TYPOGRAPHY

Dimensions 29 x 12 cm. Pasteboard mount, 31 x 14.5 cm. In blue, black and white. In good condition on lightly-aged paper. In front of a background of ricketty railings, a jolly bespectacled penguin [with Tschichold's sprightly eyes], with a Penguin book under his left arm, and preceded by a letter P and followed by an n, drags a bespectacled, bearded man (looking a little like a young Michael Bentine) towards the right of the drawing.

The text area is about 13.5 x 30 cm, on the top half of a slip of paper around twice as long. Text clear and complete. Good, on lightly-aged paper. The lower half of the slip is blank apart from the pagination 196. Headed 'EPILOGUE | COWKEEPER'S TUNE', and beginning 'Unless your window is fitted with very strong iron bars and, just to make sure, your window locks, | Do not attempt to keep a Dexter cow in your window box.' Signed in type at end 'M.

12mo, 72 pp. Stitched. In remains of original grey wraps, with front wrap present (though worn at extremities), but only a trace of rear wrap remaining. Text clear and complete. On aged paper with many dog-eared corners. An ephemeral item by one of the greatest of French printers: COPAC only lists three copies, at Oxford, University College London, and the Victoria and Albert Museum. None of these record the misprint in the title of 'les Galerie' for 'les Galeries', and it is not present in the Harvard copy either.

8vo, 3 pp. Bifolium on laid paper. Fair, aged and lightly-creased. 'Composed in Lexicon, designed by Bram de Does in 1992. 250 copies printed by Offsetdrukkerij Jan de Jong, Amsterdam. | Presented to the members of The Wynknyn de Worde Society on the occasion of the International Luncheon Meeting 21 September 1995.' The facsimile of the letter, by 'Jan', dated 'Heemstede 12 March 1947', is on both sides of the first leaf. Biograpical printed text by Dreyfus on recto of second leaf, the verso of which is blank.

Small 4to, 4 pp. Stitched. In original brown and black decorative wraps. Good, on lightly-aged paper. A pretty piece of printing, with the title-page printed in light blue and black, and the vignette on illustration on the reverse of the title leaf in the same light blue. The text covers two pages. Scarce: no copy on COPAC.

12mo, 10 pp. Stitched. In original red wraps, with title and illustrations printed on the front in red. Good, on lightly-aged paper. An attractive pamphlet, with the illustrations accompanying sections entitled Summer and Winter. At end: 'The text was set in 12 pt. Bodoni by A. File and A. Morris and the machine work is by D. Jackson and B. Dove'. Scarce: no copy on COPAC.

8vo, 17 pp. Stitched. In original grey wraps, printed in black red and dark and light green. Good, on lightly aged paper. A children's book, with attractive illustrations of children playing, either in red or green. Colophon reads: 'Compositors: D. Beech and J. Baker | Pressmen: G. V. Jones and G. Knott | The Illustrations are printed from the original lino-cuts.' Scarce: the only copy on COPAC at Cambridge.

All items freshly mounted in a photo album, very good condition. The core of the collection is a full series of membership cards for the Association of Correctors of the Press (1949-1965), London Typographical Society (1966), National Graphical Association (1967-1988). With their variant typographical features.design and colour, these make an attractive display.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

12mo, 3 pp, on separate loose leaves. Forty lines. Text clear and complete. Good, on browned paper. Laid out for printing, and with the page numbering 21 to 23 (from 12 to 14). Loosely inserted in a folder with 'Original Manuscript of Elbert Hubbard' printed on the front, which also carries two accession marks.

4to, 2 pp. Twenty lines. Text clear and complete. In fair condition, on lightly-aged paper, with minor traces of mount adhering at head of reverse. He has been on an 'interesting and agreeable' tour. 'If my name is worthy of standing amongst the Patrons of the Splendid Work forthcoming under your auspices I shall be proud to enroll myself with them; and shall be ready to obey the call of your publisher whenever you direct him to me.' He praises Dibdin's 'Tour in France and Germany' (1821), and thanks him for selecting 'so fine a copy'.

Each issue a single broadsheet, folded twice to make eight pages. On different light shades of paper. In good condition. An energetic collection of Australian 'poetry on the margins', with unconvential typography and striking illustration. Described, on cover of issue 3, as 'An art and literary broadsheet issued on an irregular basis'. Poets include Ian Birks, Jurate Sasnaitis, Philip Sipp, Kris Hemensley, Chris Mann, Raimondo Cortese, and Adrian Rawlins. Excessively scarce: no copies of any issues in the British Library, or recorded on COPAC, let alone a complete run.

