CENTURY

12mo: 3 pp. Bifoilum. Thirty-six lines. Text clear and complete. Fair, on aged paper, with several pin holes, light spotting, and a 1 cm closed tear along a fold. A lighthearted epistle, beginning 'Dear Everard, Dear Everard | The Cistercians make an awful mistake in giving free meals. My Charity-organisation Society temperament rises in wrath: if they wd only apply the labour test for an hour or less - but free meals! I have watched the moral ravages of free meals and feel more strongly abt that kind of thing than about Home rule or Mediaeval Brases.

On piece of paper 13 x 8.5 cms. Lightly spotted and discoloured. Traces of previous white paper mount on blank reverse. Reads '<...> certainly go, & see with a true sentiment of respectful Love, the Bust you mention. I have been very ill for sometime, & I am very much still of an Invalid. I am very | Truly Yours | [signed] Jane Davy | Monday | May 19th. 1851.'

The letter (8vo, 1 p) is foxed, but otherwise very good. Had he not been 'engaged for ten days past to dine three or four miles off with an old acquaintance', whom it is too late to disappoint, he would have been happy to avail himself of the kind invitation. Sends best wishes and prayers to the recipient's family, 'from the elder to the youngest'.

Three pages, 12mo. Very good: lightly aged and with the merest glue spot to blank verso of second leaf of bifolium. Mackay's 'signature' appears to be in the same hand as the rest of the letter. He has had a 'severe attack of inflammation of the eye', and this has prevented him from reading or writing during the previous week. For the same reason he is replying to Alford's letter of 1 March through an amanuensis. Three weeks previously Mackay 'received a packet from Mr.

8vo: 3 pp. On grubby, lightly creased paper. The recipient has made Meldrum a 'pretty present' of her edition of Burns (COPAC provides no clue as to her identity). He finds the volumes 'very dainty', and will read her notes 'with interest'. He has already read her 'Introductions' with 'great pleasure'. He comments on her assessment of a couple of poems and finds her 'standpoint' on 'the man & the poet' 'capital'. 'But you must allow me one criticism: you read into the poems a political significance which I'm sure wasn't there.

8vo: 2 pp. The 'idea is worth Consideration', but Blackwood 'can hardly see how any large sale cann be depended upon, so as to repay the expense of printing advertising &c.' Asks that Morris send him 'one sermon, to indicate style, length & to estimate cost'. Asks what size of paper should be used. Notices that Morris's works are 'principally on natural history'. Likes the idea of 'the <?> natural history', and 'will take an early opportunity of looking at it'. This notable London publisher is a surprising omission from BBTI.

Scottish scholar, folklorist, poet and man of letters (1844-1912). Four pages, 12mo. Good, but the last page in particular grubby and stained. Shaky hand indicating old age. He wishes his correspondent (presumably a member of the noted firm of solicitors), 'or some other discreet and learned person, had seen the portrait [owned by Freshfield?] in its quite untouched condition. The eyes are not of the usual long heavy lidded kind, and the mouth is rather "restored," I think. | It should be of 1579, when Mary was allowed to send presents to James VI, which he was not allowed to accept.

4to bifoliate pamphlet; four paginated pages. Neatly folded twice. Some wear along creases, and with top half of recto of first leaf grubby and with one pinhole, otherwise in good condition. Begins 'THE University Chairs of Theology in Scotland are sectarian, in the sense of being restricted to one section of the Presbyterians of Scotland - the Church Established. This restriction has been felt as a very injurious and offence part of Church Establishment in Scotland, because in all other respects the Scottish Universities are national and catholic.'

12mo: 8 pp. Unbound. On art paper. Fair: lightly-aged with a little spotting to outer pages. 'Six poems, associated with, or in the autograph of, Williamina Belsches Stuart, who, when Sir Walter Scott's courtship of her was not countenanced by her parents, married Sir William Forbes, 7th Bart., of Pitsligo, are in the National Library of Scotland.' Uncommon: COPAC lists copies at five of the six deposit libraries, at St Andrews and at Edinburgh.

Scottish judge (1857-1942). One page, 12mo. Black-bordered. In good condition. Thanks Menzies for the copies of the Society's journal. 'I have ceased to have any active connection with the Copper Company, but I found Professor Carpenter's Lecture very interesting, although it is pretty technical - | I hope you and your wife are keeping well'. Signed 'Edw T Salvesen'.

