NINETEENTH

Dimensions of paper roughly one centimetre by six wide. Close-cropped but clear and entire. On aged paper with traces of glue from previous mount on reverse.

One page, 12mo. Good. Docketed and bearing the Society's stamp. Concerns 'Sir Alexander Redler's being brought up by Crookes for election to the Athenaeum by the Committee under Rule II [...] you [...] intimated that you knew Redler & that I need not descant on his virtues: he is a most clubbable man & I trust you may be able to support him'.

One page, on leaf roughly six and a half inches by eight wide. Aged and creased. Unobtrusively repaired with archival tape. Attractive letterhead (according to which the firm, previously at 41 Coleman Street, was established in 1819) with illustration showing a gentleman angler in top hat fishing in rushes by river beside a crouching servant holding a net. 'ARTIFICIAL BAITS OF EVERY DESCRIPTION MADE BY H. J. ALFRED.' In the spirit of the times Fellows took all of eighteen months to pay a bill of thirteen shillings. Signed 'Recd W H Alfred'.

12mo bifolium. A frail, aged survival of a scarce and significant item, with wear, staining and several closed tears. THE LETTER (one page, on recto of second leaf of bifolium), signed 'R. T. Jefferies', asks 'Can you not give me your assistance at my next concert you would be conferring a favor on me by attending and I should also be glad if you could send a few vocal friends, will not any of the boys be able to attend. Please excuse haste'. In another hand on verso of second leaf, 'Rehearsals | Metropolitan Lecture Hall adjoining Gower St Railway Station Saturday 3#'.

12mo. In original worn red morocco binding, gilt, with loose front free endpaper. Good, with EXTENSIVE MANUSCRIPT CORRECTIONS AND ADDITIONS. Eight blank leaves bound in front and back, on which are laid down forty-nine illustrations of arms of London livery companies, each approximately one and a half inches square, and apparently dating from the mid-eighteenth century.

All items octavo. All in good condition, on aged paper, bound together in heavily-worn contemporary half-calf. Ownership inscription of the art dealer Faris C. Pitt on front free endpaper. The various issues of the 'Catalogue of Books' vary in length from eight pages to twenty-eight.

On piece of paper roughly seven inches by four and a half. Good, though aged, and with small closed tear at foot. Evidence of previous mounting adhering to blank verso. Presumably in response to a request for an autograph. Seven lines of text, headed 'The "Half-Timer"', concerning the deleterious effects on health of child labour.

Four pages, 12mo. Very good, with unobtrusive remains of stub along one edge. In interesting letter discussing the state of the English stage. Her tardy response is due to 'pressure of work". 'What you say about the present condition of the stage is only too true.

One page, roughly eleven inches by eight. On aged paper, with fraying to extremites affecting one word of text. 'Richard Battley Esqre. of Fore Street Cripplegate a Gentleman very conversant in several branches of science particularly Vegetable Chemistry and Pharmacy being desirous of becoming a Fellow of the Medico Botanical Society of London | We whose names are hereunto subscribed do recommend him as highly deserving of that honor & likely to pr an useful and valuable member.' Signed 'J Frost', 'Wm. Yarrell' and 'Wm. Newman'.

One page, 12mo. Very good; lightly creased with staple holes to one corner. 'I beg you to publish the letter which I have addressed to the Journal. There is no point in withholding it.' Horder, who designed Lloyd George's house, as well as Mallory Court and Greys, is, according to one authority, 'one of a group of early twentieth century architects who were highly influential in re-introducing the romantic vernacular styles of the Elizabethan period. Many of his homes were in the style of Edwin Lutyens, having gables, stone dressings, mullioned windows and inglenooks.'

Classical actress and theatre manager (1872-1957), later Lady Simson. The signature is 2½ inches long, on a piece of grey paper, with one crease but otherwise in good condition. The paper is mounted on a piece of card which is neatly docketed, 'Lena Ashwell | now | Lady Simson 1925 | Actress | famous in | [...] | Appointed Office of the Order of the British Empire for valuable work in providing concerts at the front and at Home during the Great War'.

