NINETEENTH

12mo, 4 pp. Bifolium. Good, on lightly aged paper. Addressed to 'Monsieur et Confrère'. He replied to de Monglave's last letters a couple of days previously, and he has addded 'deux ou trois propositions que je vous de traduire en bon François, et de lire à notre comité, au Conseil'. He wants to get to know 'quelques uns de mes voisins dans ce village où j'ai l'intention de passer six mois', and asks for letters of introduction. Lists four families he wishes to get to know and names some individuals with whom he is a little acquainted.

The dimensions of the envelope are roughly 6.5 x 12 cm. The flap has been gummed down and the reverse bears traces of glue from previous mounting. The front of the envelope is good, though slightly grubby. Reads 'James Claude Webster Esqe. | Secretary | Athenaeum Club | Pall Mall'. Docketed in a contemporary hand, in the top left corner, 'Charles Kean the Actor. | Decr. 1857.'

12mo: 8 pp. Unbound. Text and illustrations complete and clear. On grubby, creased and spotted paper. Title enclosed in a decorative border, and carries a 9.5 x 6.5 cm illustrating the article 'Serpent Worship in India'. Second article entitled 'Mission-work in East Africa.' Third article, 'Native Catechist Preaching', accompanied by a full-page illustration captioned 'West African Native Catechist Preaching'. Fourth article: 'Progress in Shaou-Hying' by the Rev. J. D. Valentine. Fifth and final article, 'Baptism and Death of a Santal Boy' ('The Rev. H.

12mo, 1 p. Good, on lightly aged paper. Asking Pingard, as Secretary of the Institut de France, to convene a meeting of the members of the 'Section de Géographie et Navigation'. Postscript: 'P.S. Je suis, connais vous, près <?> une Jambe.'

4to (27 x 21 cm), 1 p. Nine lines of text. Text clear and complete on lightly aged, creased and foxed paper. Small closed tear at edge along crease line (not affecting text). Bearing the numbered stamp of the Exposition Universelle de 1867, Commission Imperiale. Accepting the position, conferred on him by the Commission, of 'membre de Jury de l'Exposition dans la 55me. classe': 'J'accepte cette tâche de confiance, et ferai tous mes éfforts pour la remplir avec l'activité reclamée par le reglement concernant les travaux du Jury'.

4to, 1 p. Fourteen lines of text, on the recto of the first leaf of a bifolium. Text clear and complete, on lightly aged and creased paper. Slight staining at foot of text (affecting part of signature), and on the reverse of the second leaf of the bifolium, which is docketed 'la renaudié | A. S.' He is sending an article on 'la Bibliotheque des voyages'. Asks that the article on the work entitled 'Des Beaux arts en Angleterre', 'que Buisson vous adressa il ya prés de Deux mois', be inserted. 'Je vous prie en grace de laisser ma Signature en entier.

12mo: 1 p. Eight lines of text. On a piece of grey laid watermarked paper. Complete and clear. Lightly aged and creased. Unusually frank business communication. He is angry at having to tell Deterville that he cannot have 'd'exemplaire des Rudimens'. He will do his best to let him have them soon. However weak the excuse, it is nevertheless true that the 'ouvriers ne m'ont pas tenu parole'.

8vo: 1 p. A bifolium (leaf dimensions roughly 270 x 185 mm), on thin wove paper, with the printed page on the recto of the first leaf, the rest being blank. Very good, on lightly aged paper. Attractive item printed in red, blue, black and gold. Text reads 'Vol I in the Press. Burke's Colonial Gentry. A Genealogical and Heraldic Dictionary of the Principal Families residing in the British Colonies by Sir Bernard Burke, C.B., LL.D., Ulster King of Arms.

12mo: iv + 164 pp. In original green cloth, with the title in gilt on the front cover. All edges gilt. Slightly foxed. Good and tight, in lightly worn cloth. A curious collection, with the index of first lines containing such entries as 'Sweet Edgbaston bells' [this poem dated 1844], 'Dear Varinka', ' 'Twas a boy in a cut-off jacket' and 'They call me little Trottie'. All three series are excessively scarce. The only copy of this third series on COPAC is in the British Library, and the only copy on WorldCat in California.

