PRINTS

Both engravings 8vo. Both by W. & J. Walker, from drawings by J. Dixon. Both impressively detailed, with that of the Royal Box showing crowds of fashionable people in the foreground. Both engravings are clear an complete, but with creasing from folding into the European Magazine. Both a little grubby, an with wear to the margins. The engraving of the organ has a strip of backing along the left-hand margin, and that of the royal box is mounted in a paper windowpane.

4to, [xiv] + 479 + [Appendix:] 56 + [Index:] [lxxx] pp. Uncut, in original quarter-binding of grey paper boards and green cloth spine, with chipped red paper label, gilt, 'CATALOGUE OF BRITISH PORTRAITS'. Internally sound and tight on aged paper, apart from detached half-title and flyleaf. In worn boards, with closed tears to hinges. Ownership inscription of 'F. Walker' on flyleaf, and armorial bookplate of Captain Neville Rodwell Wilkinson, Ulster King of Arms and Principal Herald of All Ireland, on front pastedown.

Laid down on 114 quarto pages; the leaves disbound and loose. The items themselves in good condition, on aged paper. Also included is a mass of loose material (having become detached from the album's pages), including 21 colour drawings (many marked as having been drawn by Wingfield between the ages of 8 and 12), 10 black and white drawings, 10 cut-out grotesque figures (three in colour), three loose quarto Colnaghi engravings ('Wm. Fredk. King of Prussia', 1814; 'Field Marshal G. L.

4to album of 33 leaves, with the 112 illustrations each on a separate piece of paper, and all laid down on 59 of the album's 66 leaves (the blank leaves of the album bearing traces of other illustrations having been removed). The illustrations range in size from 19 x 15.5 cm to 6 x 3 cm, with the average around 15 x 11 cm. The album's brown cloth covers are faded and worn, but internally the album is sound, with the illustrations themselves in good condition, on lightly-aged paper. Around twenty are signed, half with the spelling 'Duchene' and the other half 'Du Chene'.

Dimensions of paper 23 x 17 cm; dimensions of image c.16 x 10.5 cm. In fair condition on lightly-aged paper. Captioned at foot 'Nathaniel Hawthorne'. Head and shoulders illustration, with Hawthorne looking at the viewer with his head slightly towards his right shoulder. Placed in modern 34 x 26.5 cm cream card frame with gold and light-green border. Professionally executed in a traditional style. The artist's monogram, centred beneath the illustration, consists of a stalk topped by simple flower design, and with the date '26' at the foot.

In good condition, on lightly-aged paper. Dimensions are approximate. The three illustrations (1815-6), each 8.5 x 4 cm, form three panels on a 10 x 13.5 cm piece of paper.

The proof itself is in good condition, on lightly-aged paper, 22 x 14 cm. Dimensions of image roughly 10.5 x 7 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with wear to extremities, carrying Fisher's inscription in pencil: 'L Stocks Esqr with S Fisher's Comts'. Oval vignette, showing what appears to be a ruined Norman abbey, with stone staircase and high window, a skull, a sword, a helmet, a stork and a key in rushes on water in foreground. Possibly one of the enravings from Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

The proof itself is in good condition, on lightly-aged paper, 24 x 16 cm. Dimensions of image roughly 12 x 10 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with Fisher's inscription in pencil: 'Bantry Bay Cork. L Stocks Esqr with S Fisher's Comts'. Oval vignette, giving tasteful view from hill, with soldiers and women, down into the bay, with mountains behind. The engraving appeared in Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

On one side of a piece of wove paper, roughly 400 x 250 mm. Dimensions of engraving roughly 130 x 180 mm. Good, on heavily-foxed and lightly-creased paper. The sketch shows a well-dressed flautist playing his instrument in a market square, with money, clothes and food drawn to him from onlookers as if by magnetism. Beneath the print, in a variety of types and point sizes: 'Speedily will be Published, Inscribed to all Lovers of Tweedledum Tweedle, The Art of Playing upon People: or, Memoirs of the German Flute. Interspersed with The Character of Baron Steeple; [...]'.

12mo (leaf dimensions 16.5 x 12 cm): 96 pp. In original blue printed wraps. Very good and tight, on lightly-aged art paper. Short closed tears at foot of back wrap, and at spine on front wrap and first leaf. Seven full-page engravings by Mate: 'Old Woman from Vologda', 'A Zyrianin', 'Father Varnava, the Monk', 'North Dvina River', 'Church in Putschega', 'Wooden Column in Putschega' and 'An Old Steward'; with three vignettes by eye-witnesses. The series of paintings was executed in Moscow in 1893. No copy at the British Library.

