E.

4to bifolium (leaf dimensions 26 x 20.5 cm). The notification certificate is on the recto of the first leaf, and Highton's letter is on the recto of the second. Versos of both leaves blank. Good, on lightly aged and creased paper, with 5 cm closed tear to margin of second leaf caused by removal of letter from stub, traces of which still adhere to the verso of the second leaf. The certificate is tastefully printed in black, with the Society's crest in red in the top left-hand corner.

8vo. 94 pages. 2 pages facsimile of an electoral handbill. One fold-out plate. In poor condition. Damp stained, and in remains of repaired grey printed wraps. Paper browning. 'Printed by J. Rochford O'Driscoll, Printer, Dagmar House, Lowestoft.' The case for the plaintiff, Harry Seymour Foster, was led by the celebrated F. E. Smith (Later Earl of Birkenhead). The defendant was Edward (later Sir Edward) Beauchamp. The main cause of what the judge in summing-up described as 'a political action' was a letter by 'FISHERMAN' (i.e.

On one side of a piece of pink paper, roughly 18 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Eight bars of music and libretto, with staves for 'Soprani', 'Alti', 'Tenori' and 'Bassi'. Covering most of the page, and followed by 'From "The Waters of Babylon" (Psalm 137) | (May 1935.) | E. Phyllis Roberts. | June 15th, 1935.' Twenty-nine line poem 'To the Gentle Owner of this Album' on the reverse, signed 'Moir Carnegie | 21-6-10'. (in whose name a "prestigious" prize was given).

8vo: 18 pp, paginated 200-217. Grubby and lightly-aged and creased, with rusty staples. Title-page headed 'For Official Use. M.O. 245s.' Scarce. No copy at the British Library, and the only copy on COPAC at Nottingham.

On a piece of board roughly 45 x 30 cm. Foxed and discoloured, with the extremities chipped and worn, with loss and closed tears affecting the illustration's border, which is in gold in the style of the carved decoration of eighteenth-century furniture. The illustration itself, roughly 36 x 25 cm, is clear and undamaged. It features full-length depictions, each around 29 cm high, of two stylish figures: on the left a behatted lady, fan in hand, elegantly attired in eighteenth-century costume of orange compere-fronted gown and full yellow skirt.

8vo: 1 p. Good, on lightly-creased paper, with a faint 4cm pink stain in the right-hand margin. Reads 'Many thanks for the copy of your interesting paper, and the kindly reference to my novel.'

12mo. 32 pages. Unbound. On browned high-acidity paper. Loss to margins of first and last leaves, but text clear and complete, save for the dating in bottom left-hand corner of the title: <...> 8. 81. Cancelling all previous Editions of this Catalogue.' Line in blue pen around the words 'for Children' in the title, and pencil markings (by a child) to p.30. Circular engraving beneath title captioned 'Goldsmith introduced to Newbery by Dr.

12mo: 8 pp. Dimensions of leaf roughly 13.5 x 11 cm. Lightly-spotted and creased, in creased and worn original purple wraps with title printed on front, and stitched with matching purple thread. An uncommon piece of Lucas and book trade ephemera, nicely printed. Beneath the title: 'President. W. J. Crawley. Principal Guests of the Evening. Sir Godfrey Collins, M.P. Edgar Wallace. E. V. Lucas. H. E.

8vo: 111 pp. Frontispiece portrait of author, and eight plates (including portraits of George Emmett and E. J. Brett). In original grey printed wraps (title incorrectly given on front as 'The Old Boy's Books'). Tight, on lightly-aged and foxed paper. Grubby frontispiece and worn and lightly-stained wraps. Uncommon. COPAC lists copies at the British Library, the National Libraries of Scotland and Wales, Oxford, Aberdeen and the University of London. The British Library entry ascribes the book to Allington. Pasted to the inner back wrap is an advertisement headed 'JOIN! JOIN! JOIN!