One page, 12mo. Very good, if a tad grubby. Thanks Draper for his 'amiable but unconvincing' note. 'Do you not know that I was irritated into bad language by being accused of "d - d impertinence? This, too, before I said a discourteous word. - Goodman [the writer Edward John Goodman], of course, rules the Committee [of the Savage Club] and even you have listened to the voice of that Israelitish charmer.' Concludes 'Mais n'importe. Either this evening or tomorrow I send in my resignation. I will neither apologize, nor renew the matter in cold blood.' Signed 'Henry S. Leigh'.

Three pages, 12mo. Very good. The letterhead, in red, carries Mayhew's crest, with his initials 'HM' and motto 'LABOR VINCIT'. An insight into doings within the Mayhew family. As her correspondent has 'not been here', she is concerned that she 'must have offended you in some way or another'.

Three pages, small octavo. With embossed crest. Aged, and with some wear to extremities, but text clear and complete. In English. He sends two walking sticks. 'Might I ask you to send one to the honored Mr. Gladstone and beg him to accept it from me as one of his Hamburg admirers, who knows how fond he is of working with the saw.' The other stick is for Currie, 'as a small remembrance of the pleasant time I spent with you at Hamburg and Kiel.' 'Inside the sticks you will find a saw, which can be taken out and fastened on to the hook.

One page. Roughly nine inches by four. Aged and creased, with one small closed tear and one spike hole (neither affecting text, which is clear and complete). An attractive document, embossed with a government one shilling stamp, and bearing the Westminster coat of arms, supported by two dogs, engraved by Warrington, 27 Strand, in top left-hand corner. Reads (MS additions in square brackets): '[Imp: Hopkinson] | Grosvenor Estate Office, | 9, Davies Street, Grosvenor Square | Received the [March 30th] 184[9] of [Richard Jones Esqr.

LETTER ONE: One page, 12mo. Good, with several creases from folding. Concerns the repayment of a bond of £2500. 'I shall be glad to receive the money for it through Messrs Barclay & Co who will present the Bond duly receipted on your informing them where the Bond will be paid off.' Signed 'J Gurney Barclay'. Docketed on reverse 'Jos: G Barclay | Bond 58/107 £2500 | to be paid off | June 30: 1857'. LETTER TWO: Two pages, quarto. Good, though creased and with small closed tear repaired with archival tape. A few small pin holes in one corner. 'Referring to your Letter of the 24th. inst.

One page, 12mo. Very good. He presents his correspondent with 'deux petits ouvrages sortis de ma plume'. The first was mentioned by 'Mr. Burgess' and the second is 'un petit traite qui a eu le bonheur il y a quelques ans de remporter le prix annuel dans l'Universite d'Oxford'. Signed 'Willm. Roberts'. In a postscript asks to be recommended to any acquaintances Van Santen may have 'a Rotterdam Anvers ou Bruxelles'. Address, with broken wafer, on second leaf of bifolium. Roberts is perhaps best remembered for the controversy brought on by a passage in Byron's 'Don Juan'.

Two pages, octavo. Good, with some creasing at head and foot. He has just returned from visiting his brother and sister-in-law at Liss, and will send his 'The Wood of Time' (1938). 'Since I wrote the poems it contains, poetry, like most of the other arts, has undergone a complete revolution; indeed began to undergo it before "The Wood of Time" was published.' Despite this he is pleased it 'did not fall entirely upon deaf ears. Since that time I have written several other things, but have really published nothing of the same nature.' He is glad she is still writing.

One page, 12mo. Good, though aged and foxed. 'My best thanks & gratitude for your noble notice | Were you ever in low spirits If so sympathise with me I feel as if I would never wish to be acted again . . Chastelard the first night my god almighty ! ! ! - | Your sincere friend | W G Wills'. Chastelard is a character in Wills's play 'Marie Stuart' (1874).

