Literature

Printed in purple on six pages, on the rectos of six leaves, each roughly 34 x 21 cm. Three bifoliums, loosely inserted one in the other to make a pamphlet. Text neatly written and complete. Good, on aged and lightly-worn and stained paper, with the discoloration to the blank verso of the last leaf more marked than elsewhere. Begins with a paragraph explaining the context, and ending 'It is strongly rumoured that all the high administrative appointments are to be given to E. I.

Landscape 8vo (leaf dimensions roughly 15.5 x 23.5 cm): [iv] + 98 pp of letterpress, and 24 tipped-in full-page lithographic engravings ('taille-douce' over a tinted background), one illustrating each of the book's twenty-four chapters. Woodcut engraving on title-page. In contemporary brown cloth with green patterned endpapers. A tight copy, with the first few leaves somewhat grubby and worn at bottom outer corners. Occasional foxing throughout. Alhoy (1802-1856) was co-founder of 'Le Figaro'. Second and last edition.

Dimensions roughly 26 x 20 cm. Four printed pages, in a bifolium, stapled into coloured illustrated covers. A scarce piece of theatre ephemera, in reasonable condition: creased, with rusted wraps and with one short closed tear to front cover, which carries the words 'Adelphi Theatre. Sole Proprietors, A. & S. Gatti.' and an illustration, painted in an impressionist style, of a fashionable group dining. Stamped 'Saturday Feb 19'. The back cover, also in colour, carries an advertisement for 'Vinolia Toilet Preparations', with an illustration, entitled 'Envy', by 'W.

Dimensions: 17.5 x 13.5 cm. 64 pp. In original coloured paper covers. Priced at 10d, and thus the British edition and not one produced for the foreign market. Good and tight, on browned paper. Attractive image on front cover showing a bemused Holmes puffing on his pipe as he wanders down a country-house corridor whose walls are covered in paintings, while the spectral figure of the hound's head looms above him.Covers lightly worn and slightly damaged by the rusting of the staples. Both stories are told in comic strip form.

"Collected by Robert King, brought to one standard by J.G. Jewels, and drawn by F. Austin Childs", one of 120 copies, [69]pp. inc. colophon, 12mo, Original buckram-backed marbled boards with paper label to spine, somewaht battered (sp. label chipped), sl. hinge strain, foxing. INSCRIBED by "Collector" and Publisher, Robert King to one of theose acknowledged by King in his Preface: "To Mr Julius Turner | With Compliments and thanks | for assistance in the preparation | of this book. | Robt King ||".

Dimensions of all four items 18 x 14 cm. Two landscape and two portrait. The margins of the plates have been cut away, so that each illustration covers the whole piece of paper. All four items are in good condition, although one has a small patch of the top-left hand corner damaged from removal from mount, and another has a 1 cm closed tear to an edge. Attractive colouring. All four are night scenes with a full moon depicted, holding up to the light intensifying the effects.

Four plates, each roughly 39.5 x 22 cm. Good, clear impressions. The first two plates have a little light staining in the margins, and the first has some light foxing. The other two in very good condition, and the set good overall. An attractive series, each plate containing twelve main engravings, mainly of an infantryman with his musket in various positions, but also of an officer with sword. Begins with 'Dress to the Right' and ends with 'Sword Salute'. Mains numbered series begins '1st. Poise Firelock' and ends '35th. Shoulder Firelock'. Occasional smaller engravings in the background.

8vo: 8 pp. Unbound. Stabbed as issued. Very good, on rough-edged wove paper. The seven-page advertisement, signed in type by Cobbett, is succeeded by a page headed 'New Books, published by COBBETT and MORGAN'. (Eight titles are listed.) The advertisement is a personal address from Cobbett, the second paragraph casting valuable light on his motives and intentions: 'When I first undertook the Register, I was fully persuaded, that the plan, which, indeed, I had long thought of, was well calculated to ensure a wide circulation, and to produce an extensive as well as a lasting effect.

Printed on one side of a piece of wove paper roughly 230 x 90 mm. On pitted, aged paper. Text complete. Approximate 30 x 50 mm piece torn away from top right-hand corner, causing loss to small illustration at head, which appears to be a crude woodcut of a woman lying in a coffin. The poem consists of thirty-six lines arranged in five stanzas. The first stanza reads 'Dear Peggy, read this letter, | its the last one I'll send, | Our long correspondence, | is now at an end.

On one side of a piece of thin wove paper, roughly 260 x 95 mm. Aged and creased, with internal 25 mm closed tear affecting four words of text (all of which can be completed from the context) repaired on blank reverse with archival tape. Otherwise text and illustration clear and entire. Small (30 x 40 mm) woodcut at head, showing two early nineteenth-century country coves outside a cottage. The poem consists of ten four-line stanzas.

Printed on one side of a piece of wove paper roughly 280 x 95 mm. Aged, creased and spotted, with chipping to extremities, but with text and illustration clear and entire. Curious small (roughly 40 x 65 mm) crude illustration at head, showing dove with olive branch and acorn. Forty-line poem arranged in five stanzas. Interestingly-garbled nineteenth-century folk song with ancient antecedents.

Not paginated but twelve pages (Months!), 4to, with detached original front wrap, chipped and marked, missing back wrap, contents good, in unrelated folder. INSCRIBED top right of front wrap by Beatrice Crane, Walter's wife, and collaborator on this work (the verse): "Marguerite Marigold / from / Beatrice Crane/". Not listed in Masse.

12mo: 8 pp. Leaf dimensions 18 x 11.5 cm. Unbound. Stitched as issued. Good, on lightly-aged paper with foxing to first page. Complete: paginated [1] to 8, and with 'Finis.' at the end.

