artist

4to, 2 pp. Twenty-three lines of text, clear and complete. In fair condition, creased and lightly-worn. With stamped envelope addressed by Flint. In reply to a question from Carpenter ('I very, very freqently receive letters such as yours') Flint writes: 'Dont worry about not receiving art instruction in painting because I never had a lesson in my life.' He believes he inherited the skill he 'started with', but constant study of the works of masters & constant practice have brought me (with the aid of a kindly Providence) to my present position'.

Four pages, foolscap (33.5 x 20.5 cm). In a bifiolium. Text clear and complete. Good, on lightly-aged paper. Light staining at foot of second leaf (not affecting text). Apparently written in reply to a request from Bower regarding the number of men able to bear arms within the territory.

Total 5pp., 8vo, one sl.marked but mainly good condition. [March 23] He commiserates on "domestic troubles" and says what a disaster it would have been if the completion of a picture had been delayed. "You will be sorry to hear that I am confiend to the house with varicose veins in the leg. The trouble has arisen through bicycling, a maniac of the wheel having induced me to scorch over half a county with him. I am consequently obliged to give up the treat I promised myself in seeing your pivture at your studio but I mean to ahe- honour the Academy with a visit . . .

Two pages (but large handwriting), 8vo, conjoined leaves, good condition. "I write to thank you most sincerely, for your kind letter about my picture. I think it was very kind indeed to trouble to write. I appreciate it very much."

8vo: paginated 3-38. Four full-page reproductions of Miller's paintings. In original yellow printed wraps. On brittle, aged paper, with the body of the book detached from the wraps, which are worn and with one corner at front creased. Title taken from front wrap. One of 950 numbered copies, signed by the publisher on the final page (beneath 'Publisher's Addendum') 'Bern Porter | 25 South St | Houlton Maine | Copy # 296'. Shifreen &Jackson A37a. Uncommon. Apart from the British Library, COPAC only lists copies at Cambridge, Manchester, Oxford and Bristol.

Foolscap (31.5 x 20.5 cm): 1 p. 24 lines of text. Address, with postmark, on reverse. Good, on lightly aged and creased paper. Discussing a picture he has been painting of 'Captain Tonyn', which 'is within one days work of being finished'. Points out that there has been a misunderstanding about the price: 'fifty five pounds [...] could not be the case because I never yet reced from any body pounds, but always Guinneas'. Because of 'the great work that so large a Canvas wod. require (it being bigger than a whole length for which I had at that time 50 Gs. and now 60 Gs.

4to, 4 pp. Bifolium. 59 lines of text. Clear and complete. On lightly-aged paper, with 4.5 cm closed tears to the outer edge of central horizontal fold to both leaves. A large part of the letter would appear to concern washing machines, including a reference to a new one on the American market, called the 'Waterflex'. A few lines in English at end: 'Many thanks for your Birthday-carte. Sorry year it arrived 1 month to [sic] late.' Sends love to 'Dorothy', and reference in text to 'Kajitan': 'Das wird Dir bestimmt Freude machen. Das ist alles viel besser als die Politik.

All the items except the cut-out and the last card (in which he gives the price of a painting) are damp-stained, with part of the text of the letter illegible. One card in French. The first card, from 1982, thanks Ives for payment for 'watercolors'. The cut-out, in red paper, is roughly 10 x 10 cm. Intricately-cut, it depicts a long-leaved plant in a basket on legs. Although found with the other items, there is no indication that it is by Duramel. Ives made the news in 2000, when his extensive collection of paintings by L. S. Lowry was put up for sale.

12mo (15 x 9.5 cm), 1 p. In fair condition, on lightly-aged paper with crease to bottom right-hand corner. Slight smudging to the address ('H. E. Hewitt Esq'). Arranging a meeting, with postscript: 'Sorry to hear of Mr Wards indisposition'.

Only edition. The dimensions of the volume, which is bound in grey paper printed wraps, are roughly 29.5 x 24 cm. It consists of 25 unpaginated leaves and a frontispiece (sometimes lacking). The other illustrations are eight tipped-in plates and a facsimile of a music score. Some ruckling to the wraps, otherwise a good copy on lightly-aged paper. Striking woodcut on front cover, 13 x 16 cm, showing and old Jew with a boy before a table with two candles. An attractive work, delicately and sensitively illustrated with images of Jews at prayer.

