TWENTIETH

On 12 x 21 cm rectangle, cut from the base of a 4to leaf. Good, on lightly-aged paper, with part of the card mount adhering to the reverse. A firm flowing signature which reads: 'Yours sincerely | Gilbert Frankau'.

The collection of seven items is in fair condition, lightly-aged and with slight rust staining to a few pages. The material is from the archives of an Anglo-German firm of City of London stockbrokers (see the list of clients in Item One below, all with German names), and is valuable for the material it contains revealing the impact of the First World War on the firm's own business (see Item Two below, regarding the 'Enemy [i.e.

The three items come from the papers of an Anglo-German City of London stockbroker, with Item One, below, indicating that he was based in Germany between 1898 and 1909, and that he had moved to England by 1917. A major point of interest is the fact that the material has been assembled by an educated, intelligent and well-informed individual with good knowledge of both German and English economic realities, at a time of high conflict between the two nations. ONE: 94pp., folio. In black cloth quarter-binding with brown marbled boards, and label of W. Harneit, Hamburg. Consisting of 88pp.

1p., 12mo. Very good. Wildeblood writes: 'I would like to thank you for your appreciative reference to my book in Tuesday's debate, and to say how much I admire your efforts to obtain a measure of justice for a section of the community that is necessarily inarticulate. I am proud to be associated with your activities and wish them every possible success.' Rather than homosexuals, the 'section of the community' referred to by Wildeblood was the 'prison population'.

48pp., landscape 8vo, comprising [ii] + 28pp. of text, followed by 12pp. of tables and plans, and 6 photographs, two of them fold-outs. Stapled, in original card wraps. In fair condition, on aged high-acidity paper. The first page carries a photograph of a smiling Nasser, with the quotations 'Industrialisation is a target leading us to establish a socialist co-operative Community' and 'And Electricity is the backbone of Industry.' Apart from two pages listing 'Contracting firms participating in the scheme', the text comprises an essay by 'Dipl. Eng.

1p., 4to. Good, on lightly-aged paper. Addressed to 'Mrs. G. R. Alden, 425 Embarcadero Road, Palo Alto, Calif.' Badger confirms that he has received 'the manuscript of "Nell Jenkins" and "Her Own Way"', and his firm has been 'considering the publication of the book very carefully'.

20pp, 12mo. Stapled. In red printed wraps, with cartoon on cover showing giant worker sweeping away miniature capitalists. In fair condition: lightly-aged and with central vertical fold. Scarce: the only copies on COPAC at the British Library and Warwick University.

1p., 4to. He thanks Stanford for sending 'the carbon' of his 'warm review' of Litvinoff's novel ('A Death out of Season'). He missed the article and the note Stanford wrote 'about my autobiographical sequence' in the Scotsman, but is now iinterested to see from the review that Stanford is 'nursing the idea of a 'Forties memoir. Amazingly, few of us have written about the decade. I shall be getting around to it one day also, I hope.

The first 40 prints in good condition, and the last three lightly-aged and fair. Each of the 20 Panajou Frères prints (19 landscape and 1 portrait) is mounted on a 24 x 30 cm piece of grey card, blindstamped with the circular monogramme of 'PANAJOU FRES | BORDEAUX'. Depicting an extensive concern, with the outside of a large plant by a country river, and every stage in the production of plywood from log to storage in the factory. A second group of 20 prints (15 landscape and 5 portrait) are unmounted, and measure 18 x 24cm.

The nine items are in good condition, on lightly-aged paper. Items One, Three and Four, from 1962, and stapled together, as are the other six items, dating from 1964-5. ONE: Autograph Letter Signed ('Benjamin Britten') from Britten to Juda. On letterhead of The Red House, Aldeburgh, Suffolk. 25 July 1962. Responding to Item Three below, Britten thanks Juda for 'sending the magnificent book on Graham Sutherland', which Britten is 'very glad indeed to have'.

