YORK

4to, 1 p. Nine lines. Text clear and complete. Good, with minor traces of previous mount on reverse. He is returning 'the Franks that you sent to me last night', with the assurance that he is ready 'at all times to be of service' to him. He is sorry that he will not be able to see him before his 'Tour', and hopes to see him 'in good Health' on his return.

8vo, 345 pp. Frontispiece and 26 plates. Small blue accession stamp ('134149') on reverse of title. Bound in green buckram with leather label. Fair, on aged paper and occasionally-discoloured paper. A tight copy, on worn and stained binding. 2451 lots with unusually full descriptions. Two page 'Prefatory' describing the 'widespread interest' that has been 'displayed in the announcement of the dispersal of Mr. Hubbard's extensive and well-chosen collection of books relating to America'. 'To suggest [...] that Mr.

12mo, 2 pp. Bifolium. Very good, on lightly-aged paper. He is sending 'some autograph letters, which I hope may not be without interest to your friend Mr. Henry Bright'. Bright, Hawthorne's closest English friend, toured America in 1852.

Photocopy of word processor typed print-out. 8vo, [ii] + 53 pp. Good. In plastic binder. Title carries Dee's address. Second page lists the twelve sections of the play. Loosely inserted is a photocopy of a long review, with photograph, from the East Hampton Star, 26 March 1992, of 'a dramatic reading' of the play at Canio's Books, Sag Harbor. The play was not published, and there are no copies of this item on WorldCat or COPAC.

4to, 1 p. Bifolium. Addressed, with postmark, on reverse of second leaf. Good, on aged paper. In a hurried hand, with numerous corrections. Relating to the publication of 'articles of poetry from a lady'.

12mo, 1 p. On bifolium, with Stratford Canning's docketing on the reverse of the second leaf. Text clear and complete. Good, on lightly-aged paper, with thin strip of stub from mounting adhering to one edge. A 'strong wish is entertained' that Stratford Canning's name 'be added to the Committee of the Palestine Exploration Fund'. He is enclosing a paper 'which will show its nature'. Canning notes that the letter was 'Ansd. 18 | No objection to be a member of the Committee provided I incur no responsibility beyond that of throwing an occasional mite into the subscription fund.'

8vo (23 x 15 cm), 32 pp. Stapled. Outer pages in blue. In fair condition, with a little damp-staining at the head of the first leaf (with minimal effect on the text), and a tiny dab of the same staining continuing at the corner of each leaf (not affecting the text). Title-page on cover illustrated by C. H. Dennis, showing Uncle Sam sharpening a razor of 'GOOD CUTS'. Note on page 2 begins: 'THIS CUT BOOK contains a few of the many varieties and styles of cuts which we carry in stock and use on your printing free of charge. We have many more and are constantly adding new designs. [...]'.

Six pages in double column and one page in single column, on seven leaves roughly 63 x 15.5 cm. Not entirely uniform: dimensions of type of first leaf approximately 50 x 10 cm; and of last (single-column) page roughly 56 x 5 cm. Clear and complete. On aged and folded high-aciditiy paper. Stapled, but with last leaf creased and detached from rest. The article is headed: 'This is a factual account of events that led up to the implementation of a policy that will effectively abolish the traditional methods of printing newspapers, with particular emphasis on the composing area.

4to: 6 pp + [ii]. Disbound. On aged spotted paper with slight chipping and loss to extremities. Text clear and complete. Report, in small type. Inscribed by Meredith at head of first page: 'Read by Hugh Meredith, M.A. before the British Association at York. 1906.' Scarce: no copy in the British Library and the only copy on COPAC at Oxford.

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.

An interesting collection of papers relating to the Tryon family, moneyed Swedenborgians from New York State, originally arranged - apparently by Francis Tryon's granddaughter Juliet (Lowrey) Baggallay - in seven parts. Most items are 8vo, with several 4to and some 16mo. Condition is good unless otherwise stated. All items have a small hole in the top left-hand corner for grouping together. Part 1 consists of one letter, 12 June 1797, from Moses Tryon (1750-1817) to Captain Nathan Sage ('his brother's father-in-law' according to an accompanying note).

