Printing History

Quarto. Unpaginated (circa 240 pages?). 1789 lots. Numerous plates. Good, in worn contemporary olive cloth binding, with black label. Front wrap, printed in black and red, bound in at rear. Most lots priced in manuscript. Many fine bindings, privately printed, association and Kelmscott Press items. Preceded by four-page Prefatory Note giving a resume of the collection.

12mo, 1 p. Eighteen lines of text. Good, on aged paper. Address, with broken wafer and two circular postmarks (one in red ink and the other in black) on verso of second leaf of bifolium. Making an order for a periodical publication, and giving instructions for delivery and payment.

On one side of a piece of wove paper, 25 x 10.5 cm. Spotted and lightly creased, with four small holes in the paper, but with text clearly legible throughout. Forty-four lines, arranged in eleven four-line stanzas.

An unusual, scarce and frail survival. Printed on one side of a piece of tissue paper, roughly 35 cm square. Surprisingly well preserved: heavily creased, with some wear to extremities, one small hole (not affecting text or image) and one closed tear of approximately 4 cm to coloured border.

One page, 8vo, corners frayed, one spot, text clear and complete. "I feared the objection you mentioned in your note, but I was willing to try 'The Spanish Page' [Velasco [or memoirs of a page, 3 vols, 1846?], as has been sometimes done, piecemeal, for it will be a long time before I shall be able to complete the three volumes. / I send you a small light article purely my own.

4to, 1 p. On aged, creased apper, but with text clear and entire. A small piece of paper from a bottom corner has been torn away in opening the letter, and is still present on the reverse, under a red wax seal bearing a clear impression of a lyre and the words 'Addolcire ed Maturare'. Brief communication apologising for the fact that the Literary Souvenir has not reached him sooner. 'The omission is the sin of my booksellers and not mine'. He is sending a copy with the letter, and asks him to accept his thanks, 'for your courtesy'.

12mo, 1 p, 7 lines. Good, on light aged paper, with 1 cm closed tear to top corner (not affecting text, which is clear and entire). Reads 'I regret having to inform you that the Salford Mayoralty Seal has broken all to pieces in the process of hardening and that I am afraid that I am obliged to engrave another which I am proceeding with as expeditiously as possible'.

12mo, 352 pp. In contemporary brown calf half-binding, with marbled boards and grey endpapers. Loose and foxed in worn binding.

12mo, 1 p, 12 lines of text. Good, on lightly aged paper. The second leaf of the bifolium is docketed in a contemporary hand. Le Blanc has received Weigel's twenty-second catalogue, and it has given him pleasure. Like the others it is full of curious details, and is extremely useful to Le Blanc, being full of curious details. He orders several items (crossed through by the firm), the last of which he desires 'vivement' to own.

8vo, 1 p. Very good, on lightly discoloured laid paper with 'TIMBRE ROYAL' watermark. In left-hand margin, clear embossed Timbre Royal seal by Galle and black ink 35 centime stamp (both 2.5 cm diameter). Written in a clear, attractive hand. Total of 35F 35c, 'Pour acquit', under three sub-headings: 'Impression de 200 Afficher grand format; pour la Vente des Mobiliers provenant des Successions dévoluer à 'Etat', '200 Timbrer à 10 centimes' and 'Timbre de la Quittance'.

8vo, 2 pp. Good, though a little grubby on the reverse. Printed down the left hand margin of the recto is a long list headed 'Printers and Publishers of Illustrated Guides to'. Printed in large letters at the centre of the letterhead is 'Shropshire: Historical and Biographical', but there is no record of this title being published, or of any volume on Shropshire by Mates & Sons. From the context it appears that Lumley had a hand in Frederick John Snell's 'Devonshire, historical, descriptive, biographical', published by Mate & Sons in 1907.