In three columns of small type on one side of a piece of unwatermarked wove paper, dimensions 39.5 x 29 cm. Text clear and complete, on aged and lightly creased paper. Four short closed tears at the extremities of folds. An unusual production, docketed in pencil in a contemporary hand at the head: 'These letters were written by Baker, Consul out in the Principalities & a great protege of Gladstone'. Begins 'We have been favoured with a copy of a remarkable letter addressed to the Premier by an old friend of his father's.

On both sides of a piece of wove paper, dimensions 21.5 x 14 cm. On browned high-acidity paper, lightly creased and with closed tears to the margins. Text clear and complete. Begins 'One of the best and most effective statements of the farmer's case against Protection was that made by Mr. Legh, of Adlington Hall, one of the oldest Conservative landowners in Cheshire, at a Free Trade meeting at Adlington.' The headings are 'About Butter', 'About Cheese', 'About Corn', 'About Pigs' and 'About the Farmer's Bill'.

The main text is printed on one side of a piece of paper roughly 28 x 13.5 cm, headed 'Upwards of Thirty Thousand Copies Of the "Manchester Weekly Times," with Eight-page Literary Supplement, are Issued Every Saturday.' The main block of text, in a variety of types and point sizes, consists of 27 lines ending 'The Proprietors respectfully solicit instructionsn to insert your Advertisement.' Describes the newspaper's merits and boasts that it is 'one of the Largest and most complete Weekly Papers published'.

One page, 12mo, asking her friend to dinner "to meet a friend from the country", fearing that "there is small chance of finding you disengaged" with such late notice.

A collection of items indicating the panic felt by the bourgeoisie around the time of the Great Chartism Meeting on Kennington Common, 10 April 1848. Items Two to Five are laid down on a piece of grey paper removed from a scrapbook. Item One: Printed warrant signed by two magistrates, appointing Cater a Special Constable, it appearing, 'upon the oath of a credible witness, that a tumult or riot may be reasonably apprehended'. On one side of a piece of laid paper roughly 320 x 210 mm. Watermarked 'W H FELLOWS 1847'.

Printed on one side of a piece of laid paper roughly 21 x 13.5 cm. Good, on aged and lightly-creased and spotted paper. Eighteen line poem in heroic couplets, turning on the conceit of a game of cards. Begins 'OFT have I shuffled, often played the Knave, | In vain attempts a losing game to save;'. Ends ' 'Stop!' cried John Bull, with honest anger choking; | 'Turn out that fellow Gladstone - he's revoking!' ' References to Egypt and Home Rule date this item to the mid eighteen-eighties.

Both items printed on one side of a piece of cheap wove paper. Both items aged and lightly creased, but with text clear and entire. Item One (23 x 12.5 cm): Headed 'Sudbury Election.

Two pages, printed on the recto of the first leaf and verso of the second of a yellow wove-paper bifolium. Leaf dimensions 22.5 x 14.5 cm. Grubby and creased, but with text clear and complete. The first poem, 'A New W[h]ig Song', begins 'In our town there's a street, with a chapel and shop, | Where a gay pole once hoisted of late is let drop, | There a fam'd Barber deals with his w(h)ig as he wills, | From full bottom'd P----r to little scratch M--ls.' References to 'shot-yellow A---r [Adair]' and 'M----y, the close button'd Barber'.

Landscape 8vo (leaf dimensions roughly 15.5 x 23.5 cm): [iv] + 98 pp of letterpress, and 24 tipped-in full-page lithographic engravings ('taille-douce' over a tinted background), one illustrating each of the book's twenty-four chapters. Woodcut engraving on title-page. In contemporary brown cloth with green patterned endpapers. A tight copy, with the first few leaves somewhat grubby and worn at bottom outer corners. Occasional foxing throughout. Alhoy (1802-1856) was co-founder of 'Le Figaro'. Second and last edition.