Octavo: 261 unpaginated pages. In original printed wraps. Internally sound and clean, in stained and creased wraps. Unobtrusive ownership mark of Myers & Co. of London on front wrap. Fifty full-page facsimiles of title-pages, etc. Foreword by Benedict, followed by Resume, beginning, 'The Collection of Laws belonging to Judge Russell Benedict, [...] is the Most Important Collection of its kind that has ever been brought together by a private party.

170 photographs, on forty-one pages of a fifty-page album with leaf dimensions of 26 x 35.5 cm. The album is half-bound, with black leather corners and spine, and green faux-leather boards, aged and with loose leaves and worn binding. The photographs are often slightly faded, but are for the most part in good condition. Each page is entirely filled, the photographs ranging in size from 22 x 26 cm to 3 x 2 cm.

Printed in black and sepia on both sides of a leaf of watermarked wove paper, 45 x 30 cm. On lightly-aged paper with one vertical and two horizontal fold lines. The seven sample pages feature a total of six illustrations, in a variety of styles, two by Herb Roth. The arrangement is as follows. Recto: Title ('Specimen Pages from Books made at the Walpole Printing Office in New Rochelle, N.Y. 1929-1932') with vignette of Walpole. Specimen One, titled 'Piratical Barbarity, &c.', with illustration of pirate ship by Roth. Specimen Two, title-page of T. S. Eliot's 'John Dryden. The Poet.

Dimensions of print 12.5 x 19.5 cm. On paper 16 x 24.5 cm. Good clean impression, with six or seven spots of foxing in the margin and a little wear in the bottom left-hand copy. Striking detailed view of the city with sailboats and steamships in the harbour, and the major buildings and layout of the streets clearly portrayed, with the environs in the distance. Scarce: there is little information to be gleaned concerning this print.

Dimensions of print 11.5 x 19.5 cm. At the head of the recto of the first leaf of a bifolium (leaf dimensions 28 x 22.5 cm). The print itself is clear and undamaged, on aged paper. With traces of cuttings mounted onto the internal pages, and closed tear to the blank second leaf. An impressively detailed engraving, showing the bustling port and layout of the city, with church spires and prominent buildings. A copy of the item survives used as a letter home from a German girl in 1855. The copy in the New York Public Library is ascribed to 'C. Magnus, Lith. 22 N. William St.'

Dimensions of print 6.5 x 11 cm. On a piece of paper 7.5 x 12 cm. Neatly laid down on a piece of cream paper 20 x 27.5 cm. Good clear impression on paper with foxing to margins at extremities. A series of three concentric red borders on the mount surround the print. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Dimensions of print 6.5 x 11 cm. On a piece of paper 9.5 x 16 cm. Neatly laid down on a piece of cream card 15.5 x 21.5 cm. Good clear impression on lightly-aged paper. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Dimensions of print 12.5 x 19.5 cm. On paper 16 x 24.5 cm. Good clean impression, with six or seven spots of foxing in the margin and a little wear in the bottom left-hand copy. Striking detailed view of the city with sailboats and steamships in the harbour, and the major buildings and layout of the streets clearly portrayed, with the environs in the distance. Scarce: there is little information to be gleaned concerning this print.

8vo: 47 pp. Disbound. A tight copy, with the text clear and complete, on aged paper with light waterstaining throughout. The title continues: 'To which are added, a sketch of her benevolent exertions in favour of the widow and the orphan. - Comprising the history of the Widows' Society, and the Orphan Asylum; together with the last scenes of her pious life.' WorldCat reveals eighteen copies in American libraries, but scarce in Europe: no copy on COPAC (microfiche at University of Scotland).

8vo: 4 pp, surrounding a bifolium carrying 4 pp of photographs. Stitched. Printed on laid paper and nicely produced. Lightly creased, and with the covers grubby and lightly-spotted. Begins 'CHARLES SCRIBNER'S SONS, their London house having outgrown its quarters in Regent Street, have moved to twenty-three Bedford Square where they are occupying one of the old Adam houses, the lease of which they have purchased from the Bedford estate.' The four photographs consist of an exterior view, the 'Manager's office', 'One of the Adam fireplaces' and 'Entrance hall'.