8vo (dimensions roughly 21 x 16.5 cm): 24 pp. In original coloured illustrated card wraps. The whole bound with black thread. All edges silvered. Aged, worn and lightly spotted, but tight and in reasonable condition overall. Two small wormholes in back wrap, affecting the verso of the last leaf. Fifteen poems, seven of them by Nesbit: 'Song', 'Possibilities', 'Vie Manquees', To a Picture by Giovanni Bellini', 'The Better Part', 'Rondeau' and 'Lovers'. Every page of the volume carries illustrations of nature in black and light green. Similar designs in colour on the covers.

On one side of a leaf (roughly 11 x 16 mm), removed from an autograph album. Good, on lightly aged paper, with some show-through from amusing drawing on reverse by L. E. H. Phipson. Bold signature reads 'Yours Sincerely | Marie Novello'. Drawing on reverse depicts a monocled old fogey protesting his love to a pretty young thing regarding herself in a handmirror. Captioned 'I'd rather be a young man's slave!' Signed by the illustrator 'L. E. H. Phipson | 6/12/1917'. Docketed in pencil.

no title or publisher, 76pp., 8vo, wraps, chipped and worn, part of sp. detached, contents good. Address given on invitation of Washington and Lee University. INSCRIBED by Adams (see Amer. DNB, 1835-1915, cavalry officer during Civil War): "To Mr Cobden-Sanderson/With regards of/Charles F. Adams/Lincoln 7 XII 1907". Presumably T.J. Cobden-Sanderson (1840-1922), bookbinder and printer (Doves Press)

Octavo: viii + 201 pages. Good and tight, on aged high-acidity paper, with some chipping and a little light staining at foot. A few pencil marks. In original printed grubby and chipped wraps cloth-taped to spine. Front wrap annotated in pencil. Four-page introduction entitled 'A PLAYWRIGHT'S WORKING LIBRARY.' Even considering the importance and interest of the theatrical collection, the high point is undoubtedly item 102: 'BLAKE, WILLIAM. ORIGINAL DRAWINGS IN WATER COLOURS and INDIA INK by the celebrated WILLIAM BLAKE (Pictor Ignotus).

Quarto. Unpaginated (circa 240 pages?). 1789 lots. Numerous plates. Good, in worn contemporary olive cloth binding, with black label. Front wrap, printed in black and red, bound in at rear. Most lots priced in manuscript. Many fine bindings, privately printed, association and Kelmscott Press items. Preceded by four-page Prefatory Note giving a resume of the collection.

Excessively scarce (no copy on COPAC). On one side of a piece of unwatermarked wove paper, 41.5 x 25.5 cm. Text clear and entire, on aged and worn paper, with a couple of closed tears and one small hole (1.5 x 0.5 cm) to the border. Priced at three pence. Addressed on reverse (with postage stamp removed but with two postmarks) to 'Mr Dash, Bookseller, Kettering'. Attractively produced, varying between one and two columns, using a variety of point sizes, within a decorative border.

8vo, 47 pp. In original grey printed wraps. With frontispiece portrait of Madvig and one plate. Good, in dusty wraps. Presentation copy, with card 'With the compliments of Dr B. A. Van Proosdij, Scientific Advisor to Messrs. Brill' loosely inserted. Divided into four parts: 'The Intellectual Background', 'Preparations and the Eve of the Day', 'The Dies Natalis' and 'Epilogue', with six appendices of passages from original sources, and a postscript of 'Four Letters from Madvig to Geel, Bake, and Cobet'.

8vo: 24 pp. Unbound and stitched. With printed grey front wrap, inscribed to 'Sir E. F. Bromhead | Bassingham | Lincolnshire | from the author | '. On aged paper, grubby at extremities and a little dogeared, but tight and with text clear and entire. 'The general fact has been long before the public, that the several States in the Union are indebted to various individuals in Europe, to the amount of about two hundred millions of dollars. At the time when this debt was incurred, very few persons, either in or out of the indebted States, gave themselves any trouble about it.

