GEORGE

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

12mo: 1 p. Seven lines of text. On creased and lightly-aged watermarked wove paper. Regarding Sir Henry Bate Dudley's farce 'At Home', performed 'with universal approbation' at the Theatre Royal, Covent Garden, in 1813. 'Should the Box of the Prince Regent be disengaged on Monday next at Covent Garden Lady Landsdowne [sic] (the Dow-) is anxious to see "At Home" Could she have it?'

4to: 1 p. Thirteen lines of text. Text clear and entire on aged and creased paper. Remains of stub from previous mounting adhering to reverse, and short printed biography tipped in along margin. A formal letter in the third person. Galway is 'extremely [underlined] sorry that he shold have given Mr. Neale so much trouble respecting the eighth Part of Westminster Abbey', which the peer had assumed was missing, but 'finds upon farther examination that it is with the other numbers'.

8vo: 32 pp. Stitched. In original grey wraps. Text, four illustrations and map clear and entire. Printed on discoloured high-acidity paper. Lightly creased with a little wear to corners. Scarce. An attack on 'the Betting-offices that are springing up all over the town', with particular reference to those in the St Martin's Lane area. COPAC only lists four copies: at the British Library, Bodleian, Cambridge and Edinburgh; with two copies of the second edition: British Library and V & A National Art Library.

Two pages. Dimensions of paper fourteen and a half inches by nine inches. Aged and stained, with fraying to extremities and some loss to one corner (not affecting text). Order to 'deliver and pay of such his Majesty's Treasure as remains in your Charge unto John Earl of Dunmore or his Assigns the Sum of Two hundred and Fifty Pounds', on Dunmore's 'Annuity or yearly Pension of One Thousand Pounds as one of the Gentlemen of his Majesty's Bedchamber'. With signatures of 'Winnington', 'G Earle' and <?>. Docketed 'Mr. Yorke I pray pay this Order out of Addl.

Octavo: viii + 201 pages. Good and tight, on aged high-acidity paper, with some chipping and a little light staining at foot. A few pencil marks. In original printed grubby and chipped wraps cloth-taped to spine. Front wrap annotated in pencil. Four-page introduction entitled 'A PLAYWRIGHT'S WORKING LIBRARY.' Even considering the importance and interest of the theatrical collection, the high point is undoubtedly item 102: 'BLAKE, WILLIAM. ORIGINAL DRAWINGS IN WATER COLOURS and INDIA INK by the celebrated WILLIAM BLAKE (Pictor Ignotus).

Both items concern John Littlejohn's 'British Watercolour Painting and Painters of Today' (Pitman, 1931). Note of 18 December 1930: 12mo, 1 p. Five lines. Good on lightly aged paper. Thanking the publishers for sending 'the prints of my drawings [...] they are really very well done!' Letter of 13 February 1931: 12mo,1 p. Eight lines. Good, on lightly creased paper. Thanking the publishers for four presentation copies of the book. 'It is a handsome book and the drawings are well reproduced: I am particularly pleased with those of my own drawings.' Two items,

Dimensions of paper 23 x 17 cm. White border of 0.25 cm. A little grubby and with slight silvering at base, but overall a very good impression. A striking head and shoulders shot, with a clean shaven young Wall, neatly dressed in evening wear with black bow tie, and wearing a white sailor's hat at an angle, staring straight at the camera, with glossy lips, eyebrows raised and deadpan expression. The words 'Max Wall' printed in bottom left-hand corner. The inscription reads 'To Peggy | Sincere good wishes | [signed] Max Wall | 1932'.

8vo: iv + 48 + [ii] pp. Last leaf carries advertisements for works by Fairburn. In marbled wraps. Text clear and entire. On aged paper with slight wear and fraying, small holes and light stains to first four leaves. Title continues '[...] to which are added, The Q-'s last letter to the K-, Written a few Days before Her M-'s Death, and other Authentic Documents, never before published. | [quotation] I am the Viper that has been secretly wounding you both.