1p., 8vo. Good, on lightl-aged paper. He thanks her for her telephone call, and hopes to give 'an illustrated talk about my work from 1980 onwards and culmination of themes towards sculptures for Victoria Square'. He will 'touch upon my conscious concerns for outdoor pieces in public, and working with others'. He ends by giving the title of the talk, 'If it is not too late'.

4pp., 12mo. Bifolium. On lightly-aged and creased paper, with short closed tear at centre of gutter. The first page is headed 'THE ACID TEST', and carries an announcement by Maurice, Roberts and Dryhurst, reading: 'The Georgia Committee, first formed in 1906 as the "Georgia Relief Committee," was revived in 1922 by the friends of Georgian Independence, and is open for membership to all supporters of the Rights of Small Nations.

7pp., 4to. On three bifoliums and two single leaves of watermarked laid paper, all loose, with the bifoliums placed inside one another and the single leaves inserted after the title. Very good, on lightly-aged paper. Written out in black ink, with the titles in red ink, in an excellent uncial hand. The five translations are 'My Own, my Native Land' and 'The Family Dinner-Party', both by Bowra; 'This World is all a Fleeting Show' and 'This defileth a Man', both by Murray; and 'Whom the Gods love', by Byron.

1p., 12mo. Good, on lightly-aged paper. She writes that she is enclosing a letter, which she would like sent on 'to the Manager of the Bournemouth Little Theatre Club if you will, as I do not know the address'.

1p., 4to. On aged and lightly-creased paper. Giving breakdowns for different seats in matinee and evening productions, as well as for programmes, with the number of complimentary tickets. The Arts Theatre Club was founded in 1927, 'in an attractive building in Great Newport-street shaped somewhat like the House of Commons' (Times, 9 May 1927). On its relaunch in 1933, its stated aim was 'to select plays of theatrical merit [...] with an entire disregard for their commercial possibilities' (Times, 18 December 1933).

Totalling 36pp., 4to. In fair condition, bound by Escott with brown paper into paper wraps, with the front wrap signed by Escott and bearing the typed label 'LETTERS from HERBERT PALMER on "Minstrels of Christ" and my second book of verse "Soar for Victory", amended in February 1948 to "Back to the Fountain."' An interesting correspondence, casting light on the workings of the mid-twentieth century publishing industry, from the point of view of a successful traditional poet strongly opposed to modernism.

Brochure: 4pp., 4to. Bifolium, printed in green and brown on yellow paper. With four photographs of children. Fair, on lightly-worn paper, with vertical crease to second leaf. Requesting help for 'Houses Workshops Farms': 'Are they not human beings like us? | Do they not all have similar rights? | Do they not deserve to live a life filled with work, duty and pleasure?' Mimeographed typed appeal: 3pp., 4to. On two leaves of paper stapled together by a corner. Headed 'The Botton Hall Estate, Danby, Whitby, North East Yorkshire'.

ii + 133pp., 8vo. Photographic portrait of the author as frontispiece. Fair, in lightly-worn blue leatherette binding, gilt. Inscription in English on front free endpaper: 'To National Committee for the Abolition of Capital Punishment, from Akir [sic] Masaki L.L.D. | 12. 22. 1969'. In a three-page 'Preface to the English Edition', dated July 1964, the author explains that the Japanese edition of the book was first published nineteen years before.

311pp., folio. With page of 'Errata' laid down on rear pastedown, under the manuscript heading 'COPY NO. 3. (PB).' With fold-out map of North America, and numerous plans and diagrams laid down in text, as well as several full-page plates. In original blue buckram binding, with 'REPORT ON AMERICAN VISIT | 1946.' in gilt on the spine. Good, on lightly-aged and spotted paper.

[v] + 135pp., folio. With diagrams and plans in text, and one large fold-out diagram of '100 Ton Waste Paper Cleaning System'. A well-produced item, well-typed and with clear diagrams, bound in navy buckram with 'REPORT ON AMERICAN VISIT | 1954' on the spine. In good condition, on lightly-aged paper. The text is preceded by an Index, a map of North America, and an itinerary. The 'objects of the visit' are given on the first page as '(a) To obtain information on the current production practice in Woodpulp and Paperboard Mills.