On one side of a leaf (roughly 11 x 16 mm), removed from an autograph album. Good, on lightly aged paper, with some show-through from amusing drawing on reverse by L. E. H. Phipson. Bold signature reads 'Yours Sincerely | Marie Novello'. Drawing on reverse depicts a monocled old fogey protesting his love to a pretty young thing regarding herself in a handmirror. Captioned 'I'd rather be a young man's slave!' Signed by the illustrator 'L. E. H. Phipson | 6/12/1917'. Docketed in pencil.

On a leaf (roughly 15.5 x 18 cm) removed from an autograph album. Aged and a little grubby. Both hands bolder than usual. Recto reads '"Courage Mounteth with occasion" - | Yours sincerely | [signed] Violet Vanbrugh'. Verso reads 'Yours sincerely | Dora Labebette.'

On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.

Dimensions of all four items 18 x 14 cm. Two landscape and two portrait. The margins of the plates have been cut away, so that each illustration covers the whole piece of paper. All four items are in good condition, although one has a small patch of the top-left hand corner damaged from removal from mount, and another has a 1 cm closed tear to an edge. Attractive colouring. All four are night scenes with a full moon depicted, holding up to the light intensifying the effects.

On a light-green leaf (11 x 14 cm) removed from an autograph album. Lightly aged and creased. Reads 'Hugh P. Allen | Nov 8. 1928'. Lightly docketed in pencil. Two other autographs on reverse.

Dimensions of print roughly 12.5 x 18 cm. On original white paper windowpane mount (23 x 28.5 cm). Engraved label (3 x 9.5 cm), with text printed in gilt on navy blue paper. Bright, clean impression, on discoloured mount with creased label. Depicts fashionably dressed pedestrians proceeding along the length of the tunnel. Two children play on the cobbled central track. A series of small holes have been neatly cut within the alcoves of the tunnel. On display of the print within a lightbox, these would simulate the gas lighting used to illuminate the tunnel.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style illustrations of the ship and the queen. The print itself is good, although aged and a little worn and spotted; the spotting and aging to the margins and mount is a little heavier. Attractive and unusual item, the image changing when held up to the light. The ship is depicted sailing on choppy seas, and the young queen seated with drapery around her on a verandah with stone balustrades and a landscape behind. Scarce.

On one side of a piece of wove paper roughly 28 x 23 cm. On aged, creased and spotted paper. A poem, arranged in double column, consisting of fourteen seven-line stanzas intended to be sung to the tune of the British national anthem. The first stanza reads 'Misanthrops a la-mode, | Up, up, and chose the road, | To happiness. | Out of the three men choose | Two men that won't abuse, | Although they may refuse, | Some things we want.' The position of the ballad is clearly stated: 'Candlish has been our Mayor, | Hartley has graced the Chair, | Make them M.P.'s'.

The portion of the caption, missing in the description above, reads '[...] Virginia Water. This Print at first represents this enchanting lake by day, and upon holding it before the light, you will be presented [...]'. Dimensions of print roughly 16.5 x 22.5 cm. On original grey paper windowpane mount (24.5 x 35.5 cm). Engraved label (4.5 x 18.5 cm) beneath the print. Good, bright impression, but with damage affecting an area roughly 2.5 x 2 cm in bottom right-hand corner. On lightly aged and spotted mount.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style Dimensions of print roughly 20 x 14.5 cm. On original grey paper windowpane mount (34 x 24 cm). Engraved label (5 x 19 cm) beneath the print. Worn and discoloured. An usual and attractive item, with a simple picture of a pear which transforms into a portrait of the royal couple, under drapes, when held up to the light.

One one side of a piece of laid paper, roughly 21 x 13 cm. Clear and complete on aged and spotted paper. A couple of manuscript emendations, in a contemporary hand: 'I'm' in the text expanded to 'I am' for the sake of scansion, and 'like' in the text changed to 'likes' for the sake of grammar. Sixteen-line poem arranged in four stanzas.

Printed on one side of a piece of wove paper roughly 230 x 90 mm. On pitted, aged paper. Text complete. Approximate 30 x 50 mm piece torn away from top right-hand corner, causing loss to small illustration at head, which appears to be a crude woodcut of a woman lying in a coffin. The poem consists of thirty-six lines arranged in five stanzas. The first stanza reads 'Dear Peggy, read this letter, | its the last one I'll send, | Our long correspondence, | is now at an end.