12mo, 4 pp. Bifolium. Good, on aged paper. He has been 'hunting among papers, & found a great quantity of notable letters from notable people but they are mostly confidential - or dealing with some private matters'. He would have liked to gratify her wishes 'in a more liberal fashion, 'but I hope the enclosed may serve'. He wonders whether she is 'packing up for India - - perhaps for Worthing'. The valediction on the final page ('Believe me | sincerely') is followed by a large bold signature which with its underlinings covers an area 11 cm square.

On a piece of grey paper roughly 25 x 22 cm, with card backing. The backing is rough-edged, the picture having been removed from its mount, but the edges of the print itself are undamaged. A little grubby, and with minor spotting and staining. Depicts the moustachioed sitter's head in profile, looking to his right, wearing a white guthra with decorative igaal. The image includes a reproduction of Jemmett's signature in the bottom right-hand corner, with the sitter's signature, in Arabic script, reproduced in the bottom left-hand corner.

Cartoonist and illustrator. Folio, boards nearly detached, 84 pages of drawings, including nudes, male torsos, heads, some comic. "No.4" written on first page. (Item purchased some years ago from the booksellers who bought Bentley's library - Waterfields).) An early sketchbook from the artist who illustrated T.S. Eliot's "Old Possum's Book of Practical Cats"

On a piece of board roughly 45 x 30 cm. Foxed and discoloured, with the extremities chipped and worn, with loss and closed tears affecting the illustration's border, which is in gold in the style of the carved decoration of eighteenth-century furniture. The illustration itself, roughly 36 x 25 cm, is clear and undamaged. It features full-length depictions, each around 29 cm high, of two stylish figures: on the left a behatted lady, fan in hand, elegantly attired in eighteenth-century costume of orange compere-fronted gown and full yellow skirt.

Dimensions of paper roughly 10.5 x 4.5 cm. Two edges straight and two rough. Aged and grubby, with a 3 cm closed tear (repaired on reverse with archival tape), extending from the right and affecting the last two letters of Cruikshank's bold signature, which is 7 cm long and initially 3 cm high, with the final 'e' of the Christian name in superscript and the surname underlined in a backwards stroke continuing the final letter. Neatly mounted on a piece of card (roughly 9 x 14 cm) and presented in a plastic sleeve.

All three items concern Littlejohns' 'British Watercolour Painting and Painters of Today' (London: Pitman, 1931)'. First Letter: 12mo, 3 pp. 43 lines. Text clear and entire. On two leaves attached to one another in a corner by a pin. Good, on lightly-creased paper. Interesting and informative letter concerning 'two watercolours' which Williams would 'like to be 'reproduced in [Littlejohn's] work on water colours'. Gives details of the titles of the works and the name and address of the owner, 'who has consented to send them'.

One page, 4to, good condition, discussing Claude and explaining the nature of the "Claude mirror" giving insights into his theory of painting.

Seven lines on one side of a piece of aged wove paper, roughly 12.5 x 10 cm. A hurried, smudged communication. Reads 'My Dear Sir | I have the ill luck to be obliged to attend a Council of the Royal Academy. We commence business punctually [last word underlined] at 8 oClock - Confound the R.A.!!! | Truly yrs | [signed] F Chantrey | Tuesday Morng'.

5pp., 8vo. He discusses some proofs of engravings he has sent, for which his correspondent has shown insufficient enthusiasm. He would like them back. He says he is prepared to "make Pictures of Animals from Photographs, in fact he has done so. He discusses colouring, oil or water colour. His main line is portrait-painting, he says, either in London or at "Gentlemen's seats", giving his rates.

12mo, 4 pp. Good, on lightly aged paper, but with a thin strip along the outer edge of the second leaf of the bifolium with glue staining from previous mounting, and a 3.5 x 0.5 piece missing at head causing damage to one word ('hers'). Otherwise text clear and entire. Cust's aunt has informed him 'that she has at present in her possession in London all the papers belonging to Sir John Cust that remain'. She does not however think that they contain much about Wilkes.