16mo, 39 pp. Stitched. In original pink printed wraps. Text clear and complete. On aged, foxed paper with slightly dogeared corners. Minor chipping to extremities of wraps. Detailed engraving (7.5 x 7 cm) by J. Adam on title-page and front wrap, showing bearded man at lectern in room crammed with books. Advertisements for works by Brown (best known for 'Rab and his Friends') on inside of wraps, with list of works in the 'Odds and Ends' series on back wrap. A charming and scholarly disquisition on the subject, from a firmly British standpoint. Uncommon in wraps.

12mo: 123 + [iv] pp. Engraved title (dated 'Octr. 1823') featuring engraving Heath from design by Corbould. Four pages of publisher's advertisements at rear. In contemporary green leather binding with decorative gilt spine and pattern to edges of boards, marbled endpapers and marbling to edges. Contemporary ownership inscription of 'Miss L. Smith'. A tight, sound copy, on lightly-aged paper, with light staining to engraved title, and wear to binding. COPAC only lists copies of this edition at Durham, St Andrews, Oxford and the British Library.

LETTER: One page, quarto. Somewhat aged and creased. An attractive item in Carter's disciplined calligraphic hand. A damning assessment of Craig's son Edward Anthony Craig ('Edward Carrick', 1905-98). '[...] If you know him, you presumably also know what you are taking on! We had some dealings with Teddy over possibly printing old EGC's engravings of Robinson Crusoe, but Teddy sold them, [...] My impression is that the old rogue manufactured archives in order to sell them to someone - preferably twice.

Folio. Pagination: [1-7] 8-45 [1-3] = 24 leaves. Unbound. Stitched as issued, unopened and uncut. Printed with the Fell types on good but browning paper. In good condition, but with spotting to recto of first leaf, which has a small closed hole at head and some tiny closed tears at foot, and with two unobtrusive staple-stains to verso of last leaf. Creased and dog-eared at foot. The importance of this item in the history of Shakespeare studies has been emphasized recently by A. J. West (The Shakespeare First Folio. The History of the Book. Vol. 1. Oxford University Press, 2001).

Octavo: 261 unpaginated pages. In original printed wraps. Internally sound and clean, in stained and creased wraps. Unobtrusive ownership mark of Myers & Co. of London on front wrap. Fifty full-page facsimiles of title-pages, etc. Foreword by Benedict, followed by Resume, beginning, 'The Collection of Laws belonging to Judge Russell Benedict, [...] is the Most Important Collection of its kind that has ever been brought together by a private party.

4to (27.5 x 21.5 cm), 140 pp on shiny art paper. In original light-green red and black printed wraps. Tight, on lightly-aged paper, a little dog-eared at back. In worn and chipped wraps. Filled with striking and attractive engraved illustrations and advertisements. Illustrations include stock cabinets, book presses, printing presses, ledgers, notebooks, artists' materials, magnifying glasses. Long obituary of Edward Lloyd of Lloyd's News.

On piece of paper 6 x 9.5 cm. Lightly-aged, and tipped-in onto front free endpaper removed from book. A simple design, within a restrained decorative border, consisting of 'William Barnes.' in gothic letters in an arch, centred above a wavy rule beneath which are the words (adapted from the Dream of the Rood) 'BEARNAS AER BEORNAS.' A contemporary note on the endpaper beneath the bookplate (transcribed in a modern hand above it) states that the item came from Barnes's Rectory Sale, 25 November 1886. Uncommon.

Limited to 200 copies and signed by the printer John Kristense. 8vo: [13] + [1] pages. Stitched. In original blue printed wraps. Good, with minor wear at head. The colophon reads 'The London Booksellers - Etymology of the Term Yankey was hand set in English Monotype Baskerville and printed on Curtis Ragston paper in an edition of 200 copies at Firefly Press in Cambridge, Massachusetts, by [signed 'John Kristense'] who sends it as a 1983-84 holiday greeting to his friends. The Society of Printers in particular is thanked for honoring him in 1983 with membership.

Printed on a sheet of wove paper roughly 37 x 24 cm. Fair, on lightly aged and stained paper, with slight wear to extremities. Illustration, roughly 9 cm square, shows Christ, a crown of thorns above his head and a crucifix behind him, blessing an orb which he holds in his hand. Attractively printed in two columns divided by decorative rule, with ornament beneath title. Text in small type, divided into sections titled 'A Letter of Jesus Christ', 'Christ's Cures and Miracles', 'King Agbarus's Letter to Christ', 'Our Saviour's Answer' and 'Lentulus's Epistle to the Senate of Rome'.

