AND

4to. Pages: [4] + 30. Uncut and in large part unopened, in original plain grey wraps. Stabbed as issued, but with thread worn away and signatures loose within wraps. Grubby and with some offsetting, but overall a very good survival of a scarce and fragile item. A handsome production which does great credit to its place of origin. Half-title, with vignette of castellated building. Title-page with circular medal of the Society of Antiquaries of Newcastle upon Tyne (before whom the work was read). Engraving on page one by Isaac Nicholson ('I. NICHOLSON, DEL.

Dimensions roughly three and a half inches by three. One page, blank reverse. On aged paper, with some staining along one edge and crude ink marking, including 'Bookes bound', in a contemporary hand. Twenty-seven lines, beginning 'ROBERT AKENHEAD [...] sells the Goods followsng, [sic] viz. | BIBLES, Common-Prayers, and all other Sorts of Books of Divinity, History, Physick, Mathematicks.

All five items good, on lightly aged paper. All five bifoliums, bearing traces of previous grey paper mount on the verso of the second leaf. LETTER ONE (one page, 12mo, 30 May 1865): He is 'very poorly', with a 'bad bilious attack which has threatened to turn into jaundice'. 'Yesterday I met Mr Herbert in Regent Street. We talked for a few minutes at cross purposes, my thoughts running on his journalistic prospects and projects, while he was thinking and speaking about his election at the Savage Club.

One page, octavo. On aged paper, with slight chipping to corners, but text clear and entire. He is afraid that he 'did not answer your second letter in regard to a book on Sex.' 'After careful consideration', Thomas and 'Prof. Geddes' [Sir Patrick Geddes, 1854-1932] have come to the conclusion that 'if we wrote another book on that subject it should be published either by "Walter Scott" (who has 'The Evolution of Sex') or by Williams and Norgate (who have 'Sex')' [both books, 1889 and 1914 respectively, also by Geddes and Thomson].

One one side of a piece of laid paper, 26.5 x 21 cms. Aged and creased, with chipping to extremities and staining on reverse from repair to one of two closed tears. Thirty-six lines, with facsimile of Housman's signature at foot. An appeal for 'money for the Library - your Library'. Somewhat poignant, considering the present neglected state of the British library service. '[...] The question is - do you want to give money to your Library? [...] But, for my own part, I ask - why, why Libraries? What are they for? What there do you read?

Two pages, on letterhead of roughly 13.5 x 17.5 cms. He has sent a wire accepting the 'kind invitation'. '[A]s you can imagine we are rehearsing all day and every day at the present [...] The only thing thaht could stop me being with you is that we are, I understand, to record the "Fanny" music for a long-playing record on that Saturday'.

One page, 12mo. Black border. Good, on aged and ruckled paper, with small glue stain at head (not affecting text). Asks to be released from 'coming to Oldham Road' on 4 July, as 'Saturday is an evening wich I usually make a rule of keeping to myself for the purposes of preparation for the Sunday'. Docketed at head in contemporary hand, 'Revd Arthur Mursell, Manchester'. Mursell's most interesting work would appear to be 'Bright Beads on a Dark Thread; or visits to the haunts of vice, etc.' (London, 1873).

Dimensions roughly six inches by three and a half. Wormed (but only affecting two letters of text) on aged paper. One page, blank reverse. Wood cut at head, roughly one and a quarter inches square, illustrating a leather-bound book with clasps. Thirty-three lines of text, beginning 'At the Bible in Newgate-street, over against the Blue-Coat Hospital Gate.

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

Stapled and unbound. Octavo: four leaves (eight unpaginated pages). On aged and lightly spotted paper. Vignette on title page. Includes list of plates and 'Specimen Entry' of pages 51-3. Verso of last leaf headed 'from CONSTABLE'S BIBLIOGRAPHICAL LIST', comprising 'THE CARTER-POLLARD DISCLOSURES', 'BIBLIOGRAPHIA SERIES' and 'DORMY HOUSE CATALOGUES'.

Octavo. Pages: ix + 339. Frontispiece and eight plates (including three of London's Caledonian Market). Nine fold-out 'Charts or Tables'. Good, tight copy in original blue cloth gilt, with small stain at head of rear back board and another on gilt top edge. Includes sections on 'The ignorance of dealers and collectors', 'The curiosities of the curiosity-shops', 'Thefts in the art world', 'The tricks of dealers and collectors' and 'The "Knock-out" and other customs of the sale-room'.

Dimensions of paper roughly four and a quarter inches by three and a quarter wide; dimensions of print roughly three inches by two and a half wide. Heavily browned and foxed with age, with wear and loss to corners. Mounted on a larger piece of laid paper with glue and paper stains to reverse. Attractive head and tailpieces (with damage to bottom right-hand corner of tailpiece). An elegant production, reading 'William Wade, | Picture Frame Maker, Carver, Gilder, | & PRINTSELLER, | No. 86, Leadenhall Street, | - LONDON. - | (late Apprentice to Mr.