Two pages, 12mo. Good, but with some light glue stains on reverse, to which a small printed strip giving a printed list of Mrs Charles's works is attached. 'I was hoping to hear your boy was better - & I am very glad he is - thanks - but I am engaged on Thursday, & for some little time to come - so many people from all quarters coming just now & I hope you may be able to come & see me before very long'. Signed 'Bettie Charles'.

Three pages, 12mo. Good, but on slightly discoloured paper, and with head of blank verso of second leaf of bifolium attached to piece of grey paper. He cannot sing for Mundy on the 8th, as he is giving his own concert the following day, and has 'only just started at it as the Prince of Wales who has kindly consented to come, only let me know the date yesterday. You know what giving a concert means. I musts have the 8th. absolutely free. I am so sorry to disappoint you.'

Two pages,8vo. Good, on foxed paper discoloured with age. Gives details of his departure from Delhi from the main station on the following evening. 'I ask your favour to arrange for 9 guns salute to be fired at the time of departure.' Thanks him for 'all the trouble you had to look after my comfort, and attending to the ceremonial occasions.'

Dimensions of paper roughly four and a half inches by one and a quarter. Good, on ruckled and slightly discoloured paper, with traces of glue adhering to reverse. Reads 'Very sincerely yours | W E Gladstone'.

English Camden Town Group Painter (1878-1914). Dimensions seven inches by ten inches. Grubby, but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore | Freddy', with an arrow pointing to impressionistic representation of figure, nine inches high, of the artist in a suit, with high-collared shirt, holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR.

British architect (1849-1930), noted for his work on Buckingham Palace, Admiralty Arch, the Victoria & Albert Museum, etc. All five items very good, though dusty. Two docketed and all five bearing R.S.A. stamp. ITEM ONE (one page, quarto, 5 January 1917): 'I have had the possibility of a paper on Charing Cross Bridge before me since you mentioned it. The matter is coming up in Parliament next Session & I think it would be extremely difficult for me to read such a paper just as a Parliamentary discussion or Committee is coming on. I feel sure you will see my position in the matter.

British scientist (1864-1930); patented the Ferranti alternator, 1882; chief electrician to the London Electric Supply Corporation. Both items one page, quarto. Both very good, though dusty; one with small pinholes in one corner. Both bearing the R.S.A. stamp, and one docketed. ITEM ONE: He has received Menzies letter of 11 January, 'from which I note that you are sending me one dozen copies of Mr.

4 volumes, 4to, each with a preface by John Oldcastle. Number one: Sir Charles Grandison, 36 pages, 6 illustrations; number two: Solomon Gessner ("The Swiss Theocritus"), 28 pages, 6 illustrations and extra portrait; number three: Thomson's Seasons, 32 pages, 4 illustrations and extra portrait; number four: Tristram Shandy, 28 pages, 6 illustrations. All four numbers replete with attractive vignettes. Only these four numbers were published (vide number four, page 4). Each of the four numbers has an eight-page publishers' catalogue at the end.

Author (1770-1844) and friend of Miss Mitford. Paper dimensions roughly three and a half inches by one inch. Slightly discoloured, creased, and with one small closed tear. Read 'Believe me dear friend, | your truly affectionate Cousin | B Hofland'.

Archdeacon of Westminster and Dean of Canterbury (1831-1903). Two pages, 12mo. Good but grubby and with some staining from glue and with head of verso attached to larger sheet of green paper, some of which adheres to letter. He is 'very full of engagements in Lent; indeed I am more occupied in this way than is good at all for me or for others. I admire the resolute penitence of in preaching his year & no more. I alas! have about a hundred to preach, & many many other duites w[hic]h bring me nothing but hatred disparagement. So I know you will excuse me.' Signed 'F W Farrar'.

Pages: viii + 245. No jacket. Spine somewhat grubby, but good tight copy of attractively printed book. One inch closed tear to half-title. Collection of eleven essays 'approached from the point of view of architecture', including 'State-aided Training in Art in England', 'Atavism in Art', 'The Artist and the Community', 'Christopher Wren' and 'The Bridges of London (1815-1920).