NINETEENTH

1p., 12mo. On bifolium. Good, on lightly-aged paper. In original stamped and postmarked envelope, initialed by Hardwick. In the letter Hardwick informs Baron that his 'History' (published in 1851) is out of print: 'The few remainders were sold about four years ago.' He recently saw a copy 'in one of hte Manchester second hand booksellers' catalogues on sale for 17/6'. He gives the names of two booksellers to approach ('Gray, 25, Cathedral Yard, or Sutton, Portland-st. Oxford st.') and is forwarding 'a circular respecting my forthcoming work' (not present).

4pp., 12mo. On bifolium. Good, on lightly-aged paper. The four sides of the bifolium having been filled, the valediction and signature are written upwards across the first page. She thanks the recipient for 'the interesting page of extracts', and for 'the flattering manner in which you allude to my father's mother, Flora McDonald'. Having previously seen the text in an articles she is forwarding, she considers that the lady author has 'taken an unwarrantable liberty by reflecting severely on Flora's descendants for neglecting to keep her grave in good order'.

2pp., 8vo. On both sides of a leaf of scored 29.5 x 23 cm paper. Aged and folded. The first page is numbered 330 in the top left-hand corner, and headed "I love to hear the Story"'. The first page carries the first and third verses of Miller's hymn, scored for piano, signed at foot 'Frederic Clay.' On the reverse, with no heading, is the score of the second verse: 'I'm glad my blessed Saviour was once a child like me / To show how pure and holy His Little ones might be'.

Scored on two facing pages, on two 25 x 34 cm leaves of music paper attached to one another along one edge with a thin strip of glue. Good, on lightly-aged paper, in red card folder with white label. Scored for voice and piano, with the two verses of libretto by Tom Taylor. Signed at end 'Frederic Clay. / Tenor Ballad from "Court & Cottage".', with ownership inscription alongside: 'Henry Wodehouse / 24 Upp. Brook St.' (According to the Survey of London, Hon.

1p., 4to. Fair, on lightly-aged paper, with unobtrusive closed tears along crease lines. 'Mr. Ben Fack [Falk?], the photographer, will, I am sure, give you such a photograph of me as you may select from the assortment he has, if you inform him of your business.' She asks him to send her a sample, if 'the tumblers prove a success, as far as my likeness is concerned [...] If I like it I will possibly order a quantity.'

4pp., 12mo. 75 lines. On bifolium. Very good, on lightly-aged paper. The entire document is in Mary Berry's autograph. The letter proper, of 57 lines, is signed 'Devonshire Cottage / a true Copy / M Berry', the joke, such as it is, being that Mary Berry has copied out a document written by Devonshire Cottage itself to its owner, the Hon. Mrs George Lamb (Caroline, or 'Caro George' Lamb, from whom the Berry sister's were leasing it).

2pp., 16mo. On bifolium. Good, on lightly-aged paper. After presenting his respects, Lane states that he'regrets that he is so engaged for three or four months that he must not undertake any more - / He has found the copying miniatures so injurious to his eyes and the drawings so unsatisfactory in the printing that he is at all times unwilling to engage in very small Drawings -'. He concludes by thanking her for 'her most kind & gratifying note'.

2pp., 4to. Bifolium. Good, on lightly-aged paper. Addressed by Elton, on reverse of second leaf, to 'John Taylor Esq.' (Taylor had assumed the editorship of the London Magazine on the death by duel of John Scott in February 1821.) Elton begins by informing Taylor that he has 'not been able yet to manage the Batrachomyomachia to my mind'. (Elton's translation of 'The Battle of the Frogs and Mice' would appear anonymously in the issue of October 1821, as the second of a series named 'Leisure Hours'.) He has instead 'sent some chit-chat to serve as an introduction'.

2pp., 12mo. Aged and creased, on Seymour's monogrammed letterhead. The letter, on the recto of the first leaf, is addressed to 'Gentlemen' (possibly Stamfords, the London firm of map-sellers). It reads: 'I shall be much obliged to you to send me the three Maps marked overleaf, mounted on <?> in a small parcel to be left at the Foreign Office to the care of F. B. Alston Th Esqre who will have the kindness to pay for the same. / The parcel to be directed to Sir Hamilton Seymour G.C.B. H.M. Minster, St Petersburg'.

1p., 12mo. Good, on lightly-aged grey paper. He notes an advertisement for Campbell's 'Lives of the Chief Justices' in that morning's Athenaeum. 'Had I been earlier aware of the preparation of the work it would have afforded me much pleasure in offering for your Lordships acceptance a Copy of the probate Copy Will of the Lord Chief Justice Fitzjames which I have in my collection of M.S.S. &c.' The will is very long and contains 'much curious matter'.

