CENTURY

Printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in green and black, roughly 7.5 x 6 cm, showing a picture of a domestic Christmas interior in an ivy-topped frame. Inside the card, on the left-hand page, is Monro's poem, of 18 lines arranged in three stanzas, beginning, 'The Curate and the Spinster sit.

8vo: [ii] + 70 pp. Internally sound and tight, on lightly-aged paper. In worn contemporary burgundy quarter-binding with heavily-worn spine, recased with repair to rear endpapers. COPAC lists an entry for a copy in Cambridge University Library described as 'Probably the Lithographic facsimile by H.J. Bellars. London, reprinted 1861'.

12mo: 12 pp. Stitched and unbound. Fair, on lightly-aged paper with slight wear to extremities. Numbered 1355 at foot of first page. On first page 9 x 7 cm engraving of the monk Luther reading in a library. Beneath the title the author is described as 'James Macaulay, Esq., M.A., M.D., Author of "Luther Anecdotes," [published c.1883] etc. etc.' Curiously scarce considering the publishers: no copy in the British Library or on COPAC. For more on Macaulay see his entry in the Oxford DNB.

Landscape, on one side of a piece of thick paper 24 x 30.5 cm. The print itself is 22 x 27.5 cm. The print is clear and entire on lightly-aged paper, with wear to extremities and some repair to reverse, to which a tissue guard has been attached. Enclosed within a decorative border of birds and flowers printed in burgundy, brown and gold, is a delicate illustration (9 x 15 cm), somewhat akin to a Baxter print, showing a sylvan scene with two young lovers in seventeenth-century attire.

8vo: 4 pp. Bifolium. 66 lines. Text clear and complete, on aged, spotted and worn paper. Letterhead with printed mottos in decorative borders: 'Total Abstinence is the only certain Preventive of, or Remedy for Intemperance.' and 'INDIVIDUAL ABSTINENCE. | STATE PROHIBITION.' In conclusion Gell apologises for 'what you no doubt will stigmatize as an absurd letter', and to the modern reader this item is certainly unintentionally-amusing. Since his correspondent 'went up', 'one of my Tasmanian friends along with Mrs.

Text of all three items clear and complete. All three on lightly aged paper, creased and with some wear to extremities. Letter One (8vo, 1 p; 20 lines of text): She thanks Bonham Carter for her 'kind and appreciative letter' and 'will see that through the English Embassy' she receives 'a copy of my short story: "I due prigionieri", of which your son is the protagonist'. (An officer in the Grenadier Guards, during the war Mark Bonham Carter had escaped from a prison camp in northern Italy.) Describes material she is sending relating to her 'literary career'.

2 vols, 12mo. Vol.1: viii + 264 pp. Vol.2: viii + 336 pp. Complete, with all the engravings of sheet music listed in the contents (vol.1: five two-page plates and one four-page plate, with one more piece of music 'printed with the letterpress'; vol.2: one two-page plate). Both volumes good and tight, on lightly-aged and spotted paper. In worn contemporary half-calf binding, marbled boards, with the first volume rebacked. Each volume with bookplate of Frederic Perkins, Chipstead Place, Kent.

12mo: 1 p. Eight lines of text. Fair, on lightly-aged paper. A bifolium, addressed by Quatremère on the reverse of the second leaf. He is returning a work borrowed from the library of the Institut, and asks Feuillet 'de vouloir bien me communiquer le Voyage de l'Anglois en Afrique, et le 5e. volume de la nouvelle histoire des voyages.'

On a piece of good wove paper, roughly 415 x 260 mm. Dimensions of engraving 180 x 220 mm. On aged paper and with the margins of the leaf trimmed. Laid down along the right hand margin runs a strip of blue paper, 30 x 410 mm, which it may be possible for a professional restorer to remove. This edges the border of the print (which is clear and entire) and overlaps a few letters of the text. Neatly coloured in sombre tones.

12mo: 159 + [9] pp. (Publisher's catalogue of 'Books Printed for Nath. Crouch at the Bell against Grocers-Alley in the Poultrey near Cheapside.' begins at foot of p.159 and continues for nine unpaginated pages, ending 'FINIS.') Lacks frontispiece. Woodcuts on pp.26, 61 and 121. In worn original calf binding. No endpapers. Aged and with worn fore-edge. Separate title to second part on p.89 ('The Secret History of the Lady Jane Gray', 'London: Printed for Nath. Crouch. 1710.') Scarce: COPAC only lists reproductions, with the note: 'R.B.