A bibliographical landmark: the first issue of the first volume in Pickering's series of 'Diamond Classics' 32mo: [ii] + 185 + [i] + [i]. Engraved frontispiece portrait of 'Horace' by R. Grave, facing engraved titlepage, which precedes the letterpress titlepage. On the reverse of the leaf with p.185 on its recto is a portrait of Sir Francis Bacon, captioned 'Advancement of Learning.' On the page facing this are the 'Corrigenda.' Tight copy, on aged paper, with a few dogeared pages, in contemporary black russia binding with boards and spine ornamented in gilt and title 'HORATIUS'.

Printed in black and sepia on both sides of a leaf of watermarked wove paper, 45 x 30 cm. On lightly-aged paper with one vertical and two horizontal fold lines. The seven sample pages feature a total of six illustrations, in a variety of styles, two by Herb Roth. The arrangement is as follows. Recto: Title ('Specimen Pages from Books made at the Walpole Printing Office in New Rochelle, N.Y. 1929-1932') with vignette of Walpole. Specimen One, titled 'Piratical Barbarity, &c.', with illustration of pirate ship by Roth. Specimen Two, title-page of T. S. Eliot's 'John Dryden. The Poet.

On one side of a piece of wove paper roughly 23.5 x 19 cm. A delicate and scarce piece of ephemera, in a remarkably good state of repair. Possibly a proof, as a thin blank strip along one of the vertical edges, intended to be detached and discarded, still adheres. The menu itself is crisply printed in the centre, covering a space roughly 17 x 13.5 cm.

Both items very good, each printed on one side only of a piece of thin shiny card, dimensions 11 x 15 cm. The arrangement of the text is the same in both cases, but one is printed in blue and green, and the other in blue and gold. An attractive piece of Victorian typography, laid out in a variety of decorative fonts and point sizes, with a strong hint of Gothic revival about it. Reads 'HANNAH WALLIS, | Plain & Ornamental Printer, | IN LETTER-PRESS, LITHOGRAPHY, & COPPERPLATE, | ACCOUNT-BOOK MAKER, | Stationer and Bookseller. | ARTISTS' MATERIALS OF THE BEST QUALITY.

Printed in red, black, blue, gold, orange and green on one side of a piece of paper, dimensions 20 x 12.5 cm. Good, on lightly-aged and spotted paper. Minor traces of stub on blank reverse. Attractive item, with twenty-six lines of rubricated text, surrounded by an ornated decorative border of foliage and birds in imitation of an illuminated manuscript. Headed 26, Queen's Row, Pimlico opposite the Royal Mews.', beneath which: 'Valentine Elkins Bookseller &c. of Baker St. Portman Sqe. Begs most respectfully to inform the Nobility & Gentry inhabitants of Belgrave Sqre.

4to bifolium of three pages, together a seperate leaf (dimensions of leaf in all cases 26 x 20 cm) carrying on one side one set of the three illustrations. Printed in black, and each page enclosed within a red decorative border. Creased and foxed, but a scarce piece of ephemera in acceptable overall condition. The first page of the bifolium is headed, in a variety of decorative fonts and point sizes, 'John Wright & Co.

8vo bifolium on good wove paper. Leaf dimensions roughly 22.5 x 14.5 cm. Good, on lightly creased paper. Illustration of horse, 7.5 x 9 cm, on recto of first leaf, with 'JANE BISSELL GRABHORN | 1911-1973'. Memorial, with same title, across inner pages, signed in type by Magee. The following on reverse of second leaf: 'This memorial is presented to the members of the Book Club of California by Andrew Hoyem, who composed the text in Friar, a type given to Jane by its designer, Frederic W. Goudy, and by Lawton & Alfred Kennedy, who did the press work, Nov. 1973.'

12mo: viii + 207 pp. Advertisement and printer's slug on reverse of last leaf. Additional sepia engraved title ('T. Letherbrow. Del. W. Morton. Sc. Manchr.') with illustration depicting a stern-looking woman (one of the fates?) holding a bobbin of thread. By her side a cherub with a lyre and a large, incongruous metal cog. In original blind-stamped green cloth binding. A tight copy, lightly foxed and aged, in faded binding with slight wear and a small stain to the front board. Ownership stamp of Florence Armaghdale on front free endpaper. Last two leaves opened clumsily. Scarce.

Quarto (25.5 x 19 cm) bifolium. Attractively-printed on watermarked laid paper. Unbound. Foxed and lightly-creased. Two short 0.5 cm buff strips of cloth from mount neatly adhering to the margin of the reverse of the second leaf. 'PERENNIS ET FRAGRANS.' enclosed within engraved wreath on title. Eighteen-line prospectus for the work on reverse of first leaf, with the recto of the second carrying a full-page facsimile of the title of Pickering's 1844 edition of John Merbecke's 1550 'The Book of Common Prayer Noted', printed in red and black. Printer's slug on reverse of second leaf.