On a piece of wove paper roughly 4.5 x 9 cm. Good, clear signature on lightly aged paper. Reads 'my dear Sir, | Yrs always truly | [signed] P. Hoare'. Reverse reads '<...> am at a loss how to answe<...> | <...>ing the progress of the Anna<...> | <...>- opportunity of asking "Ho<...> | <...>t of the Elgin Marbels, whic<...>'.

Total 3pp., 4to, creasesedges dulled, odd spot, mainly good condition. (1810) He humorously asks for an enclosed letter (not present) be forwarded to a Mrs Nooth (named on address panel). (1812) He gives a gracious and witty apology, outlining the circumstances. According to an information sheetprfepared by the firm of H.P. Kraus these items are from the Library of Sir Thomas Phillipps. Two items,

The calling card is roughly 6 x 9.5 cm, and reads 'Paul Baudry, | Membre de l'Institut. | 56, rue Notre Dame des Champs'. Around this Baudry has written 'Mon cher docteur | Venez s. v. p. voir ma petite avant votre déjeuner Vous me ferez plaisir. | Samedi 16h 1/2'.

8vo, 1 p, 14 lines. On lightly aged paper, with 9 cm closed tear (affecting a few words, but not the signature) neatly repaired on reverse with archival tape. A letter of condolence on the death of Mrs Slocombe's husband, 'after his long illness'. Salisbury is 'sure he must have had a very courageous spirit to the end - I remember it so well at the Academy Schools'. He suggests a firm that might be willing to buy 'the canvases etc you mention'. The letter links two artists who studied together at the Royal Academy Schools, and also establishes the date of Slocombe's death as 1906.

Three pages, on quarto leaf folded vertically to make narrow bifolium. Very good, with minor aging and creasing. Under each of the six years details are given of the date, amount and individual from whom the sum is received. Includes £18.15.0 from John Sampson of York for 'Signing 150 proofs Lord ', £28.0.0 of 'Ellis (Bookdealer of Bond St., for 4 old books)', £29.8.0 of Mr. Garnett-Orme, 'For picture of Auck Lodge', and £75.0.0 and 'Mr. Savill (for 9 Engravings by Bartolozzi)'. Other names include Lawrence & Bullen Ltd, Mr Partingdon (picture restorer), Captain Frank Forester, H. P.

One page, 8vo, good condition. "Allow me to introduce to you Mr John Dalziel, an excellent engraver in wood. | If your drawings for the Art Union are not already engaged & you should be disposed to place them in his hands I have no doubt of his giving you full satisfaction."

One page, 8vo, good condition. "I send you hereewith [? Book-Post twenty tickets for our price-drawing [sic] of pictures in aid of the poor Widows & Fatherless [sic] of German soldiers. There is plenty of time for sending the money as it will take another month or so before we shall close rhe acc[ount]s." Thanks and good wishes for a recovery of health.

12mo: 1 p. On aged and creased paper, divided into two parts by a horizontal tear, which has been repaired with three paper labels. A square of paper from previous mounting (with 'Marochetti Sculptor' in contemporary hand) adhering to reverse. Accepting an invitation with the greatest pleasure and apologising ('je vous demande mille fois pardon') for not having been to tell her so. He did not know that she was there: no one told him anything and he thought her note had been sent from her house.

Paper dimensions 5 x 11 cm. Good. The foot of the last page of a letter with a mourning border. Reads '<...> consideration. | I am, Gentn. | Your obedt. St. | [signed] Thos Webster | To the President | & Council of the Royal Academy'.

Harper (1863-1943) was a writer and charming 'pen-artist'. His 'The Hardy country: literary landmarks of the Wessex novels' was published by A. and C. Black in 1904 and reprinted in 1911 and 1925. Quarto scrapbook of approximately fifty leaves. Leather half-binding in poor condition, worn and with much loss to spine. Internally very good, with minor spotting and discoloration. The cuttings, from newspapers as diverse as the Weymouth Telegraph and the New York Post, are mostly laid down, with several on slips of the Author's Clippings Bureau.