BRITISH

All five items good, on lightly aged paper. All five bifoliums, bearing traces of previous grey paper mount on the verso of the second leaf. LETTER ONE (one page, 12mo, 30 May 1865): He is 'very poorly', with a 'bad bilious attack which has threatened to turn into jaundice'. 'Yesterday I met Mr Herbert in Regent Street. We talked for a few minutes at cross purposes, my thoughts running on his journalistic prospects and projects, while he was thinking and speaking about his election at the Savage Club.

12mo: 1 page. On lightly stained paper with remains of mounts adhering to the four corners. Although honoured, he cannot accept the invitation to address the University Literature Society, 'this term at any rate'. 'I have at present a course of lectures twice a week at the Temple; & in February I have to being and carry on until Easter a course of lectures which will require much research & care'. He also has 'an unfinished volume in hand'.

One page, 16mo. Good. Six lines. He may be 'giving some lectures in London shortly'. 'If I could make it worth my while to deliver them at some of the leading provincial towns, I might possibly arrange to do so. Therefore any information you could give me on the subject, I should be only too happy to have'.

Two pages, 16mo. Very good. Twenty-two lines, attractively written in purple ink beneath a letterhead printed in bright red. With postmarked envelope, addressed in autograph and carrying a penny stamp. He thanks her for sending him a copy of her book 'The Luck of John Seaton'. 'It reached me down in the country where, strange to say, I was already half way through it. I bought it at the railway station & had not arrived at the name of the author, when I received your letter. They ought to always put the name on the cover.' He enjoyed the story 'from beginning to end'.

One page, 12 x 9 cms. Rust stain from paperclip and strip of offset discolouration. In purple ink. A recent letter to Harmsworth was sent to the wrong address. He has 'another letter of Yates's [Edmund Yates (1831-1894), journalist and writer?], better than the one of which you had a copy'. Wonders whether Harmsworth wishes 'to make use of it'. Would also like to know whether 'shares in "Answers" [Harmsworth's magazine 'Answers to Correspondents']' can 'be got through a broker in the ordinary way'.

ITEM ONE (note, one page, 12mo, 3 December 1871, remains of grey paper mount adhering to verso of blank second leaf of bifolium): Apologises for sending a undated note: 'I daresay you can manage to fix at about what period it was written'. ITEM TWO (note, one page, 8vo, 12 December 1872, on creased, aged paper): Declining a dinner invitation. ITEM THREE (letter, one page, 8vo, 21 November 1873, on aged paper heavily chipped at head and foot): He has just described Draper's paper to Blanchard, who 'thinks it just the very thing they want. They like to have dates.

Good, on lightly aged paper. Rust stains from paperclips on one leaf. Five pages of typescripts on five quarto leaves. The first page gives the contents, and the rest are covering pages with a few words of instructions (e.g. 'PREFACE | (To be prepared after revising first proofs)' and 'APPENDIX --- Authenticity........ | To follow with Bibliography and Indexes.' The proof slip, printed and with pencil insertions, is one page, on a leaf roughly eight inches by four and a half.

One page, 12mo. Very good on lightly aged paper. Difficult hand. He is sending 'one number of the Magazine which was mislaid', together with 'a book of the . The is very cold & , the <?>, to have a late Spring.'?>'s?>

On a piece of aged, creased paper roughly five inches square, with some fraying to extremities. Reads '<...> an artist. & his case as one <...> | Andrew Robertson | D Colnaghi | M. H. Colnaghi | R Ackermann | CTurner | John | Saml Woodin'. Rudolph Ackermann (1764-1834), bookseller; Dominic Paul Colnaghi (1790-1879), print dealer; M. H. Colnaghi (1821-1908), picture dealer and collector; Andrew Robertson (1777-1845), Scottish miniature painter. From a collection of material relating to the Artists' General Benevolent Fund.

All three items good, on lightly aged paper. The first two items were formerly attached to one another by a pin. ITEM ONE (one page, folio): Blond to Ali, 6 December 1967, on letterhead of Anthony Blond Ltd, Publishers. Characteristically punchy letter of clarification, headed 'WHO Really Is WHO', and beginning 'This is just to clarify the situation between us'. A list of eight points, the first of which reads 'You are wholly employed compiling this book at a salary of £1,500 per annum for one year.

