PAUL

4to, 12 pp. On six loose bifoliums. Good, on lightly-aged paper, with minor spotting on reverse of last leaf (page of advertisements).

4to, 13 + [i] pp. On four loose bifoliums. On aged paper with small closed tears to spine and last leaf repaired with archival tape.

4to, 3 pp. Loose leaf inserted in bifolium. Good, on lightly-aged paper. Front page printed in black and red. Advertisements on reverse of last leaf.

4to, 4 pp. Bifolium. In light-grey printed wraps with design by Lieberman printed in dark-grey and pink (price on front amended with stamp). Score on central two pages. Last page carries an advertisement for another of Bowles's piano pieces, and a short biographical notice, headed 'ABOUT THE COMPOSER' ('[...] He is best known as composer of music for the theatre. In this medium he has written incidental scores for the two Orson Welles productions: [...] Mr. Bowles has also done several film scores, and the music for two ballets commissioned by the American Ballet Caravan: [...]').

See obituary, Times, 31 December 1935. Son of geologist James Wyatt. Educated at Christ Church, Oxford. Books include 'Hardrada, and Other Poems' (1878). Most items in the album laid down on around forty leaves of an 8vo ledger, but much matter loosely inserted. Ledger internally sound and clean, in worn, sturdy boards, with spine lacking. Contents in good condition, clear and complete. Cuttings browning slightly.

8vo, [iii] + 66 pp. Computer printout in plastic binder. Text clear and complete. Creasing to first four leaves, otherwise in very good condition. On title-page: 'ACTING COPY ONLY'. Note by 'C. W.' on next page: 'This version of the script is taken from Paul Roberts' unedited first draft transcription for a public reading of the play at the Powys Society's Annual Conference, at the Royal Agricultural College, Cirencester, at 7.30pm on Sunday, 28th August, 1994. | Where words have still not been deciphered in the transcript, temporary ones have been inserted.

In pencil, on strip of paper roughly 2.5 x 13 cm. Laid down on piece of card. On lightly-aged and creased paper, with small tear close to the right of the signature.

Folio, 1 page. Good, on lightly-aged paper, with an edge of the blank reverse bearing a small strip of the grey mount. A formal letter, attractively presented. He is 'directed by the Trustees of the British Museum, in the absence of the Secretary', to convey their thanks for the 'obliging Present to the Museum Collection of Prints, of a Portrait of the late Paul Colnaghi Esqr. Engraved by R Easton, proof'. Interestingly, the National Portrait Gallery does not possess any portrait of Paul Colnaghi.

Fourteen lines on the back of two-tone Dutch postcard, the front being tined light blue. Addressed to 'Edw Draper Esq, 3 Vincent Square, Westminster, London, England'. Aged and grubby, with two creases and slight traces of previous mount on front. Hatton's hand is difficult, but the note, addressed to 'My dear Friend', defending his use in a story of the following version of the celebrated quotation: 'When Greeks joined Greeks". Concludes 'You are right about the tinder box of course.'

12mo, 2 pp. 22 lines of text. Very good on aged paper. Text clear and entire. Replying on behalf of 'Mlle Lia Duport, ma fille' (who accepts the 'offre flatteuse') and 'Mr. Alizard' (who has not yet returned from Brussells, where he is 'engagé au théâtre de la Monnaie'). If Alizard is available his fee will be the same as Duport's daughter's. States the reduced fee for which his daughter will sing alone, 'Dans le cas où Mr.

12mo: 1 p. Fifteen lines of text. Good, on aged and lightly-creased paper. Minor foxing. Difficult hand. Begins 'Je voudrais avoir cette année la collection des Documents parlementaire qui seront distribué au corps legislatif. | Autrefois j'étais abonné pour une petite somme [...]'.

Both items 4to, 1 p. Both on creased paper with closed tears neatly repaired on reverse with archival tape. Letter to Flobert: Most of the type of Martin's article (in the 'Bulletin de la Société Archéologique, Historique & Artistique le Vieux Papier') still exists, and the printer asks to be informed what quantity of the offprint he requires. 'Le cliché de la 1r page, qui sert à frontispiece, a été renvoyé à M.

The calling card is roughly 6 x 9.5 cm, and reads 'Paul Baudry, | Membre de l'Institut. | 56, rue Notre Dame des Champs'. Around this Baudry has written 'Mon cher docteur | Venez s. v. p. voir ma petite avant votre déjeuner Vous me ferez plaisir. | Samedi 16h 1/2'.

Dimensions of card roughly two and three-quarter inches by four inches wide. Good, with light creasing to corners. Clear signature reads 'Yours very sincerely | Max O'Rell | 18 March 1895'.

One page. Dimensions of paper roughly six and a half inches by eight wide. Spotted, aged and creased, and with some closed tears. Addressed to Wreden at 'Box 56, Palo Alto, Cal., U.S.A.' For '3 reg'd bookpost parcels', and headed 'Hodgson's Sale 25th Nov. 1954'. Lots 204 and 205 purchased for a total of £27 9s 9d, including an apparent commission of 15% on an item under ten pounds, and 10% on one over that sum. Items ('French Documents & Autograph Letters' and 'Autograph Letters from Lord Brougham and contemporaries') described in nine lines.

All items very good. The typed letters are both 4to, 1 p, and the autograph letters both 12mo, 1 p. Three items bear the Society's stamp. Letter One (typed, 24 September 1915, 10 lines): He will have 'great pleasure in addressing the Society of Arts', but there is 'one point which must be settled carefully beforehand'.