12mo. 32 pages. Unbound. On browned high-acidity paper. Loss to margins of first and last leaves, but text clear and complete, save for the dating in bottom left-hand corner of the title: <...> 8. 81. Cancelling all previous Editions of this Catalogue.' Line in blue pen around the words 'for Children' in the title, and pencil markings (by a child) to p.30. Circular engraving beneath title captioned 'Goldsmith introduced to Newbery by Dr.

Printed on one side of a piece of thick wove paper, roughly 11.5 x 9 cm. Dimensions of image 9.5 x 6.5 cm. A little grubby, but good. An attractive production, with a mediaeval-style illustration of two flying fish flanking a tree on the branch of which is hung a shield with the words 'Books & Prints | Old & New. | 84, Nassau Street | New York. | 14 York Street | Covent Garden | London.' In gothic type at foot: 'J.

Printed on one side of a piece of thick wove paper, watermarked 'G REIG', roughly 53 x 41 cm. Worn and a little spotted and grubby, with creasing and wear to extremities, but good overall, with text and design clear and entire. Handsome boldly designed certificate. Not filled in and with no manuscript additions whatsover. The illustration, an oval roughly 12 x 17 cm, shows the ship approaching white cliffs on shore, with a boat containing seven natives in the foreground.

All three items in very good condition. Clear, bold signature, on a cropped piece of paper three inches by five wide, reading 'Leonard Bernstein | Edinburgh | <'73>'. The first photograph (six and a half inches by eight wide, and with the stamp of the Scottish Tourist Board on the reverse), shows a smiling Bernstein in a Prince of Wales check double-breasted jacket with a bespectacled old gentleman in a single-breasted pinstripe jacket, admiring a bagpiper in full regalia at a British railway station (Edinburgh Waverley?).

Octavo: viii + 201 pages. Good and tight, on aged high-acidity paper, with some chipping and a little light staining at foot. A few pencil marks. In original printed grubby and chipped wraps cloth-taped to spine. Front wrap annotated in pencil. Four-page introduction entitled 'A PLAYWRIGHT'S WORKING LIBRARY.' Even considering the importance and interest of the theatrical collection, the high point is undoubtedly item 102: 'BLAKE, WILLIAM. ORIGINAL DRAWINGS IN WATER COLOURS and INDIA INK by the celebrated WILLIAM BLAKE (Pictor Ignotus).

Octavo, 2 pp. 23 lines of text. Lightly discoloured and slightly creased. The letterhead gives the names of seven of the Anthology's staff, and features an illustration of a raven. Regarding a line missed (beginning 'O fool') in the printing of a poem of Zeman's, he is pleased that Zeman has been able to 'see the matter from my side', and doesn't think 'an explanatory note in our next issue would be adequate'. Zeman's poem is 'beautiful' and 'well worth reprinting'. 'As to the Soiree, in your honor, think no more about it.

Printed on one side of a piece of rough laid paper, approximately 24.5 x 8.5 cm. Crude circular woodcut of pedlar at head, diameter 3.5 cm. Good, on aged paper with a little creasing at head and foot. Consists of four four-line stanzas with refrain 'Doodle, doodle, doo.' First stanza, heavy with double-entendre, reads 'HEAV'N bless my dearest little dear, | The wind is not quite fair, | From Portland Road I write this here - | Oh! bless your little hair. | Doodle, doodle, doo.' Clearly refers to a high society Regency scandal, possibly that concerning the Duke of York and Mary Anne Clarke.

Printed on one side of a piece of rough wove paper, 25 x 9 cm. At the head is a crude woodcut of lady playing keyboard, dimensions 2 x 3 cm. On aged, creased paper with wear to extremities. Text clear and entire, but not properly centred, with the result that the last two letters of the word 'Gre' in the address cropped. The poem consists of six stanzas of six lines each. First stanza 'YOU have heard of Mrs.

16mo (roughly 11 x 8 cm), 1 p. Creased and ruckled, and with slight discolouration from previous mounting, and with a piece of the mount adhering to the blank reverse. Reads 'My dear Sir | I thank you for your letter and the information it contained. I write to Paris to have PP' book as soon as it is out. | Yours truly | [signed] Elisabeth'. Signature stylized to the point of illegibility. Piece of mount docketed in contemporary hand 'Elizabeth late Queen of Prussia'.