Both items 4to, 1 p. Both on creased paper with closed tears neatly repaired on reverse with archival tape. Letter to Flobert: Most of the type of Martin's article (in the 'Bulletin de la Société Archéologique, Historique & Artistique le Vieux Papier') still exists, and the printer asks to be informed what quantity of the offprint he requires. 'Le cliché de la 1r page, qui sert à frontispiece, a été renvoyé à M.

Both items 12mo, 1 p. Both in good condition. The secretarial letter (docketed in purple 'Repondre le 1r mars 1914'): The 'cliché Durocher', which appeared 'dans le No d'Avril 1913, page 62, et qui doit passer aussi dans le Dictionnaire [des ex-libris français] Wiggishof [...] a été designé par M. du Roure de Paulin'. Protat's letter: 'Le cliché Durocher était bien à l'imprimerie nous l'avons retrouvé. Il n'était pas à la place qu'indiquait le registre.' He apologises for having 'inutilement derangé' Martin

12mo, 3 pp. Very good. Nichols regrets not seeing the recipient 'again before I left the Institution on Tuesday, to thank you for your kind attention' [Upcott was sub-librarian at the London Institution]. He is sending him a proof (presumably of an article in the Gentleman's Magazine), 'that you may see what I have said about your Album, and also what about modern collectors, and make any emendation you think fit in either place'. Discussion of 'the earliest Album in the Museum', about the date of which the recipient has been misled by a misprint.

12mo, 4 pp, 38 lines. He is sorry to have forgotten to return 'the works you most kindly lent me in respect to the early Brussels wood-engraving'. They had been 'taken into town' to be sent to Carpenter, but 'in the turning out of all my books from the counting house at the time of the alterations, these were with my other matters taken into a room in Lancaster Place'. He apologises for his 'apparent negligence', but until he puts his 'new room' in order he cannot 'get at these said Pamphlets'.

12mo: 2 pp. 28 lines. Good, on lightly aged paper, with unobtrusive small spike hole and traces of mounts adhering to four corners. Interesting animated letter between a Victorian author and his printer. Relates to Tupper's 'A hymn for All Nations; translated into thirty languages; nearly fifty versions; the music composed expressly by S. Sebastian Wesley.' (1851). Asks his printer to 'Attend to Hymn as within' (not present). 'We cannot help all this trouble'. Tupper has written to Dr Gavassi, but has had no answer: 'get Rossetti's as soon as you can.

On one side of piece of laid paper roughly 16 x 19.5 cm. Good, though lightly aged, and with a few small pin holes in one corner (not affecting text). 12 lines. Headed 'imprime pour le Citoyen Duprat, par Crapelet, 9 Nivose an 9e'. The first of four entries reads 'Memoire sur la reunion de l'artillerie & du Genie [published in Paris in 1800 by Duprat], contenant cinq feuilles & demie in-8o. Cicero, tirees a 500 exempl. a raison de 24th la feuille'. Second entry gives cost of 'Remaniement de toutes les feuilles & corrections extraordinaires'.

Quarto: 65 pp. Numerous plates. In original grey printed wraps. Internally good, with a little spotting and creasing to the ruckled edges; wraps worn and stained. A beautifully printed item, on thick laid paper. Among the printed matter are books of hours, breviaries, psalters, and letters (with facsimile plates) by Byron, Keats, Johnson and Sterne; and manuscripts of Fielding and Horace Walpole.

8vo, 1 p. Good, on aged paper, with staple holes to top left-hand corner. Docketed in blue ink. He thanks the Secretary for his 'invitation for me to take the Chair on Wednesday, 23 April, which I am most happy to accept'.

12mo, 3 pp, 35 lines. Good, on lightly aged paper, and with a thin strip from mount adhering at head of blank verso of second leaf of bifolium. Discusses 'the restriction on the importation of paper and paper making materials', imposed 'with the object of securing more tonnage space in incoming vessels'.

On one side of piece of discoloured paper, roughly 13 x 22 cm. Delongueil's circular engraved device (3 cm diameter) in top left-hand corner. Charges for striking a medal in bronze and silver of Olivier de Serres.