On one side of the card. Dimensions, 8.5 x 11 cms. Very good. Neat inscription reading 'For Charles Wilson | with Alec Waugh's best wishes | July. 31. 1948 /.'

One one side of a piece of laid paper, 26.5 x 21 cms. Aged and creased, with chipping to extremities and staining on reverse from repair to one of two closed tears. Thirty-six lines, with facsimile of Housman's signature at foot. An appeal for 'money for the Library - your Library'. Somewhat poignant, considering the present neglected state of the British library service. '[...] The question is - do you want to give money to your Library? [...] But, for my own part, I ask - why, why Libraries? What are they for? What there do you read?

One page, quarto. On aged and creased paper. The letterhead, in purple and red, features an illustration of a theatre curtain. He is 'looking forward to receiving a set of Galley Proofs' of Vale's book ('Trust House Story', 1952?). On receipt he will 'make a number of rough sketches for the Wrapper and send them along to you; then if you think any of them are interesting I can produce more finished versions for you to see.'

Both items one page, octavo, and on aged and creased paper. Regarding Lucas's selection from Parker's works, 'Detached links; extracts from the Writings and Discourses of Joseph Parker' (Richard D. Dickinson, 1873). LETTER ONE: Thanks Lucas for his 'kind note', but does not 'see how the suggestion it conveys can be realized. I am afraid you would find it difficult to get a publisher.' Advises Lucas 'not to pursue the idea any further'. LETTER TWO: In a shaky hand explains that he is 'so poorly just now that I cannot give any phot[ographe]r. a sitting.

Eight pages, quarto. Unbound and stitched on six leaves. Good, with recto of first leaf and verso of last somewhat more aged. With company and tax stamps. 'Mortgage, [a leasehold plot of land and messuage Numbered 26 in Barker Street Oldham in the County of Lancaster to secure £450 and interest.' Typewritten acknowledgment of payment, 25 February 1929, signed by company secretary W. Harvey and director J. Brown.

One page, 8vo, minor defects, text clear and complete, except were a spike-hole cuts out a letter. He enjoyed looking through Ellis's catalogue but "I regret the names of Stothard and Blake do not occur more frequently - I beg to enclose a list of a few works I am seeking and shall feel greatly obliged if by any means you could procure them for me." Note: He formed a large collection of engravings after the works of Thomas Stothard, R.A., and prepared, in conjunction with Mr.

On a leaf roughly 17 x 12 cms. A small strip is missing from the foot, but this does not appear to affect the texts. Aged and ruckled, with a little staining from previous mount at head and foot of printed side. In the Letter Moseley opines that 'the closing of Public Houses during the whole of Sundays would be attended with great inconvenience to the public, and I cannot therefore agree to the object of Promoters of that scheme'. Docketed in the top left-hand corner 'Mark name on list as unfavourable'. The handbill, signed in type by John Garrett, D.D.

Two pages, on letterhead of roughly 13.5 x 17.5 cms. He has sent a wire accepting the 'kind invitation'. '[A]s you can imagine we are rehearsing all day and every day at the present [...] The only thing thaht could stop me being with you is that we are, I understand, to record the "Fanny" music for a long-playing record on that Saturday'.

Two pages, 12mo. On gray paper. Good, though lightly ruckled and aged. He thanks her for the 'information about the silk', and accepts her invitation. He haad intended to call on her the day before, but was prevented by the weather.

Four pages, 4to, good condition. "Mr. Dowton, The Father of the British Stage, is about to bid farewell to that profession which he has adorned for upwards of FIFTY YEARS. The following Noblemen and Gentlemen . . . have formed themselves into a Committee, for the two-fold purpose - first of Receiving Subscriptions, and secondly of conducting A BENEFIT . . .