12mo: 97 pp. A good, tight copy, on aged paper, in contemporary calf binding gilt. All edges gilt, marble endpapers, dentelles. Binding rubbed and worn. Apparently complete (and certainly complete as bound), containing all four stories listed in the National Library of Ireland entry, but having 97 rather than the 167 pp in that entry. A landmark work in Irish literature, highly regarded as a pioneering attempt to modernize Gaelic narrative.

12mo (leaf and plate dimensions 115 x 80 mm): [ii] + 247 pp + 6 hand-coloured engravings. Good, on lightly aged and spotted paper, in heavily worn original boards, with ink stain on back board. The plays included are: [1] Das Urtheil des Paris; [2] Die Tochter Pharaonis; [3] Ruebezahl; [4] Incognito; [5] Die Uhr und die Mandeltorte; [6] Sultan Bimbambum. Engraved title and six whimsical hand-coloured engravings by Mueller from the designs of the Frankfurt artist G. M.

Dimensions of leaf roughly 16 x 10 cm. The removed title leaf of a book: aged, foxed, and with chipping and short closed tears to the edges. The inscription reads 'John Franklin Junr. | from The Author.'

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

12mo: 24 pp. In original pink printed wraps: the front wrap bearing the title; the recto and verso of the rear carrying newspaper reviews of works by 'Scribble'. Stitched. On aged and spotted paper. Wraps heavily worn. A worn presentation inscription can be made out at the head of the title: 'Dr <?> With the Authors Best regards'. Pp.1-2: Introduction and Author's Preface (the latter dated 'Dublin, May, 1864.').

On a piece of thin card roughly 8.5 x 11.5 cm. Very good. Good signature, 7.5 cm long, neatly centred.

Item One: 'Dein Sternbild' (1960). 8vo: 7 pp. In original cream printed wraps. Stitched. Printed on the rectos of seven leaves. Good, in slightly grubby and worn wraps. German inscription to Nelly Weiss. German poem. Nicely printed on watermarked laid paper. Item Two: 'Pablo Neruda' (undated). 12mo: 3 pp. German translation by Mohr from the Spanish. Six-line note explains the context in which the poem was translated. With manuscript correction and signature of Mohr. No other copy traced.

12mo: 2 pp. Twenty-one lines of text. Very good, on lightly aged paper. Admits that he has 'been very remiss in answering' Harford's 'kind note, and acknowledging the book which accompanied it'. 'I may be excused, for I am, indeed, overwhelmed by letters, interviews, meetings, & all sorts of business'. He will soon read the book, which he hopes will raise his spirits 'from the daily increasing wear & tear of body & mind, in these troublous times in which we live'.

16mo (11.5 x 9 cm): 1 p. On aged paper with a diagonal crease towards top right-hand corner. In a shaky hand. Reads 'With much pleasure I accept your hospitable invitation for Nov. 20, at 1/4 to 8; - and am | Very truly Your's | [signed] J. Doran'.

4to: 1 p. Thirteen lines of text. Text clear and entire on aged and creased paper. Remains of stub from previous mounting adhering to reverse, and short printed biography tipped in along margin. A formal letter in the third person. Galway is 'extremely [underlined] sorry that he shold have given Mr. Neale so much trouble respecting the eighth Part of Westminster Abbey', which the peer had assumed was missing, but 'finds upon farther examination that it is with the other numbers'.

12mo: 1 p. Seven lines of text. Monogram in red in top left-hand corner. On creased and aged paper, with pinholes at head (not affecting text). Scan on request.

The proofs are on one side each of five strips (each approximately 60 x 15.5 cm) of discoloured high-acidity paper. They are in good condition, with a little light creasing, and slight chipping at head of first strip (not affecting text). They are headed 'GALLEY ONE [TWO, THREE, FOUR, EIGHT]'. Text clear and entire. The article reads continuously, with no hiatus between Galleys Four and Eight. Some simple errors indicate that these are early proofs, i.e.

Total thirteen pages, mainly 8vo, fair to good condition, texts clear and complete. Jocular, often obscurely, and in a difficult hand, subjects include: an invitation to ride; Furniss missing the Cardinal; trip to Calais; Paris trip for "Mr Punch"; "night gatherings of clubs"; Lord Rosebery; another ride, giving directions, suggesting meeting at Tenniel's place, and concluding with cartoon of a mill on top of a hill (obvious destination); reference to the Punch table and something confidential happening involving the proprietors.

One page, 8vo, grubby but text clear and complete. He introduces a colleague from his Green Room, Frederick Mervin, whom he describes as a good fellow as well as an actor and singer of ability. He hopes his correspondent will make Mervin's "trip to the Colonies pleasant to him (presumably Australia) . "I hear all the news about you from your brother Alfie when I meet him. I trust this new venture will be hugely successful." Note: Lyster opened in Melbourne with a new company but died in Nov. 1880, presumably shortly after receiving this letter.

On a piece of paper roughly 5.5 x 13 cm. Good firm signature (8 cm long) on lightly aged and creased paper. Reads 'Faithfully yours | [signed] Marie Corelli'. Fragment on reverse reads '<...> education nowadays <...> hope you <...> induced to <...> estimable'.

Piece of paper, c.17.5 x 11cm, fold mark down middle, good condition. The initialled poem, four lines, is headed "Love" ("Poor is the man who in self-hardened shell . . . . And grows to great estate by loving great and small." The next heading is "Life" folowed by the line "Why stay us on the earth, unless to grow. | Browning", followed by the heading "Evil", with the line, "I gulp down the devil, without looking at him. | Goethe's Werther".

On a piece of wove paper, roughly 5 x 14.5 cm. Rough lower edge. Good, on lightly aged paper. 0.5 cm closed tear at left (not affecting signature). Paper folded once vertically. Good clear signature.