CENTURY

On one side of a piece of paper 21 x 14 cm. Mourning border. Very good, on lightly aged and spotted paper. Twenty-four lines of text announcing the 'death of our esteemed partner [...] for so many years [...] our fellow-labourer in the field of literary enterprise'. Cassell is described as 'a man of vigorous intellect and untiring energy, whose constant aim it was to render effectual assistance towards moral, social, and religious elevation of the people'.

The label is printed on one side of a piece of paper roughly 15 x 9.5 cm. On heavily-worn, discoloured paper, with some loss of text. Six-line decorative heading: 'THIS BOOK | Belongs to | JOHNSTON'S | Circulating Library | English Stt. | CARLISLE.' The rest in copperplate. Firstly, five lines, including the request that 'BOOKS be not TRANSFERRED'. Followed by the 'Terms' (Yearly Supscription, Half-yearly, Quarterly and Monthly). This followed by seventeen lines. Includes the announcement that 'R. J. has always on hand a good assortment of Books departments of Literature'.

8vo: xvi + 400 + [xxiv] pp. (Part I ends at p.142 and Part II begins, after a half title, at p.127.) The last twenty-four pages consist of an index and three pages of 'BOOKS Lately Published'. Frontispiece portrait of Butler by J. Van der Gucht. Hogarth's seven illustrations (including three that fold out) face pp. 1, 75 (fold out), 88 (f. o.), 100, 122, 130 (f. o.), 131 and 182 (f. o.). Internally tight on spotted and aged paper. Good impressions of illustrations, with a little light foxing.

12mo: 20 pp. On art paper. Attached with yellow string in decorative printed card wraps. Good: lightly foxed in dusty wraps, with minor staining to blank inside wrap. The wraps, printed in red, blue and gold, feature a photo of Shakespeare's funerary bust within an embossed decorative border. Nicely printed with photos of Shakespeare's birthplace. Features the menu, a 'Toast List', a programme of music, lists of committee and patrons and extracts. Of interest are the three pages of letters, including dated communications from Henry Irving, J.

Gregory's letter: 8vo, 1 p. Thirteen lines of text. Very good on lightly-creased paper. A telling comment on the craze for inscribed copies of books. She is 'sorry to seem disobliging', but considers that 'an author's inscription seems [...] to have significance only when the book in question has been presented to a friend or when it is likely to become profitable to a dealer'. Her book 'qualifies in neither category'. She is 'puzzled to know' how Disspain 'came upon' her address. Gregory's book: 8vo, 208 pp. No dust wrapper. Grubby copy in worn original red cloth binding.

8vo, 8pp. Unbound. Stitched as issued. Text complete and clear. Good: lightly-aged and creased. The order is on pp.1-3. Followed by (over five pages): 'SCHEDULE', consisting of 'Circuits of the Judges. Civil and Criminal.', 'Autumn Circuit. Criminal Business Only, except where otherwise stated.' and 'Easter Circuit.'

On one side of a piece of wove paper roughly 10.5 x 17.5 cm. Good. Printed in top left-hand corner: 'To J. B. Nichols and Son. Printers and Booksellers. 25, Parliament Street, Westminster. ***Office, 10, King Street, Westminster.' Asks that the 'Subscription to Forby's Vocabulary 1 1 0' be paid to him or to 'Mr Wilkin, Bookseller, herewith'. Countsigned crosswise 'Received for S. Wilkin | [signed] Josiah Fletcher | Jan 25/30'. Docketed on reverse. BBTI has Wilkin as a bookseller in Norwich from before 1821 to 1830; and Fletcher as a binder and printer there from around 1820 to 1835.

4to, 1 p. Four lines of text. Good, on lightly-aged paper, with slight staining from paperclip in top left-hand corner. He thanks him for his 'very interesting letter': 'The photograph shows an agreeable, and perhaps distinguished building. I return the picture thereof, and wish you every success therein.'

Printed on one side of a piece of thick wove paper, roughly 11.5 x 9 cm. Dimensions of image 9.5 x 6.5 cm. A little grubby, but good. An attractive production, with a mediaeval-style illustration of two flying fish flanking a tree on the branch of which is hung a shield with the words 'Books & Prints | Old & New. | 84, Nassau Street | New York. | 14 York Street | Covent Garden | London.' In gothic type at foot: 'J.

8vo, 4 pp. Bifolium. Sixty-eight lines of text. Complete and legible, but damaged: grubby and creased, with short closed tears and small hole at gutter. Interesting and informative letter. Stuart's message of condolence on Benjamin Whitworth's death is one of many which 'have been very acceptable more especially to his widow who has been laid aside so long with bad health, his daughters have been quite worn out'. Describes how his brother's health 'began to break down after a slight attack of paralysis some two or three years ago when at John Brown & Co Ld.