4pp., 12mo. Bifolium. Fair, on aged paper. He suggests a book she should read to 'get a general idea of the facts known about dolmens & cromlechs', although the theories advanced by the author 'are not much accepted by archaeologists'. The book does provide 'some evidence of the late date they went on till', and this is 'a good corrective of the belief that they must be always of some amazing antiquity'. He points out that a 'Scandinavian King is associated with lines of stones to commemorate a battle'.

1p., 12mo. Good, on lightl-aged paper. He regrets that 'absence from London' will prevent him from 'attending the lecture' of his 'old friend Dumaurier', to whom he wishes 'every possible success'. He thanks the recipient for 'the compliment implied' in his invitation. On 25 May 1892 The Times reports a lecture that day at 'Prince's Hall: Mr. Du Maurier on "Social Pictorial Satire," Mr. Alma-Tadema, R.A., in the chair, 9.'

1p., 12mo. Fourteen lines. Good, on lightly-aged paper. He is sorry to have put Monkhouse to 'the trouble of writing', and hopes someday to show him his 'best etchings'. 'I have been exhibiting etchings at R.A. for about 10 years: and my published work has been very favourably noticed in the "Times", "Athenaeum" "Academy" &c. &c.' He is enclosing (not present) an article which 'the Gazette des Beaux Arts' carried on his work, 'so long ago as 1876'.

2pp., 12mo. Bifolium. In stamped envelope, with Hawkhurst and Blackburn postmarks, addressed by Fenn to 'J T Baron Esq / 48, Griffin Street / Wittan / Blackburn'. Good, on lightly-aged paper. He informs Baron that to the best of his belief those of his works which he mentions 'are to be had from any of the large libraries'. He has 'only lately however decided upon issuing them in a cheap form and the first volume Poverty Corner price two shillings, has just been issued by Messrs Cassell, Petter, & Galpin. The others will follow.' He concludes by thanking Baron for his 'very kindly criticism'.

2pp., 12mo. Bifolium.Good, on lightly-aged paper. In stamped envelope, with London and Blackburn postmarks, addressed by Smith to 'J. T. Baron, Esq. / 18, Griffin Street, / Witton, / Blackburn.' He is only able to reply to Baron's not now, having been 'ill & confined to bed'. He thanks him 'for the kind expressions you use respecting my Life of Gladstone, which I am glad you like so much. I suppose you are aware that I have recently published (through Messrs. Hodder & Stoughton) a companion work, the Life of Mr.

2pp., 12mo. Bifolium. Good, on lightly-aged paper. Having received the unnamed recipient's letter of the previous day, Northwick will be 'most happy to give effect to your wishes by granting free access to my Pictures to you, & your Daughter, whenever it may be convenient to you to call at Connaught Place'. If the recipient calls before noon Northwick will probably 'have the pleasure of shewing them to you', if he comes after noon, or Northwich 'shd. happen to be from home, my Servants shall receive directions to admit you to see the Paintings'.

3pp., 12mo. Bifolium with mourning border. Good, on lightly-aged paper, with thin neat strip of paper mount at head of third page.

All items in good condition, on lightly-aged paper. The letters total 33pp., 12mo; and 31pp, 16mo; with nine on 12mo bifoliums, seven on 16mo bifoliums and two on single 16mo leaves. Nine are on Southgate House letterheads, and two on Winchester College letterheads. All are complete except the last, which lacks the last part. Mostly addressed to 'My dear Aunty' and signed in a variety of ways, from 'J. Bowyer B. Nichols' to 'BBN'. The first letter, dated 4 December 1871, sets the tone, showing Bowyer Nichols to be a precocious and spirited twelve-year-old.

One page, 12mo, some marking but mainly good, clear and complete. "Dear Sir, | Please deliver to the bearer the design for The Merchant of Venice | Yours truly | George Bentley | George Cruikshank Esq,". There are pencilled notes and figures on the verso, probably in Cruikshank's hand (figures from 1-10 repeated, then 1-7, then notes including the words large and small and a name, the meaning of which escapes me.

In ink on both sides of a 4to leaf of wove paper, watermarked 'J GREEN & SON / 1824'. None of Cruikshank's drawing or writing is affected, but one corner of the leaf has been cut away, and there is another thin strip cut from another. Fair, on aged paper. One page carries a full-length drawing of a bearded athletic man in shorts and sandals, making a sweeping theatrical gesture with his right hand, and holding a spear in his left. Beneath the drawing is Cruikshank's signature, and a study of the left foot.