Printed on one side of a piece of rough wove paper, approximately 24 x 10.5 cm. Text clear and entire on aged, creased paper. A production in favour of the Prince Regent, with no trace of sarcasm apparent. Consists of six four-line stanzas, each followed by the chorus 'Hearts of Oak, &c.' First stanza reads 'Come cheer up my lads, we'll no longer repine, | United, we'll triumph - OUR CAUSE is divine!

8vo, [19 pp]. In original grey printed wraps. On lightly aged paper, with unevenly trimmed edges, and in slightly worn wraps. Short ink inscription at head of front wrap. INSCRIBED by the author's wife 'To my very dear Daughter Marian In happy memory of dear Pater the Author May 4th. and May 24th. 1936'. Full-page illustration of the 'Metropolitan Free Church Federation Eisteddfod, 1926. Grand Bardic Chair Presented by John Weir, Esq.' A curious mixture of pagan and Christian.

12mo, [ii] + 235 pp. In contemporary brown-calf half-binding, with marbled boards and grey endpapers. Internally sound and tight, if a little foxed, with some wear to the extremities of the title-leaf. In worn binding with label on spine mostly worn away. The identity of the author is unknown.

4to bifolium: 3 pp. Good, on lightly aged laid paper, with slight damage to second leaf caused by the breaking of the red wax seal, parts of which still adhere. Address, with black ink Salisbury postmark, on verso of second leaf. The 58 lines of text clear and entire. A chatty, spirited and interesting letter, casting valuable light on the doings of the better class of Hampshire society in Jane Austen's time. Addressing 'My Dear Mr. Jervoise' she begins by explaining that she 'wrote in such a hurry yesterday to save the Post, that I can scarcely know what I said'.

On one side of a piece of unwatermarked wove paper, 32 x 25 cm. Good, on lightly aged and creased paper. Attractively produced within a decorative border, with the title in gothic script and the text beginning in a single column before splitting into two. Printer's and publishers' details at foot, with advertisement of five works published between 1815 and 1817.

An unusual, scarce and frail survival. Printed on one side of a piece of tissue paper, roughly 35 cm square. Surprisingly well preserved: heavily creased, with some wear to extremities, one small hole (not affecting text or image) and one closed tear of approximately 4 cm to coloured border.

George *11864; Reid *155; Cohn *732. Printed on one side of a piece of wove paper roughly 54 x 22 cm, dimensions of print 47 x 18.5 cm. Engraved at the sides of the caption beneath the print: 'Pubd. April 1st 1812 by M Jones No 5 Newgate Stt. | G. Cruikshank fect.' Image clear and entire, on aged paper with creasing to extremities, and with one 4.5 cm closed tear in bottom left-hand corner.

On one side of a piece of wove paper, 25 x 10.5 cm. Spotted and lightly creased, with four small holes in the paper, but with text clearly legible throughout. Forty-four lines, arranged in eleven four-line stanzas.

Printed on one side of a piece of laid paper roughly 37 x 24.5 cm. Worn and spotted, with particular wear to the extremities, but with the text entirely legible. Printed in two 63-line columns, beneath a 3-line heading in an arrangement of various point-sizes, mixing italics and roman, capitals and lower case. The account of the speech, presumably extracted from a newspaper and intended for sale by street hawkers, begins 'MR.

12mo (dimensions of leaf 12.5 x 9.5 cm): 10 pp. Stitched. In original brown printed card wraps (dimensions of wrap 13.5 x 10 cm). Edition limited to 120 copies, of which this is No. 23. Good.

12mo (dimensions of leaf 12.5 x 9.5 cm): 20 pp. Stitched. In original brown printed card wraps (dimensions of wrap 13.5 x 10.5 cm). Edition limited to 120 copies, of which this is No. 103. Good, in slightly bumped wraps.

12mo (dimensions of leaf 17.5 x 10.5 cm): Stitched. In original brown printed card wraps (dimensions of wrap 19 x 11.5 cm). Edition limited to 136 copies, of which this is No. 100. Good, in lightly worn and bumped wraps.