8vo: 1 p. On grubby, creased, discoloured paper, with chipping and slight loss to extremities. In French. As a result of the bad state of his health he is forced to live far from Paris and will not be able to accept the invitiation of the British Medical Assocation. The writer will soon receive the replies of those of Lorain's colleagues who have also been invited.

Both very good. Letter (one page, 12mo): He has written to Kegan Paul reporting his correspondent's offer of five guineas for the use of 'the Marlowe article'. 'Many thanks for so kindly undertaking to correct the errors I pointed out in the Robert Bridges volume of Miles' Poets &c.' Card (two pages, 12mo): The answer from Kegan Paul 'is a courteous negative - So that closes the matter'. Dowden recommends J.

On a piece of aged, creased paper roughly five inches square, with some fraying to extremities. Reads '<...> an artist. & his case as one <...> | Andrew Robertson | D Colnaghi | M. H. Colnaghi | R Ackermann | CTurner | John | Saml Woodin'. Rudolph Ackermann (1764-1834), bookseller; Dominic Paul Colnaghi (1790-1879), print dealer; M. H. Colnaghi (1821-1908), picture dealer and collector; Andrew Robertson (1777-1845), Scottish miniature painter. From a collection of material relating to the Artists' General Benevolent Fund.

Both letters two pages, quarto. LETTER ONE (annotated in ink with some ink marks in the blank space beneath Goold's signature): Written at the point at which Goold was relinquishing the University College Latin Chair to return to Yale. 'I told you I should be visiting Yale this autumn; and now I have to tell you that I shall be going on to Stanford after Christmas till March. Still, if I shan't have the pleasure of coming in occassionally to the bookshop, it probably means that I shall be ordering more books from you!' Orders a couple of copies of Austin's 'Aeneid'.

One page, 12mo. Very good on lightly aged paper. Giving details of a proposed lecture. He was to have been in Salford, Manchester, but the dates have been changed. Can only offer two dates. '<?> the two years' <?> has been a huge success & a most interesting journey by which we have all benefited. I remember the Bolton audience with great pleasure. Kindly name the subject you choose. My fee: ten guineas as before.' Accompanied by magazine cutting of photographic portrait captioned 'M. PAUL BLOUET ("MAX O'RELL"), NEW EDITOR OF THE PARIS "FIGARO."

LETTER (9 December 1954; 71 Carter Avenue, Exmouth, Devon; one page, 12mo, good in stamped, addressed envelope): Discusses accompanying eight-line errata slip correcting 'a stupid mistake' in 'The Ostrakon': 'I was so wrapped up in the related problem that I failed to see the point you were making [...] Luckily The Ostrakon has not yet been generally distributed, so the correction is in time.' Signed 'L. A. S. Jermyn'. PAMPHLET: fifteen pages, small octavo. Unbound, in original printed wraps. Good, though slightly aged and creased. Unobtrusive ink marks at foot of front wrap.

Film director (1926-), husband of the actress Wendy Hiller (1912-). The note, 9 December, 1971, one page, 4to. "Here is David's response to my cry for help. Could you read it and give me a ring suggesting what should be done next. And please send David's letter back to me. The photo of the poster is, of course, yours." Signed "Karel". The letter, 10 November 1972, one page, 4to. "How nice to have your note. Yes, indeed, I am sending Mother out to work again! What's more with Tony!

English novelist (1775-1861). One page, 12mo. A frail item in poor condition: on discoloured, frayed paper, with several closed tears and some loss to edges. A formal letter in the third person. 'Lady Charlotte Bury presents Her Comp[limen]ts. to Mr: Colnaghi and would be obliged to Him if He could make it convenient to call upon Her any time this Day, as she wishes to speak to Him respecting Some Drawings which she intends to publish'.

English author and politician (1797-1833), whose efforts resulted in the formation of the National Gallery. Colnaghi (1751-1833) was the leading printseller of the period. One page, quarto. Good, on slightly discoloured paper with traces of previous mount adhering to reverse. A formal letter in the third person. 'Mr Agar Ellis would be much obliged to Mr Colnaghi if he would procure for him the German prints in outline for "Ondine", published at Nuremberg - Also the Prints in the same style for the German play of "Faust".

Colnaghi was a member of the notable family of English printsellers. Hall (1800-89) was an author and editor. Paper dimensions roughly five inches by three inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> Paul Dominic Colnaghi Esq | | S. C. Hall. | '.

Three noted British painters of the first half of the nineteenth century: Clint (1770-1854), Stanfield (1793-1867), Brockedon (1787-1854), together with the printseller Colnaghi (1790-1879) and the auctioneer Robins (1778-1847). Paper dimensions roughly five inches by four inches. Good, but lightly creased and a touch grubby. From a collection of material relating to the Artists' General Benevolent Fund.

The artist Clint (1770-1854), the printseller Colnaghi (1790-1879) and the engraver Audinet (1766-1837). Paper dimensions roughly four and a half inches by three inches. Good clear signatures, but on paper somewhat grubby and creased. Reads 'D: Colnaghi | Geo Clint ARA | Philip Audinet'. From a collection of material relating to the Artists' General Benevolent Fund.

Burnet (1784-1868), Corbould (1787-1844), Hills (1769-1844), Phillips (1770-1845) and Smirke (1752-1845) were artists. Colnaghi (1790-1879) was a print seller. Paper dimensions roughly four inches square. Paper grubby and creased. Reads 'T. Phillips - | R. Hills | D Colnaghi | Henry Corbould | Rob Smirke - | Jno: Burnet.' Reverse reads, tantalisingly, '<...> that his Eldest Son | <...>ilder of Liverpool Road | <...>ledged to call his Creditors | <...>t.