An attractive item, printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in yellow and black, roughly 2 x 8.5 cm, showing the word 'CHRISTMAS' within a floral border.

Printed on a sheet of wove paper roughly 37 x 24 cm. Fair, on lightly aged and stained paper, with slight wear to extremities. Illustration, roughly 9 cm square, shows Christ, a crown of thorns above his head and a crucifix behind him, blessing an orb which he holds in his hand. Attractively printed in two columns divided by decorative rule, with ornament beneath title. Text in small type, divided into sections titled 'A Letter of Jesus Christ', 'Christ's Cures and Miracles', 'King Agbarus's Letter to Christ', 'Our Saviour's Answer' and 'Lentulus's Epistle to the Senate of Rome'.

12mo, 2 pp. 12 lines of text. Very good on lightly-aged paper. He has received Holdsworth's letter, and is 'sorry to hear that you found our description of the Royal Hotel not justified'. Note will be taken of Holdsworth's 'experiences' and 'whatever alterations are necessary' will be made, 'when next we reprint the Index & Directory of the Handbook'. 'Notes such as [Holdsworth's] are most acceptable.'

8vo, 1 p. Good, on lightly-aged paper. In response to a 'kind note', Samuelson informs Sonnenschein that 'the next number of our Review, which will appear shortly, is to deal with the Irish question'. He has 'a very copious list of publications' and although he would have welcomed Sonnenschein's assistance, he hardly thinks it is worth his while at the present time to trouble himself over the matter, 'for reasons which I will explain to you some day'.

Letter: Folio (30.5 x 20 cm), 1 p. Bifolium, with text on recto of first leaf and address (with several postmarks) on reverse of second. Five lines. Text clear and complete, with good clear signature. Fair, on aged and lightly-creased paper, with 1.5 cm closed tear in top left-hand corner (not affecting text). The 'Objet de la lettre' is given as 'Envoi d'un Brevet de Pension'. The pension will be paid 'par la Caisse d'Amortissement'. Engraving: Original, on paper 24 x 15.5 cm. Captioned 'G. CUVIER.' A good clear impression on grubby, spotted and lightly-creased paper.

4to, 1 p. Bifolium, addressed with postmarks, penny red stamp, and remains of black wax seal, on reverse of second leaf to 'Mr Blanchard, 5 Hackney Terrace, South Hackney'. Text clear and complete. In poor condition, on aged, ruckled and stained paper. Following their 'conversation of Saturday Morning' Brewer agrees 'to purchase the Copyrights of the "City Polka's [sic] & also the Song entitled "Ever the Same" upon the following terms [...]'.

12mo, 1 page. Bifolium with address ('John Gough Nichols Esqre. | 25 Parliament Street | London') on reverse of second leaf. Grey paper. Fourteen lines. Text clear and complete. Good: lightly aged and with one corner slightly creased. Begins 'I have much pleasure in again committing to your care Torkingtons M.S. Pilgrimage with my Transcript, & shall be gratified by seeing it embodied in a Vol: of the Camden Society Publications. How soon will the Volume be issued?' In a postscript enquires after a copy of Sir George Chetwynd's 'Catalogue of Provincial Coins'.

4to, 1 p. Eight lines in typescript and one line in manuscript. Good, on lightly-aged paper. With stamped Envelope addressed in manuscript. The firm is 'sorry to hear' that she intends to 'take two volumes' over her book on Henry III, not considering that 'a biography of him could succeed in more than one complete volume. To take him to 1237 in the first volume would spoil the completeness of what we feel should be a one-volume biography.' He adds in manuscript: 'I hope we will not prove too unwieldy.'

12mo, 2 pp. Bifolium. Eleven lines. Text clear and complete. On aged, grubby paper. Spike hole in top left-hand corner (not affecting text). Docketed at head. Granting Maguire permission to publish extracts from the out-of-print 'Greenwood's Selections from Wellington's Despatches [sic]', providing he makes 'the full customary acknowledgement of the source whence they are taken'. The two parts of Maguire's 'British Army under Wellington' appeared in 1906 and 1907.