On paper 25 x 20 cm. Plate size 14 x 18.5 cm. Uncoloured. Title beneath print and engraver's details beneath bottom right-hand corner. Image and text clear and intact. On aged, creased and foxed paper with wear and slight loss to extremities. The illustration shows a number of galleons at sea with wind-filled sails. Each is filled with knights whose flags and shields, each bearing different designs and coats of arms, are ranged along the sides. The National Maritime Museum possesses a coloured copy of this uncommon print, which also featured in the Hennin Collection.

8vo (23 x 15 cm), 32 pp. Stapled. Outer pages in blue. In fair condition, with a little damp-staining at the head of the first leaf (with minimal effect on the text), and a tiny dab of the same staining continuing at the corner of each leaf (not affecting the text). Title-page on cover illustrated by C. H. Dennis, showing Uncle Sam sharpening a razor of 'GOOD CUTS'. Note on page 2 begins: 'THIS CUT BOOK contains a few of the many varieties and styles of cuts which we carry in stock and use on your printing free of charge. We have many more and are constantly adding new designs. [...]'.

Steel-engraving, on a piece of thick laid paper, 12.5 x 17.5 cm. Fair, on lightly-aged and foxed paper. Never mounted, and so with no glue staining or other marking to blank reverse. Depicts Camelford's armorial crest, flanked by two birds, with motto 'PER . ARDUA . LIBERI .' At foot, in copperplate, 'Camelford.', with 'C. Catton R.A. del. F. Chesham Sculp.'

4to. [iv] + 142 pp. Frontispiece and 136 plates, one in colour and the rest in black and white, with a further six illustrations at end in section entitled 'Tit-Bits of George Baxter'. A tight copy, in original worn quarter-binding, with black calf spine (with 6 cm split at head of rear hinge) and grey cloth bevelled-edged covers. Marbled endpapers split at hinges. The first and last few leaves have slight damp staining to the extremities. Text and plates printed on the same art paper, and consequently a heavy volume.

Landscape 12mo (leaf dimensions 12 x 16 cm): 27 pp. Stitched with no jacket as issued. Covers a little grubby, but a good copy of a scarce item. Title page and twelve delightful full-page pochoir illustrations by Arnoux, all hand-coloured: 'En temps de Paix', 'Premier contact', 'Le sous-lieutenant', 'Les Indiens', 'Black-Watch', 'Le capitaine et l'infirmiere', 'Les Irlandais', 'Le Major', 'La Mascotte', 'Ship ahoy!!', 'Le bon Ecossais' and 'God save the King'.

Landscape 12mo (12.5 x 20.5 cm), 2 pp. Good, on lightly-aged and creased paper, with pinhole to one top corner. Concerning a meeting at the Society, Murray is 'so glad to hear that His Excellency, the Greek Minister has consented to take the Chair'. 'My lecture on Hellenism will be practically the same as that which I gave on January 21st to the Royal Institution, [...] I hardly think you will wish to print it again, [...] I did not know when accepting your invitation that you proposed to publish the lecture afterwards.

8vo: 32 pages. Stitched pamphlet. In small type. Good on aged paper with light wear to covers and dog-eared corners. Text clear and complete. A few pencil notes. Prices are given. The last four pages consist of an 'Extrait du Catalogue de Librairie Furne, Jouvet et Cie, éditeurs'. No illustrations. Scarce: not in the Bibliothèque Nationale, which does however contain a copy of an 1871 catalogue by the firm. No copy on COPAC. The British Library has one of the firm's catalogues from 1890.

India paper engraving (dimensions c. 22 x 16 cms) neatly laid down on piece of wove paper c. 29 x 22 cms. Very good, with the slightest spotting, and with minor creasing and staining to the extremities of the mount. A pensive Murray sits in an armchair, reading a manuscript.

Dimensions of print sixteen inches by eleven inches wide. Mounted on piece of irregular shaped card. 'J. D. H.' in bottom left-hand corner and Cattermole's monogram on barrow in bottom right. Good, with a little light spotting and aging, except for seven and a half inch closed cut from right margin around half an inch from the foot of the print. An attractive bustling street scene, suitable for framing. Original folio version, from John Parker Lawson's 'Scotland Delineated in a Series of Views' (London 1847-1854).

Number 17 in an edition of 50. Very good in slightly grubby portfolio. The portfolio is half-bound in black buckram with grey paper boards, dimensions 34 x 27 cm. On front board: 'JOSEF SCHWARZMANN | FÜNF RADIERUNGEN'. Dimensions of mounts and letterpress leaves (in thick cream wove paper) 32 x 25 cm. Initial bifolium consists of title and contents leaves, the latter giving the titles of the five engravings as: '1. Sitzender Junge', '2. Portrait H. W.', '3. Portrait L.', '4. Bäuerin' and '5. Landschaft'.

