THE

Uniformly bound in worn half-calf, marbled boards, black label, gilt. Internally good and tight, on aged paper, with all texts clear and complete. The 1906 diary is titled 'Waterlow Bros. & Layton's Legal Diary and Almanac for 1906'. The diary proper is 316 pp long, sandwiched in the middle of the printed almanac (866 pp). References throughout to the Leicestershire area: Nuneaton, Monks Kirby, Earl Shilton and other places. Clients include the Stoney Stanton Co-operative Society and the Female Provident Society.

4to, 169 pp. Limitation details on reverse of title, with firm signature by Fraenkel. Internally sound and tight, on aged paper; in original printed wraps over boards, with binding strained and worn. In worn and damaged original slipcase. A few annotations in light pencil in the margin, possibly by Fraenkel's wife Daphne. Loosely inserted are the book's prospectus (4to bifolium, 4 pp), and by an order form for the books, with reviews, to the Motive Book Shop of Waco, Texas. From the Carrefour Press Archives, and with a long pencil note by its owner Michael Harris on the front board.

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. Bifolium. Good, on lightly-aged paper. He is sending 'a few lines to Mr. Otto Goldschmidt, about the Bach Choir'.

12mo, 2 pp. Bifolium. 17 lines. Text clear and complete. Good, on lightly-aged paper. Begins 'I cannot help thinking your request a very unreasonable one. You have, in the first instance, monopolized, for the best part of the season, my Room, on the night when it is most in request; & now that every body has fully laid out his plans for this side off the autumn you call upon me to release you from an engagement [...]'. He will not force the recipient to occupy the room 'longer than the six nights', but will not keep 'the engagement' open for him at Christmas.

12mo, 2 pp. 15 lines. Text clear and complete. Good, on lightly-aged paper. Having failed to 'catch' lister after 'our practice', Hullah asks if he would be willing to 'take part in a private performance here of Haydn's Stabat Mater'. Gives details of dates of proposed performance, and rehearsal.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

Folio, 2 pp. Fair, on aged paper, with a few short closed tears to extremities, and carrying traces of previous mount on reverse. On behalf of the Lords of the Admiralty Croker grants the Admiral's request for leave of absence to two individuals following 'the Naval Occurrences at Yarmouth'. In same hand as letter on reverse: 'Captain Hawtayne Quebec Two Days | Mr Forster, Chaplain Roebuck One Month'.

Folio, 11 pp. On the rectos of eleven leaves of Britannia paper watermarked 'W H FELLOWS | 1841'. Held together with string. Text clear and complete. In ink, with deletions and emendations in pencil. Good, on aged paper. Docketed on reverse of last leaf. The subject of the poem is the execution of Conradine in the market square in Naples, 29 October 1268. The first section (3 pp) begins 'Italia fair Italia unto thee, | Was beauty given twice with misery, | At once the loveliest and the loveliest clime, | Thou wert the seat of Empire, and of crime; [...]'.

Both engravings 8vo. Both by W. & J. Walker, from drawings by J. Dixon. Both impressively detailed, with that of the Royal Box showing crowds of fashionable people in the foreground. Both engravings are clear an complete, but with creasing from folding into the European Magazine. Both a little grubby, an with wear to the margins. The engraving of the organ has a strip of backing along the left-hand margin, and that of the royal box is mounted in a paper windowpane.

12mo, 1 p. Text clear and complete. Fair, on lightly aged and creased paper.

Folio, 2 pp. 31 lines. Text clear and complete. On aged paper, chipped at extremities. The elaborate letterhead features a circular engraving by Heuer of two classical female figures in front of a press.

Printed on one side of a long sheet, equivalent to two leaves of landscape 4to on top of one another. Text clear and complete. Good, on lightly-aged paper. The opening paragraph lays out the purpose of the notice: 'The Baking Trade Board (England and Wales) hereby give notice that they propose to vary for certain classes of workers in certain areas the minimum rates at present operative in the trade and set out in the Trade Board's Notices BK. (SW.) and BK. (19).

16mo, 4 pp. Bifolium. Text clear and complete. Good, on aged and lightly-spotted paper. Begins 'MR. SPURGEON, whose name and sermons are well known wherever the English language is spoken, was born at Kelvedon, in Essex, on June 19th, 1834.' Recounts how Spurgeon was, 'From about eleven years of age, [...] in deep distress of soul'. Scarce: no copy on COPAC or in the British Library.

4to, 8 pp. Stitched. Text clear and complete. Good, on aged paper. In remains of original blue plain wraps. In double column, with the French and English texts in parallel. Scarce: the only copy on COPAC at the British Library.

4to, 8 pp. Stitched. Text clear and complete. Fair, on aged paper, with dog-eared corner. In original blue plain wraps. In double column, with the French and English texts in parallel. Scarce: the only copy on COPAC at the British Library.

12mo, 4 pp. Forty lines. Text clear and complete. Fair, on aged paper, and with line of glue from previous mount. Following the 'Court Martial of Admiral Fairfax', where 'two out of 3 KCBs' wore 'Epaulettes on a Frock Coat' with 'the Collar or Badge of K.C.B.', all three parties considering themselves to be right, Kerr wishes the matter 'cleared up', Sir Algernon Heneage having officially asked for information.