Dimensions of card roughly 7.5 x 12 cm. Ten lines. Cream card with letterhead, stamp and other matter printed in brown. Lightly aged but good. Addressed to 'J. R. Thursfield, Esq. | Fryth | Great Berkhamstead [sic]'. Letterhead and text of letter at right angles to the address on the other side. Informing Thursfield that Jusserand's 'Literary History of the English People' ('a copy of which you have received') will be published on 20 February 1895, 'and that notices may appear on or after that date'.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. He was introduced to the recipient 'by Mr. Philip Malleson of Croydon, when I wanted to send an Essay to The Albemarle'. Asks if he 'might be disposed to let me write a volume on Jane Austen or Leigh Hunt for your Dilettante Library', Austen being 'specially before the public just now'. He has edited Austen's novels and two 'well received' volumes of selections from Hunt for 'Mr. Dent's Temple Library'. 'If you do not care to arrange for either of these authors I would suggest Miss Burney[,] Hazlitt or T. L. Peacock.

12mo (21 x 13 cm), 1 p. On green paper. Clear and complete. On aged, creased and grubby paper. Reads (manuscript text in square brackets): Messrs. Williams & Norgate present their compliments to [Sir John Philippart] and beg to inform [him that the Asiatic Socy Calcutta send them the Journal, as it is published to be forwarded to him, if he does not require it, W & N will return the numbers to Calcutta'. Docketed in a contemporary hand at head: '10 packets returned 31st May 1870'.

12mo, 1 p. Good, on lightly-aged paper. Large bold signature. He has 'no present intention of publishing any book on [his] career'. It may be that the correspondence planted a seed, as three years after the writing of this note Lysons published 'Early Reminiscences' (John Murray, 1896).

12mo, 1 p. Six lines. Mourning border. Text clear and complete. Aged, creased and a little grubby. Asking to be sent '4 copies of "The Butterfly", if ready', and if not to be told 'when it will be'. Lawrence published his 'Breaking a Butterfly; Or Blanche Ellerslie's Ending' anonymously by Tinsley in 1869.

16mo (leaf dimensions 13 x 10 cm), 3 pp. Bifolium. Twenty-eight lines. Text clear and complete. On aged and lightly creased paper with small closed tear in margin (not affecting text). He has been asked by 'Miss Caulfield' to 'perform the ceremony of "introduction" with a view to your publishing (if you approved of it) a work she has lately written [...] <"Janet de Rinzy?">'.

12mo (roughly 16.5 x 9.5 cm): 24 pp. Good, on aged paper, with slightly dogeared corners. No stitching or stapling binding the leaves together. An attractive production, more sophisticated than is usual with a chapbook. Crisply printed in small type. Title enclosed within a decorative border and containing vignette of the royal coat of arms. Headed, in a small neat contemporary hand, 'Purchased at Whitby. | 30 Aug 1862'. The poem 'Lines on the Fate of Lord Derwentwater' (pp.18-19, 24 lines in six stanzas) begins 'How mournful feeble Nature's tone, | When Dilston Hall appears;'.

Both 12mo: 4 pp. Item 1 (21 May) Text clear and entire. On aged paper with small unobtrusive spike holes through both leaves. Slightly manic letter, casting light on the relationship between author, printer and engraver in the Victorian period. Tayler lists four 'plates for a chapter on the Essex Martyrs' which Leonard Seeley of Thames Ditton, who is printing and publishing Tayler's book 'Memorials of the English Martyrs' (Seeleys, 1853), has not yet received from Williams. Suggests other engravings for the 'last chapter'. 'It has occurred to me that the plate in Foxe 7th.

Plain card, roughly 8.5 x 11 cm. Five lines of text. A little grubby, but good. Asking for his manuscript, so that he can 'correct the proof of the Introduction to Crashaw. It was written so many years ago that I can't always recall what I wrote'.

On one side of a piece of paper roughly 8 x 12.5 cm. Good, lightly aged. Reads ' Henry Colburn | 13 Gt Marlborough Street | Martin Arthur Shee | Peter North 22 Soho Square | Dominic Colnaghi'. Fragment of docketed manuscript record of the case on the reverse: '<...> 830 | <...>nes O'Connor | <...>ent Case | <...>y 12th. 1841'.

On piece of grey wove paper cut into a rough rectangle, 5 x 8 cm. Good, but with light traces of glue from previous mounting on reverse. Reads '<...> | I have honour to remain | Dear Sir | Yr obt. & hble. Servt | F. Palgrave', with the flourish to the 't' of 'Servt' forming the top horizontal stroke to the 'F.' in Palgrave's signature. Reverse reads '<...> | In conformity <...> | my letter to you <...> | July last, I requir<...> | my name may be <...>'.