Only edition. The dimensions of the volume, which is bound in grey paper printed wraps, are roughly 29.5 x 24 cm. It consists of 25 unpaginated leaves and a frontispiece (sometimes lacking). The other illustrations are eight tipped-in plates and a facsimile of a music score. Some ruckling to the wraps, otherwise a good copy on lightly-aged paper. Striking woodcut on front cover, 13 x 16 cm, showing and old Jew with a boy before a table with two candles. An attractive work, delicately and sensitively illustrated with images of Jews at prayer.

12mo, 61 pp. In original brown printed wraps. Engraving of Sheldonian Theatre on front, otherwise the item is not illustrated. 2864 items, ranging from '1 AARON, Rev. born 1695, engraved by Vertue. 5s 6d' to '2864 Zonelli (Anton. Maria) after Joan. Anton. Faldoni, Man blowing Horn, with hounds. 5s'. Fair, on aged paper, with a few leaves dogeared, in worn wraps chipped at extremities, and with 4.5 cm closed tear at foot of spine. Presentation inscription at head of front wrap: 'R. G. Bartelot. from Fredk. Bennett'.

Landscape sketchbook of eighteen leaves. Leaf dimensions roughly 17.5 x 13 cm. One leaf loose. A further leaf has been removed. Drawings on twenty-five pages and the rear pastedown. Bound in rough grey cloth with printed design on front board. Printed stationer's ticket (label) on front pastedown. Grubby, and with the inevitable pencil offsetting, but good and tight on good paper, lightly-aged but unaffected by damp or stain. Contains some charming images, showing the promise that would win Wright a scholarship to the Royal College of Art three years later.

An important contemporary engraving, apparently unrecorded, with no record of the engraver S. Pearse, or of the Comus Press (probably connected with 'The Comus', a periodical launched in Bengal in 1857). On one side of a piece of wove paper, roughly 22.5 x 28 cm. On lightly-spotted and aged paper. Discreet repair to tear which had split the item in two. A crude but accurate representation of the well and environs, with the following text beneath: 'THE WELL AT CAWNPORE. S. Pearse.| Into which the bodies of the Women and Children were thrown after the Massacre.

Folio, 1 page. Good, on lightly-aged paper, with an edge of the blank reverse bearing a small strip of the grey mount. A formal letter, attractively presented. He is 'directed by the Trustees of the British Museum, in the absence of the Secretary', to convey their thanks for the 'obliging Present to the Museum Collection of Prints, of a Portrait of the late Paul Colnaghi Esqr. Engraved by R Easton, proof'. Interestingly, the National Portrait Gallery does not possess any portrait of Paul Colnaghi.

Landscape bifolium card on good-quality paper. Leaf dimensions 18.5 x 27.5 cm. In good condition, on slightly-aged paper, with a couple of small light patches of coffee staining. Printed in black and yellow. Elaborate design showing a winged youth (something of a cross between Jack Frost and Mercury), with winged heels, clutching a bouquet of flowers, flying over a buiding of modern design surrounded by fir trees. Signed in pencil 'luc simon' in bottom right-hand corner, with the limitation 'H. C. 15/100' in pencil in the bottom right.

Dimensions of leaf roughly seven and a half inches by ten. Good, though grubby and with archival repair to verso. That the piece is a spoof is indicated by the printers slug, in the bottom right-hand corner: '[Spottisnotwood & Co, Printers, London.', the reference being to the leading London printers Spottiswoode & Co.

4to: 8 pp (on the rectos of eight leaves of 28 x 22.5 cm). Unbound and stitched. The letterpress is printed in black on the green paper leaves. The eight engravings are in sepia on 18.5 x 16 cm white paper, laid down within the ruled 23 x 16.5 cm borders of the printed leaf. Cover with light wear and staining, with slight damage to bottom left-hand corner of engraved title. The seven illustrations by Wocher are in very good condition, with only the slightest damage to the top corners of the sixth.

Dimensions of paper roughly twelve and a half inches by fifteen and a half. Dimensions of plate roughly eleven inches by six and a half. On top of a stone plinth two eagles support a crowned crest with shell motif, showing a crowned eagle over a castle. The inscription on the base reads 'DIANAE FABVLAS | OLIM | A DOMINICO ZAMPERIO | PICTORE | VVLGO DOMENICHINO | IN PALATIO BASSANI | PRINCIPIS IVSTINIANI | DE PICTAS'. Apparently the frontispiece or engraved title to an oblong folio volume published in 1713.

National Portrait Gallery no: NPG D913 (only acquired in 1966). Dimensions of paper roughly nineteen and a half inches by fourteen wide. Dimensions of print roughly seventeen and a half inches by thirteen and three-quarters wide. Backed by a piece of cream card. Heavily aged and spotted, and with one small worm hole. Slight loss to lower right-hand corner, not affecting print. Closed tears to mount. Apparently printed before the name, and very likely a proof.