1p., 8vo. 22 lines. Fair, on aged and worn paper. Addressed on reverse to 'William Jerdan Esqr | Grove House'. On wove paper watermarked 'G & R TURNER | 1826'. The letter can thus be dated from between 1826 and 1829, the year 'Ackermann's Repository of the Arts' ceased publication. Written in a difficult, hurried hand. She has received a letter from 'Mr Ackermann', saying that the package which Jerdan was 'kind enough to promise should go in your bag yesterday I having given it to you too late for the boy on Monday, has not reached him'.

1p., 12mo. Good, on lightly-aged paper, with minor traces of mount to blank second leaf of bifolium. Good, firm signature, with flourish. The letter reads 'Dear Sir | I have recd your favour of April last & am glad so easily to oblige you. - | Truly yours | I. I. Hayes'. Gourtie contributed stock exchange reports to the New-York American.

1p., 12mo. Good, on aged paper. She states that she will be 'happy to wait on Sir Stafford Northcote at 4 oclock on Wednesday the 30th instant as you mention'. Docketed by Benthall on reverse of second leaf of bifolium, 'Miss Carpenter | Oct: 15. 1867. | Will wait on you on Oct: 30. at 4 o'clock'. Benthall was described in Wisden as batting 'in an exceedingly pretty style, cutting beautifully to the off, and has made some capital scores in the best matches'.

The two leaves were evidently disbound from a copy of an edition of Dryden's Plutarch, in which the grey 4to leaf of writing paper following the 12mo printed leaf was one of those that interleaved the volume. In fair conditon, on lightly-aged paper. The two leaves are tipped in onto a larger leaf removed from an album. The printed leaf is 12mo, from volume 5 of Dryden's translation, with the pages numbered 511 and 612 [sic]. The two sides of the leaf carry a total of approximately 25 emendations and deletions.

2pp., 12mo. 22 lines. Watermark: 'J GREEN | 1820'. Bifolium, with the reverse of the second leaf addressed by Terry to 'T Winstanley Esq'. Fair, on aged and lightly-creased paper, with closed tear to top half of fold. The letter begins: 'For God's sake - for the sake of auld lang syne - dine with me to-morrow.' He asks Winstanley to overlook his 'long silence & apparent neglect', it having been 'busy world [sic]' with them both since they last communicated. He assures him that he is 'the same as ever in affection & respect'.

1p., 12mo. On aged and lightly-spotted paper. Reads: 'My dear Sir, | Mrs. Hope's house will do & I shall be obliged to you to engage it for me, from the Saturday before the show for a week & the stables at Mr. Wrights also. | Yours most truly, | [signed] Spencer'. Mrs Hope is probably the Hon. Louisa Hope (d.1851), wife or widow of the connoisseur Thomas Hope (1769-1831), and one of the wealthiest women of England. If this is the case the letter was written before her second marriage in 1832 to her cousin Viscount Beresford.

2pp., 12mo. 29 lines. On dry high-acidity paper, with a little chipping to extremities and a couple of closed tears, but the only damage to text to the two initials of the name of the recipient 'W. W. Greenough Esqe.', caused by slight loss to the bottom outer corner of the second leaf. He is 'anxious to know' if the copy of 'Part VI. of our "Contributions"' was received by Greenough, and how those sent to 'several other directions' fared.

3pp., 4to. Bifolium. 65 lines of text. Good, on lightly-aged paper. Addressed, on reverse of second leaf, 'To | Charles Sumner Esq. | Boston', with docketed date giving year. He writes that he had hoped to see Sumner before leaving Boston. 'Will you give my best regards to your friend Dr. Lieber, and assure him of my sincere obligations for his unsolicited & therefore more acceptable kindness.' He is 'in all respects' pleased with his 'situation' in New York: 'It is every wise more independent - & more "uninterfered-with" than ever; besides opening a large field and better prospects'.

2pp., folio. Bifolium, with second leaf blank. Very good on lightly-aged paper. Nicely printed on watermarked Monckton wove paper.

1p., 8vo. On wove paper. Lightly worn and aged. Text in two columns within ornate decorative border. Author's details at foot, above printer's slug. Thirty-five line poem, in five seven-line stanzas. First stanza: 'O! toi, ma France bien-aimée, | Pour toi, nous faison tous des voeux, | Oh! sois à jamais vénérée, | Élevons nos voix vers les cieux. | Oh! France, ma patrie!