAYWRIGHT'S WORKING LIBRARY.' Even considering the importance and interest of the theatrical collection, the high point is undoubtedly item 102: 'BLAKE, WILLIAM. ORIGINAL DRAWINGS IN WATER COLOURS and INDIA INK by the celebrated WILLIAM BLAKE (Pictor Ignotus).

Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'

Thirty-six weekly issues. As poster, c.29 x 39cm, fold marks indicate possible use as a brochure, good condition. Information given on verso: Theatre, Nearest Tube, Eves. & Mats, Play, Description of Play. At the bottom information about "Official Ticket Agents for All London Theatres" and a line encouraging smoking (especially Abdullas). Information given on recto: Garges in Theatreland, Contractors to West End Theatres, the title "page", and two columns of "Theatre Notes". The only MS. annotations are: Issue for 2-7 Jan.