One page, on paper roughly seven inches by eight wide. Good, on lightly creased paper. Stamped with date. He thanks his correspondent for 'the typed list'. Headed 'Memorandum from | GEORGE GREGORY, Book Merchant, Library Buyer and Exporter, | The Imperial Book Store, | 5 and 5a ARGYLE STREET, BATH. | Out-of-Print and Rare, or Out-of-the-Way Books sought for and reported promptly, with option of purchase. Send me your List of Wants. | Licensed Valuer. Stock well classified in Thirty Rooms. Libraries Purchased. | Bankers: UNION OF LONDON & SMITHS BANK, LTD., BATH.

On thin laid paper roughly two and three-quarter inches by three and three-quarter inches wide. Good clean image, on aged paper with slight wear in bottom left-hand corner. Enclosed by a border. Reads, in a variety of hands, 'Thomas Payne | BOOKSELLER, | Near the South Sea House | BISHOPSGATE-STREET | LONDON. | Sells all Sorts of Stationary [sic] Wares.' According to BBTI the Thomas Payne who was at this address in 1750 may possibly be the eminent bookseller Thomas Payne I (1719-99) of the Mews Gate.

One page. On leaf roughly nine and a half inches by seven wide. Aged, with frayed edges, and with slight loss to head, affecting decorative border, and extensive loss at foot, involving several lines of text. Begins 'G. BURBAGE, PRINTER, BOOKSELLER and STATIONER; ON THE LONG ROW, NOTTINGHAM, TAKES this Method to acquaint the PUBLIC, that he has just laid in an entire new Assortment of STATIONARY [sic] GOODS, - Also a neat COLLECTION of PAPER HANGINGS for ROOMS, CEILINGS and STAIR CASES: [...]'.

One page, large octavo. Aged and with light staining. Docketed on second leaf of bifolium: 'Requesting Consuls not to receive Copies of books as presents to Her Majesty'.

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

Roughly twelve and half inches by nine and a quarter. Neatly mounted on piece of cream paper, with surrounding ink rules. Good, with some ruckling and wear to corners. Characteristically arresting arrangement of type. Reads: 'CAUTION. | THE ONLY CORRECT COPY | OF DONIZETTI'S OPERA | THE FAVOURITE | AS PERFORMED IN ENGLISH AT THE | THEATRE ROYAL DRURY LANE, | IS PUBLISHED BY | JEFFERYS AND CO.

Dimensions of paper roughly twelve inches by ten; dimensions of print roughly nine and a half inches by seven and a half. A good clear impression, on aged, creased paper, of a striking illustration showing a portly and sleek Asperne, beautifully turned out in Freemason's robes and paraphernalia, holding a leather-bound book, and seated in an ornately carved wooden chair with the Freemasons' eye in a triangle at its head. Captioned 'Mr James Asperne | BOOKSELLER, CORNHILL, | Past Master of the FOUNDATION LODGE NO. 96 And St. Peter's No.. 249 | P.S.D. of the LODGE of Antiquity No.

Paper dimensions roughly fifteen inches by ten and a half wide; print dimensions twelve inches by seven and a quarter wide. Good clear image with border a little dusty and aged. Full-length image of a dour Panizzi standing at a desk holding a book. Page of letterpress on separate leaf of same dimensions, containing spirited account ['he sought refuge in Switzerland, but he was expelled discreditably from that country, [...] Keeper of the Printed Books [...] the man in all Europe most competent to fill it.

Forty-four pages, octavo, with two-page leaf of addenda loosely inserted. Four pages illustrating seventeen pictorial covers on art paper. In printed card wraps. A worn and creased copy of an influential catalogue, issued at a time when, as the introduction points out 'catalogues devoted to detective fiction [were] something of a rarity in the book trade'.

Dimensions of paper roughly eight and a half inches by six and a half wide. Illustration roughly five and a half inches by five wide. Good on slightly aged and creased paper. A grey-haired Gregory, fashionably dressed in striped waistcoat and cravat, and wearing a white apron, stares at the viewer while holding a book in his left hand and writing its details in a ledger with a quill in his right hand. BBTI gives Robert Loder's trading dates as 1822-39, and Gregory's as 1793-1851.