4to: 1 p. 15 lines of text. Good, on lightly aged paper, with a light stain affecting but not obscuring a couple of words. Text clear and entire. Docketed on the reverse of the otherwise-blank second leaf of the bifolium.

12mo, 1 p. Fair, on aged paper. Reads 'The Duke of Portland presents his Compliments to Dr. Taylor, and has the honor to acquaint him that he will be very proud of the honor of being elected a member of the Society of Arts -'.

12mo: 3 pp. Good, on lightly-aged paper. Concerns Pryor's posthumous 'Flora of Hertfordshire' (1887), which contained an introduction co-written by Hopkinson. Four copies of the book are being presented to Mrs Pryor 'by our Society'. 'This is partly the cause of the delay in sending them to you, for we had to wait for authority from the Council of the Society, to present them.' The rest of the letter concerns the large paper edition of the book, a copy of which Hopkinson offers to procure for Mrs Pryor 'at the subscription price'.

8vo: 1 p. Good on lightly-aged paper. Small closed tear at head, and traces of glue and grey paper from previous mounting on reverse. He is sorry to say that he will be 'away at the seaside' when Bennett is in London. If he is 'in town again shortly' Jackson will be glad to meet him. 'I am to be found most days at 29 Henrietta St, Covent Garden [the offices of 'T.P.'s Weekly', on which Jackson held an editorial position] - but it is safer to make an appointment.'

Stitched 4to notebook, in original brown calf half-binding, with grey paper boards. 71 pp of text, with a further 19 pp blank, across 45 leaves of watermarked laid paper. Leaf dimensions roughly 19 x 15 cm. In good condition: internally clean and tight, on lightly aged paper. In worn boards. Ruled with red lines. Neatly written and entirely legible.

12mo: 44 pp. Unbound. Text clear and complete on aged paper. Ten paragraphs on pp.7-10 have terse, sardonic phrases added at the end, apparently by a Jacobite sympathiser. For example, 'by <?> the old cause' added to one ending 'a Country brought to Ruin, or in a fair way to it.'; 'in this world' added to one ending 'will never come to Light.'; 'in a publick manur' added to one ending 'the secret Treaty now concluded.'; also 'much adoe about nothin'. Scarce: all but a handful of the entries on COPAC are for facsimiles. No 'finis' at end, but complete according to COPAC entries.

Two pages, 12mo. Good, with minor effects of damp. Text clear and entire. Twenty-five lines. Harraden has found an old acquaintance, Mrs Charles Routledge ('the widow of the son of Colonel Robert Warne Routledge'), in 'very distressing circumstances; she had been very ill from blood poisoning in the leg, had been in hospital, & in the work house'. Mrs Routledge has 'done her very best [...] to fight an adverse fate', working hard 'as a house keeper, maid of all work, servant of lodging house'.

170 photographs, on forty-one pages of a fifty-page album with leaf dimensions of 26 x 35.5 cm. The album is half-bound, with black leather corners and spine, and green faux-leather boards, aged and with loose leaves and worn binding. The photographs are often slightly faded, but are for the most part in good condition. Each page is entirely filled, the photographs ranging in size from 22 x 26 cm to 3 x 2 cm.

4to: 22 pp. Leaf dimensions roughly 280 x 210 mm. Ring binder in original card wraps printed in red. Very good in lightly-spotted wraps. Ring binding slightly rusted. Features ten pages of bright, striking and attractive label designs. The first page shows four 'Colours of Design Separated' for 'William's Extra Stout'. The second page shows, in four diagrams, how 'The colours are printed one after the other' on a label for American Cream Soda. Another page shows the design for 'Smith & Jones Ltd Nut Brown Ale in three colour combinations. Other products include S.

4to: 48 + [3] pp of letterpress, with additional leaf after title of 'Errata of Letter Press' and 'Errata in Plates'. Twenty numbered plates (the first two transposed), including one fold-out, and a final seventeen full-page unnumbered plates ('Examples'). Apparently complete. In original brown quarter binding, with cloth spine and paper boards. Ownership inscription of 'Lady Rolle' (1796-1885, born Louisa Barbara Trefusis) on front board. Text clear and complete. On aged and lightly-spotted paper, with wear to extremities and wraps, and cloth spine torn and worn.