69 engravings, in brown 4to quarter-binding, with 'BIBLIO- | THEQUES' in gilt at head of spine, and 'PARIS | 1855' at foot. In fair condition, on aged paper, in binding worn at hinges. All engravings in 4to, with 12 double-page and 57 single-page. Two are in colour, the rest in black and white. Binder's stamp on front pastedown: 'BOUND BY G. PYMM'.

The letters provide a fascinating insight into the development of the transatlantic publishing industry. They are closely typed with single spacing, and both centre around Walton's employment situation and his complaints about the sending over from America of 'Mr. Russell', about whose 'absolute worthlessness to the business' he complains. Adair's letter: 2pp., 4to. Good, on lightly-aged paper.

Landscape 12mo. Fair, on lightly-aged paper. Reads: 'Dear Dan; / You're one of the birds I just love to be praised by! / As ever / [signed] Will Irwin'.

9pp., 12mo. Unbound pamphlet of five leaves. Fair, on aged paper, with rust to staple. Gives the two pieces played 'Before the Service', 'The Sentences', 'The Lesson', 'Hymn', 'The Nunc Dimittis' and 'The Blessing'. Scarce: the only copy on COPAC at the British Library, with a further four copies on WorldCat.

On a 12mo bifolium of laid paper with 'DUNEDIN NOTE' watermark. Good, on lightly-aged paper. On the cover are a large black swastika and the words 'An Old-Time Greeting.' The poem, titled 'The Rune of the Swastika.' and signed in type 'J. S. M.', is on the recto of the second leaf.

On blue card, with stamp and postmark. Bridges's message is complete, but the postcard has been trimmed to 14 x 5 cm, with the lower part of the card, carrying O'Toole's address, missing. Otherwise good, on lightly-aged paper. The message reads: '14. Merton St. | Dear Sir. I am writing to apologise for never having answered your letter of Feb. 29th. I have been too much engaged to be able to attend to my correspondents. I beg that you will excuse me. Yours truly | [signed] R Bridges.'

1p., 12mo. Good, on lightly-aged paper. A circular, with Blashford adding the names of the recipients in manuscript, together with the words 'and Thursday, April 25' and 'and a pastiche poster'. An invitation on 22 and 25 April 1918, to 'a very few friends (as my studio will only hold a few) to come to me on the eighth floor of Carnegie Hall, 57th Street and 7th Avenue, to see several decorative canvases, and a pastiche poster, some of which will probably not be exhibited again in New York'. Blashfield's papers are in the Archives of American Art at the Smithsonian.

1p., landscape 12mo. Good, on aged paper. Garrison's name and address are typed in the top left-hand corner. Her signature is written boldly beneath the poem, which is eight lines long, in two stanzas. It reads 'Because I snatched a pebble from the way, | And thought it priceless till that day my eyes | Filled with a clearer light, and knew my prize | Was worthless, poorer than the common clay; | Because of this shall I go clamouring, | "Behold, there are no diamonds!" and say, | "Look as ye will, ye find but pebbles"? Nay!

2pp., 12mo. 18 lines of text. Good, on lightly-aged paper. He thanks Reid for his 'explanation': 'Of course that's what it must be. It never occurred to me I'm afraid!' It was 'extremely kind' of Reid 'to write and to add such very nice things as a foot note'. If Reid is ever 'this way' Fowler will be 'delighted to show you this minute 1750-ish "Eye Catcher".'

1p., 4to. Eight lines. Fair, on lightly-aged paper, with slight discoloration to the blank reverse, caused by tape repair to a short closed tear. In envelope addressed by Gibbings to 'Mrs. de Navarro | P.O. Box 88 | Mont-Rolland | P.Q. | Canada'. He thanks her for her 'nice letter'. He is 'now hard at work on the engravings for my new book "Coming Down The Seine" to be published in the autumn; then I may be going back to Ireland again.' He ends in sending 'every good wish for 1953'.