12mo: [ii] + 14 pp. Unpaginated. Frontispiece of Blake's celebrated print. Internally tight on lightly-aged and grubby paper, and with the reverse of the frontispiece slightly discoloured. Staples a little rusty. In grubby white wraps. A signed presentation copy. Boldly written on the front wrap: 'Lawrence Binyon C.H. with the compliments of [signed] H. Edward Newton'. A characteristic production by the boisterous author of 'The Amenities of Book-Collecting'. At end: 'A. EDWARD NEWTON | "Oak Knoll" | Daylesford, Berwyn P.O., | Pennsylvania'.

On one side of a piece of wove paper, cut into a rectangle approximately 4.5 x 9 cm. Good, on lightly-creased paper with one vertical fold. Cut from an envelope, with traces of the postmark over the autograph, and a section of the gummed strip on the reverse. Reads 'From | John Cowper Powys | Waterloo | Blaenau - F Festiniog | Merionethshire | North Wales | I enjoyed thinking of you in Italy'.

8vo, 4 pp. Bifolium. Very good on lightly aged paper. Written in Powys's distinctive, sprawling hand. Concerns William Blake and the monograph on him (1954) by Denis Saurat, who 'must indeed be a wonder considering the scope of his interests.' 'Yes I was brought up by my mother on the Poems of Blake; so I am always interested by any reference to them or any reproduction of them. Indeed and indeed I can fully understand your being so hypnotized by the pictures of Blake that you find yourself going to see them when you had decided to go somewhere else'. Powys is 'in excellent health'.

Printed in red ink on one side of a piece of wove paper roughly 27 x 21 cm. Text complete and clear, on aged paper with wear to margins. Headed 'The Old Boys' Book Club & Circulating Library, 51 Seaforth Road, Seaforth, Liverpool.' Attractively printed in a variety of types and point sizes. Under the heading is the word 'WANTED.' Followed by twenty-one lines of wants, beginning 'Old Boys' Books, Penny Dreadfuls, Old Penny Illustrated Romances of all kinds printed before 1885.

4to: 1 p. Ten lines of text. Heavily stained, but a neat link between two giants of the twentieth-century British book trade. 'I give myself the pleasure of saluting you, I really believe for the first time'. He is happy for the opportunity of telling Secker how much he admired his 'flair and enterprise in earlier years'. He hopes he 'may write as firmly and with as lively a mind as you in six years' time'. 'Alas that we must disappoint you': the books Secker has requested are all out of print. 'Just possibly one or more may come into our hands secondhand.

On one side of a piece of pink wove paper, roughly 19 x 15 cm. In poor condition, aged and ruckled, with several closed tears repaired on reverse with archival tape, and a hole (roughly 1 x 1.5 cm) through the musical notation, which heads the page and consists of a staff with grand clef and three notes of music. Beneath this: '[signature, underlined] Willy Hess | April 1892'.

Printed on one side of a 4to leaf (dimensions roughly 24.5 x 21.5 cm). A frail survival among university ephemera: aged and lightly foxed and creased, with a couple of central vertical 5 cm closed tears. Beneath the heading are the names of the two Moderators (Frost and Hayward of St John's) and two Examiners (Cockshott of Trinity and Steel of Gonville and Caius).George Darwin included Second Wrangler. Arranged in numerical order across three columns: 'Wranglers', 'Senior Optimes' and 'Junior Optimes'. Names and colleges of 102 individuals given.

From the collection of Alec Clunes, who performed as Don Juan in this excerpt from 'Man and Superman' ('Don Juan in Hell') at the Arts Theatre Club in 1946. Carbon copy of typescript by May Hemery Ltd, paginated 1 to 60, on the rectos of sixty leaves, preceded by title leaf ('Excerpt from Act Three | "MAN AND SUPERMAN" | By | BERNARD SHAW'. In original blue paper wraps, with yellow tape spine and label on front wrap. Grubby and worn, and with light staining to wraps, but tight, complete and clear. Numerous manuscript stage directions, mostly on the facing versos.

8vo (dimensions roughly 21 x 16.5 cm): 24 pp. In original coloured illustrated card wraps. The whole bound with black thread. All edges silvered. Aged, worn and lightly spotted, but tight and in reasonable condition overall. Two small wormholes in back wrap, affecting the verso of the last leaf. Fifteen poems, seven of them by Nesbit: 'Song', 'Possibilities', 'Vie Manquees', To a Picture by Giovanni Bellini', 'The Better Part', 'Rondeau' and 'Lovers'. Every page of the volume carries illustrations of nature in black and light green. Similar designs in colour on the covers.