12mo, [iv] + 60 pp. In original green printed wraps, on which the names of the four poets appear beneath the title. On aged high-acidity paper, in worn, chipped and faded wraps bound into new green wraps.Scarce: the National Library of Ireland does not appear to possess a copy. Essay on Pearse by O'Baronain; on Macdonagh by O'Neill; on Plunkett by Mc.Brien; on Macentee by Gregory; and 'Appreciation' of the first three poets by Clery. Preliminary note: 'The essays which make up this volume appeared originally in STUDIES.

8vo, 1 p. Good, on lightly aged paper. He is sorry but he will 'have to shorten my visit'. He has to 'make some arrangements about a play and the only opportunity I will have of seeing the manager concerned will be on Sunday'. He 'can come up on Sunday morning easily enough', but will have to 'cut short' his visit.

12mo: 2 pp. Very good. 15 lines of text. He thanks him for his book . I can't read it leisurely at present - I am on the move - but I have been reading in it, as the old writers say'. He is very interested in the things he is gleaning from it. In a postscript he thanks the author for 'what you say about my work' and praises the book for its 'vitality which so much literature lacks, but which some books possess'.

All three items in very good condition. Interesting series of letters by an obscure 1890s poet. Letter One (12mo, 7 pp): Although he realises that some are 'rather poor', he is sending, through his brother (possibly the artist Alan Wright, 1864-1959), 'all the lyrics I have by me': 'I have not had time to "weed" yet, being veryy busily engaged writing lyrics for a Comedy-Opera ['Ethelinda, or a Philanthropic Fad' (1890), on which he collaborated with Hamilton O. Wylde] - & a libretto for Operetta; also been trying my hand at very sensational prose'.

One page, on piece of paper roughly seven inches by eight wide. On aged paper laid down on a piece of card, and with some wear and paper and glue stains. 'My dear Madam, | In reply to your letter of Novr. 18th, I have pleasure in sending you my autograph, as you desire.' Four-line printed biographical cutting in bottom right-hand corner.

One page, on back of printed postcard. Very good. Photograph of the Via Appia on reverse. Reads 'Dear Sir | In reply to your request I have pleasure in sending you this'.

One page, 12mo. Very good: lightly aged and creased. 'You are welcome to my autograph for what it is worth.' From the collection of the Rev. E. J. F. Davies.

One page, 12mo. Very good, with light paperclip spotting. 'Certainly. I am glad to comply with your request.'

One page, octavo. Good on aged and lightly creased paper. 'As you see by the enclosed it was returned to Mme D'Alvarez. | She is so sorry, but hopes it will now reach you. | Yours Truly | [signed] Evelyn Woolf | Secretary'.

One page, 12mo. On aged, creased and spotted paper, with remains of paper and glue and paper from mount adhering to both sides. Reads 'With S.. R.. Lysaght's compliments - | 16. viii. 07.' From the collection of the Rev. E. J. F. Davies.

One page, 12mo. On blue paper discoloured from glue by previous mounting. Seven-line printed biographical cutting in top right-hand corner. 'I am very happy to comply with your request [for an autograph].'

One page. On piece of paper four inches by three and a half wide. Good, on lightly creased and aged paper. Docketed in pencil at head. 'Dear Sir | I have pleasure in enclosing my autograph. | Yrs. truly | M. E. Kennard'. Scarce autograph of the woman described as 'Harborough's forgotten novelist' (J. D. Bennett, in 'The Harborough Historian', 2001).

Dimensions of photograph 9 x 5.5 cm. Good sepia image, on backing card with Mayall's details printed in red at foot. Reverse of card mostly covered with remains of previous cream paper mount. This image does not feature among the three portraits of Martin listed in the National Portrait Gallery's online catalogue of its collection.