Two pages, 12mo. Mourning border. Damp stained. Cowper has told 'P[rofesso]r. Wheatstone' [Sir Charles Wheatstone (1802-1875), Professor of Experimental Philosophy at King's College, pioneer of the telegraph, and seller of musical instruments] of Novello's 'wish to have a little conversation with him'. Gives dates when Wheatstone will be available to see Novello at ''King's College (in the Museum)'. '[H]e will very shortly go to Switzerland & therefore the earlier you meet him the better'.

Letter One (12mo: 4 pp, to 'My dear Mr Nichols', good, on discoloured paper): Explains that he has given 'a note of introduction to a most particular friend of mine Mr Lawrence of Ipplepen near Totnes and Launceston Cornwall'. Lawrence 'was a great friend of the late Mr Arundel of Landulph' and is 'a great friend of Mr Bray of Tavistock'. He is 'a man of ancient Cornish descent & from its first families'. Spence thinks Nichol will find Lawrence 'a valuable West Country Correspondent, well up in County history and nothing loth in the pursuit of antiquarian lore[.

12mo: 1 p. Lacking strip (two inches by four) at foot, bearing text. Otherwise good. A formal letter in the third person. Asks Colburn to 'send him an answer to his last [underlined] Communication'. He has 'completed the Manuscript of the Work [presumably 'Narrative of the war in Germany and France, in 1813 and 1814', 1830], except the winding up in a few Pages <...>'.

Two pages, octavo. Good, apart from damage and loss to one edge caused by removal from mount. Would appear to relate to the controversy between the surgeon Sir Henry Thompson (1820-1904) and John Tyndall (1820-1893), held in the pages of Strahan's 'Contemporary Review'. Reads 'I herewith send you the proof of your reply to Sir Henry Thompson | Please revise and return it tomorrow.

The collection is in very good condition, though items are lightly creased and a tad grubby. ITEM ONE: Memorandum of Agreement, 26 February 1963, between Anthony Blond Limited and Benedictus (of 'Winter Lodge, Cookham Dean, Berkshire'), for 'You're a Big Boy now' (published by Blond in 1963). Signed; initialed 'D. H. B.' [David Henry Benedictus] twice. Three pages, folio. Staple attached at head of first leaf of bifolium. Advance of £250 and discussion of royalties and percentages.

4to. Pages: [4] + 30. Uncut and in large part unopened, in original plain grey wraps. Stabbed as issued, but with thread worn away and signatures loose within wraps. Grubby and with some offsetting, but overall a very good survival of a scarce and fragile item. A handsome production which does great credit to its place of origin. Half-title, with vignette of castellated building. Title-page with circular medal of the Society of Antiquaries of Newcastle upon Tyne (before whom the work was read). Engraving on page one by Isaac Nicholson ('I. NICHOLSON, DEL.

The four items, all on aged and lightly spotted paper, are attached by four rusty staples. One (five pages, octavo): In reply to the firm's inquiry regarding 'the prevention of rising spaces in Monotype', Marshall states that, instead of giving information, he 'would rather send you the method and you try it out and prove for yourself its value, then pay me afterwards'.

One page, octavo. Carefully laid down on neatly-docketed larger piece of paper, but with the glue employed badly aged and causing staining. Closed tear across letter caused by removal from spike. Signature clear and unmarked. Reads 'Dear Sir, | I believe it will be better to set up the enclosed proofs, in sheets in the usual manner. The remainder of the Report will be sent immediately.'

Three pages on octavo bifolium. On creased, aged paper with pinholes and a little staining at head, but with text clear and entire. An interesting and intriguing document, docketed 'Rough idea of title.' The intention is to produce a 24-page magazine the size of Dickens's 'All the Year Round', to be priced at sixpence. 'Two pictures only - One on cover under title to be changed every week by Phiz - Large two page picture in centre to be hand coloured.