Folio: ii + 21 pp. After 'Popish Successor,' the title continues 'Exactly drawn by the Reigns of Christian the Second, and Sygismond King of Sweden, and Ferdinand the Second King of Bohemia.' Text clear and entire, on discoloured and lightly-foxed paper. Slight chipping to edges, and quite heavy discoloration to the final few leaves, with small hole at foot of last leaf (the reverse of which is blank), affecting the word 'FINIS.' but leaving the text undamaged. In very good modern calf quarter-binding, with marbled boards and title on red label on spine.

12mo (dimensions of leaf roughly 15.5 x 10.5 cm). Fifteen leaves each with a page of letterpress, and twelve engravings. Uncoloured. Foxed and slightly dogeared, in aged, worn and spotted wraps. Each of the twelve engravings is accompanied by a leaf carrying a page of letterpress with an illustrative quotation from Scott's work. First leaf with printed page listing four works 'Designed, Etched, and Published by G. Cruikshank', with prices; printed title; final leaf with printed page listing six priced 'Works Illustrated by George Cruikshank.

8vo: 224 pp. Errata on last page. Frontispiece and portrait of the author on p.65 by Lodge. In original brown calf binding, with red label with 'Kisses of Secundus' in gilt, on spine. A tight copy, with the flyleaves becoming detached, the frontispiece foxed and with a closed tear at the head of the hinge, and a 4mm ink stain spreading upwards along the leaves along the bottom edge. Elegantly printed, with a four-page preface by the unnamed translator, followed by a 32-page 'Essay on the Life and Writings of Secundus'.The poems are on the versos, with the translations on the facing rectos.

12mo: viii + 207 pp. Advertisement and printer's slug on reverse of last leaf. Additional sepia engraved title ('T. Letherbrow. Del. W. Morton. Sc. Manchr.') with illustration depicting a stern-looking woman (one of the fates?) holding a bobbin of thread. By her side a cherub with a lyre and a large, incongruous metal cog. In original blind-stamped green cloth binding. A tight copy, lightly foxed and aged, in faded binding with slight wear and a small stain to the front board. Ownership stamp of Florence Armaghdale on front free endpaper. Last two leaves opened clumsily. Scarce.

Printed on one side of a piece of thick wove paper, watermarked 'G REIG', roughly 53 x 41 cm. Worn and a little spotted and grubby, with creasing and wear to extremities, but good overall, with text and design clear and entire. Handsome boldly designed certificate. Not filled in and with no manuscript additions whatsover. The illustration, an oval roughly 12 x 17 cm, shows the ship approaching white cliffs on shore, with a boat containing seven natives in the foreground.

Printed on one side of a piece of paper roughly 680 x 430 mm. Good, on aged paper with a little spotting and one short closed tear. Text complete and entirely legible. Heading printed in a variety of types and point sizes, with the Rules and Articles, dated 'Slough, April 20th, 1897. and 'Signed on behalf of the General Body of Subscribers, EDMUND J. CRASKE.', in double-column beneath. Final list of subscribers, in four columns, beginning with 'ABORN, Edwin, Eton' and ending with 'WOLLASTON, H. U., East Burnham'.

Printed on one side of a piece of wove paper, dimensions roughly 65 x 41.5 cm. Within a ruled border. On lightly aged paper, with chipping and slight loss to extremities. Three closed tears (two of them affecting the portrait) have been repaired on the reverse with archival tape. Text entirely legible and portrait clear, bright and without loss. The full-length portrait (31 x 25 cm), crudely coloured in yellow, red and blue, depicts the Emperor, in full regalia, standing in a sumptuous throne room. Sixty-six line biography, arranged in two columns.

12mo (leaf dimensions 18 x 11 cm): 2 pp. Twenty-one lines of text, complete and legible. On aged paper with some wear at head. Casting interesting light on the workings of the provincial Victorian booktrade.

12mo: 1 p. Very good on lightly-aged paper. Reads: 'The Marquis of Lorne presents his compliments to Mr Wright and thanks him for the copy he has sent him of "The Spanish Armada." Wright's 'The Spanish Armada: a descriptive historical poem' was published in Plymouth by G. P. Friend in 1874.

12mo, 1 p. Very good on lightly-aged paper. Reads 'Dear Mr Wright, | I am sending you a photograph which I hope you will like, | Yours faithfully, | [signed] E R Fremantle'.

Fourteen lines on the back of two-tone Dutch postcard, the front being tined light blue. Addressed to 'Edw Draper Esq, 3 Vincent Square, Westminster, London, England'. Aged and grubby, with two creases and slight traces of previous mount on front. Hatton's hand is difficult, but the note, addressed to 'My dear Friend', defending his use in a story of the following version of the celebrated quotation: 'When Greeks joined Greeks". Concludes 'You are right about the tinder box of course.'