12mo, 4 pp. Bifolium. 47 lines. Text clear and complete. Good, on lightly-aged paper. As 'an intimate personal friend from 1865', Birdwood endorses Wood's application, stating that he was 'a frequent Examiner in political economy for Bombay University' between 1874 and 1880. He explains that Bombay University took in 'the greatest interest' in the subject, and 'always endeavoured to secure the best qualified examiners, - having the whole Civil Service, beside the Educational Department to select from', and that they 'always preferred' Wood.

Thirty pages, on both sides of fifteen leaves of landscape folio, with each leaf folded in to give the item a 4to shape. Paginated 389 to 418, and printed in double column. Disbound. Stitched as issued, with uncut edges. Text clear and complete. Fair, on aged paper. Excerpted from the Proceedings of the Royal Society, London, 1778. ESTC citation number N72283. The first two pages comprise an 'Explanation to the Columns' which form the rest of the paper, these being detailed meteorological tables.

4to, 7 pp. In original printed wraps. Fair, with an unobtrusive closed tear to the title leaf. The purpose of the article is to explain the relationship between John Washington, the issuer of the token the article describes, and the first American president. Both sides of the token are illustrated on the front page. The last page carries a family tree of 'The Washingtons of Northamptonshire, Sussex and Virginia'. The only copy of this offcut on COPAC is at the British Library.

4to, 68 + viii pp. Frontispiece and eight plates, as well as numerous illustrations in text. In original printed wraps, with advertisements. Eight pages of advertisements at end. Text and illustrations clear and complete. A scarce item (the only copy on COPAC at the V & A Libraries) on aged paper, in chipped and worn wraps, with title page creased, and some sections detached. Inscribed by the editor, at head of front wrap, 'From Edward King | to his Brother Savage W. Linnell | In Memory of a joyous afternoon in Venice. | Nov.

4to, 6 pp, with a seventh leaf carrying the title 'The Ludlow Hunt Alphabet. An Adaptation.' (The title at the head of the poem itself is 'The Ludlow Alphabet. An Adaptation.') A genuine typescript, and not a reproduction. A poem of 128 lines, divided into 32 4-line stanzas. Fair, on aged paper, with the last leaf laid down on a leaf of an autograph album, with traces of a newspaper cutting on the reverse. Consisting of playful references to members of the Hunt, arranged alphabetically. First stanza: 'A's for Allcroft, on chestnut | With frontlet of blue.

Landscape folio leaf (32.5 x 40.5 cm), 1 p. On paper watermarked 'JOHN HALL | 1810'. Neatly ruled to make a complex, detailed table, in three columns of 31 rows each. The table has a central vertical fold, with the left hand side of the reverse mounted on a leaf removed from an autograph album. In poor condition, with around an eighth of the total area of the paper and text lacking, mostly from the bottom right-hand corner. Despite the loss the table (presumably prepared for the British War Office) contains a mass of valuable information.

Folio, 2 pp. 38 lines of text. Clear and complete. Fair, on browned high-acidity paper, with slight chipping to extremities and slight internal wear.To be folded into packet. Docketed 'Recd 22d. October 1855 | [initialed signature] | Doorga Churm Curr - | - v - | Ob Mullick | Letter from Mr Fisher -'. Difficult hand. He acknowledges to various documents relating to the case, as well as 'two Bank of Bengal notes', in a writ of Fieri Facias. Explains his requirements ('I must have one man with me to Gard [sic] my property').

4to, [ii] + 12 + [ii] pp [i.e. 16 pp in toto]. Prelims paginated I-IV. Boasting of being 'the first Journal to be devoted exclusively to the interests of legal assistants'. Containing some light-hearted matter, including 'Office Yarns. No. I - The Firm and the Feminine', 'Relevant Irrelevancies', but also with reviews ('The Law Book-Worm') and columns containing useful information ('Municipal Mems', 'Practice').

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

4to, 1 p. Fourteen lines, in pencil. Text clear and complete. Good, on aged paper. In envelope addressed by Holloway to Inglis. He apologises for his 'rudeness' in not answering earlier: 'I plead rush of work'. He would be delighted to sit for her, but 'the trouble is that I may have to leave town on Monday to produce a play in the country and then on to S[tratford]-on-A[von] for the 7 weeks Festival'. Suggests a later meeting.

12mo, 4 pp. Bifolium. 51 lines. Text clear and complete. Good, on aged paper. Chatty and spirited letter. 'I propose myself the honour and pleasure (seldom indeed, save in common parlance!) of paying you a visit, - to present you with a copy of "Westminster Abbey"', which has 'emerged from the press in the orthodox three volumes'. Does not want to give him 'an excuse for not flashing your eye through it'.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

Albumen printh, 8.5 x 5.5 cm, laid down on card, 10.5 x 6 cm. In fair condition: lightly faded on slightly-aged card. Card printed in red on both sides, with Nadar's address and facsimile signature on reverse, and his initial within the border containing the photograph on the other side. Head and shoulders shot of the singer, staring at the viewer in a dark dress attached at the neck.