Printed on one side of a piece of wove paper, dimensions 22 x 14 cm. Text clear and complete, on aged and lightly-spotted paper, with minor wear to extremities. Headed 'Under the Patronage of the Nobility and Gentry.' 48 lines of text, including positive quotations from the Observer, Christian Advocate, Sunday Times and Albion and Star. Describes ten aspects of the exhibition, lettered A to K, including the conveyance of the ore 'to the surface by a --- (G) --- POWERFUL HYDRAULIC MACHINE, first in kibbles, through a perpendicular shaft, and lastly in waggons drawn upon an inclined plane'.

12mo: 8 pp (a 43 x 27 cm leaf, printed on both sides and folded twice to make four unopened leaves). Pamphlet. Text clear and complete on lightly-aged and spotted paper. 'Conditions of Sale' on reverse of title. 170 lots, with lots 48 to 68 priced and named by the auctioneer, who gives the total as £4 9s 6d, with 'Commission & Exps.' of £0 8s 6d. Interesting manuscript note at head of title: 'Lot 65 not sold - is the Drawers & Dresser in the Storeroom in the Parlour which were not a part of the Tenants Fittings and belong to the Landlord - and were not taken by Mr.

On one side of a piece of pink paper, roughly 18 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Eight bars of music and libretto, with staves for 'Soprani', 'Alti', 'Tenori' and 'Bassi'. Covering most of the page, and followed by 'From "The Waters of Babylon" (Psalm 137) | (May 1935.) | E. Phyllis Roberts. | June 15th, 1935.' Twenty-nine line poem 'To the Gentle Owner of this Album' on the reverse, signed 'Moir Carnegie | 21-6-10'. (in whose name a "prestigious" prize was given).

On the recto of a piece of pink paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Phillips's autograph is in the top left-hand corner, reading 'Montague F. Phillips | March 1927.' Above it are four bars of musical notation, marked 'allegro' and titled 'The Fishermen of England. The Rebel Maid" - both by Phillips).' Beneath this, and divided from it by a diagonal line, is Phillips's wife's autograph: 'Yours sincerely | Clara Butterworth'. The couple met while both students at the Royal Academy of Music.

12mo, 2 pp. Ten lines of text. Good. Asks 'upon what terms' he may 'publish some of the songs I have set from the charming volume you sent me'. He is 'acquainted with the Gentleman' to whom Bennett has dedicated his book: 'it was in his shop I was introduced to Longfellow'. Possibly referring to Bennett's 'A Sea Song' and 'The Sea-Boy's Dream', set to music by Hatton and both published in 1861.

On both sides of a piece of paper, roughly 18 x 23.5 cm, taken from an album. Very good, on lightly-aged paper. Thirty-two grand staff bars, in black ink, with title and signature in blue. Signature, following the score, reads 'Douglas Hopkins | September 2nd. 1926'.

On a leaf of pink paper, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. The score, on the recto, consists of eight grand staff bars, titled 'St. Andrew | A + M 403. | Jesus calls us; o'er the tumult | E. H. Thorne'. The score is folowed by the signature 'A. E. Thorne | 30th. Aug 1929.' The autographs, on the reverse, read 'Yours Very Sincerely | Russell Thorndike. | (Death in Everyman.) | Grey Friars Mar. 1929.' and 'Harry Alfred Harding | June 1. 1929.' Thorne was a leading figure in the late-Victorian Bach revival. Thorndike was the detective novelist.

On one side of a leaf, roughly 18 x 24 cm, removed from an album. Good, on lightly aged paper. Sixteen grand staff bars, followed by 'from Minueta Trio for pianoforte | [signed] Leslie Regan | 10 July 1919.'

On a piece of yellow paper, 18 x 23.5 cm, removed from an autograph album. Dimensions of image 12.5 x 17.5 cm, neatly enclosed within a border. Good, on aged paper discoloured at extremities of margin. An accurate and detailed drawing of the organ in its setting on the balcony, with ceiling above and the surrounding steps, columns and alcoves.

On one side of a leaf of green paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Thirteen bars, with staves for soprano, alto, tenor and bass. Covering the greater part of the page, and followed by 'From Mass in C minor. | for five voices. | [signed] Ronald. M. Brunker. | June 28th. 1927'.