12mo (dimensions of leaf 17 x 10.5 cm): 20 pp. Stitched. In original brown printed card wraps (dimensions of wrap 17.5 x 11.5 cm). Edition limited to 136 copies, of which this is No. 4. Good.

12mo (dimensions of leaf 12.5 x 9.5 cm): 22 pp. Stitched. In original brown printed card wraps (dimensions of wrap 14 x 11 cm). Edition limited to 120 copies, of which this is No. 14. Good, with light crease to front wrap.

12mo (dimensions of leaf 12.5 x 9.5 cm): 19 pp. Stitched. In original brown printed card wraps (dimensions of wrap 13 x 10 cm). Edition limited to 136 copies, of which this is No. 97. Good.

12mo, 1 p. Text clear and entire, on lightly creased blue paper, with a thin docketed strip neatly cut away at the foot of the letter. Traces of cream paper mount adhering to the blank reverse. Presumably refers to the play 'Alone in London', which debuted at the Olympic Theatre in 1885. Buchanan trusts that Fenn 'will be present in production of my new play & Miss Jay's debut on Wednesday next'. He asks whether to send the stalls, 'or do you get them from the Office? It will be indeed disappointing if you do not come, this time.'

The text of the three items is complete and legible. All three are bifoliums of aged and lightly-creased paper, with traces of grey paper mounts adhering to the verso of the last leaves. A difficult hand. Letter One (22 December 1884, Echo Office; 12mo, 1 p): Asks to be given a copy of a poem, or to be told where it can be found. Letter Two (19 Aug. [no year], Syon Lodge, Isleworth; 12mo, 2 pp): Begins 'This is a begging letter.' Asks for a copy of a poem by Draper (the title of which is illegible), not for publication but for his 'own private satisfaction'.

12mo, 3 pp. Good, with traces of previous brown-paper mount adhering to the blank reverse of the second leaf of the bifolium. His 'time is too fully occupied' for him 'to attend the meeting of the Aborigines Protection Society'. Discusses the parliamentary prospects of 'Mr. Baines' motion relative to the emigration of certain inhabitants of the Eastern district of the Cape'. 'In the meantime however I hope Mr is aware that he is fully at liberty to call on Mr. <?> the Librarian of this Dept. who is authorized to submit to him Captain Stockenstrom's despatches on this subject'.

12mo, 2 pp. Good, on aged paper. A formal letter in the third person. Windham 'is almost ashamed' of sending Sharpe 'anything so trifling as what accompanies this note'. His justification for doing so is the 'wish of having his opinions stated with tolerable correctness on a subject to which Mr Sharpe, as a matter of some interest at the moment, may happen in some degree to have turned his thoughts.' Sharp's name was often misspelt by contemporaries, and he is listed in the index to the online Oxford DNB as 'also known as Sharpe, Richard'.

12mo, 4 pp. Good, on lightly aged and creased paper. The 'appointment of examiners' is entirely a matter for 'the Commissioners of Intermediate Education'. However Trevelyan will be glad 'to send the papers on to the proper quarter, and will do so accordingly'. He is 'much obliged' to Fawcett for his 'kind expressions about my proceedings here. It is a very queer post, and I always feel as if on the brink of an appalling escape.' He has been 'much struck' with the success of Fawcett's policy at Trinity College, Dublin. The Trevelyans 'spent some days in Salisbury in 1879.

Irregularly shaped piece of paper, consisting of the front and sides of an envelope. Roughly 14 x 18 cm. Good, but with long vertical closed tear to right of signature, neatly repaired on reverse with archival tape. Reads 'London June Twelve 1832. - | Lady Frederick Bentinck | Bedford Hotel | Brighton | [signed] G. Bentinck.' Red ink postmark, circular and topped with crown, reading 'FREE | 12 JU 12 | 1832 | +'. Remains of red wax seal at foot. Docketed 'Bentinck' along right-hand edge.