Striking advertisement, in red ink, on one side of a piece of paper roughly seven inches by seventeen wide. With something of a prewar feel, it reads 'DORKING URBAN DISTRICT | BOOK, WASTE PAPER | and CARDBOARD DRIVE | [in box on right] 12th April | TO | 1st May | 1948 [end of boxed text] | Save the Nation from having to import Waste Paper from abroad | PROVIDE | MORE Employment = MORE Cartons for Food | = MORE Materials for Housebuilding ='.

Dimensions roughly eight inches by five and a half. Very good on aged paper. All but top edge rough. One page, blank reverse.

On good thick wove paper, roughly six and a quarter inches by four and three-quarters wide. Dimensions of plate indentation five inches by three wide. Good, on aged and lightly-foxed paper, left edge irregular indicating extraction. A very attractive card, carrying an engraving of a sylvan scene giving a very good idea of Sandon's qualities. Reads, in a variety of hands, 'EVERY | Description | OF | ENGRAVING & PRINTING | Neatly executed. | [vignette] | HENRY SANDON, | 60, Wellington Street, Goswell Street, | London.' Sandon does not feature in BBTI. is he real?

Roughly twelve and half inches by nine and a quarter. Neatly mounted on piece of cream paper, with surrounding ink rules. Good, with some ruckling and wear to corners. Characteristically arresting arrangement of type. Reads: 'CAUTION. | THE ONLY CORRECT COPY | OF DONIZETTI'S OPERA | THE FAVOURITE | AS PERFORMED IN ENGLISH AT THE | THEATRE ROYAL DRURY LANE, | IS PUBLISHED BY | JEFFERYS AND CO.

Good clean image of a seventeenth-century engraving, from an earlier idealised portrait of the putative 'father of printing'. It is of irregular shape, the background having been carefully cut away. Neatly mounted on piece of beige paper, illustrated with a brown pseudo-frame with decorative book devices in the four corners. Half-length portrait of a bearded Gutenberg in fur-lined hat and coat, with composing stick in left hand and stylus in right. Dimensions roughly eight and a quarter inches by seven wide. Engraved beneath is 'P Stent Excudit: R Gaywood fecit'.

On thin laid paper roughly two and three-quarter inches by three and three-quarter inches wide. Good clean image, on aged paper with slight wear in bottom left-hand corner. Enclosed by a border. Reads, in a variety of hands, 'Thomas Payne | BOOKSELLER, | Near the South Sea House | BISHOPSGATE-STREET | LONDON. | Sells all Sorts of Stationary [sic] Wares.' According to BBTI the Thomas Payne who was at this address in 1750 may possibly be the eminent bookseller Thomas Payne I (1719-99) of the Mews Gate.

Paper dimensions roughly ten and a half inches by eleven and a half; print dimensions eight and a half inches by ten and a half. Aged and with three inch strip, roughly half an inch wide, torn away from surface of print in top left-hand corner. Depicts a crowded and rather grand hall, containing a long horseshoe-shaped table around which are crowded connoisseurs of both sexes contemplating engravings and illustrated books or engaged in discussion. Arti et Amicitiae is an Amsterdam society of artists and art lovers, founded in 1839.

All items one page, quarto, and all very good. Two docketed and one bearing the Society's stamp. Letter 1: He will be pleased to attend a committee meeting. Letter 2: He has 'a long-standing engagement' and will be unable to attend 'the Architectural Decoration Committee'. Along with Godfrey Giles he has 'had a long discussion' with Mr. Grigsby 'with reference to the conditions of the Lewis Berger Scholarship'. Letter 3: He knows 'Professor Richardson very well, and this is just the information which I am requiring. I will send my man on to see the secretary as you suggest'.

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

Dimensions of paper approximately 36 x 25 cms. Good, though lightly foxed and with corners a little dog-eared. His Lordship, in full-sleeved clericals, is seated, and bare-headed, looking to his right with a piercing stare. Dated 1815 by the National Portrait Gallery.

Full subtitle: 'With a comparative review of the systems proposed by H. Cranmer Phillipps, R.N. and by Captain Levin Joergen Rohde, of the Royal Danish Navy, Knight of the Dannebrog, &c. &c.' The letter was previously attached by four small pieces of red sealing wax on the verso of its blank second leaf to the title-page of the pamphlet. Letter and pamphlet are now detached, with traces of wax adhering to both, but not affecting the text of either. LETTER: 12mo, one page. Good on aged paper.

Three pages, octavo. Very good on lightly aged paper. Kenyon's paper was 'much enjoyed' when read on Saturday, and there was 'a good attendance'. '[T]he pleasantries were not missed': '1. the confusion of the inexhaustible emender; 2. the thrift of the canny Odysseus in his role of wooer; 3. Burne Jones's Law.' 'At the end some interesting questiosn were asked', for example, 'why second-rate Greek annalists shd. seemingly have been preferred to Herodotus & Thucydides'.

The studio photograph, with printed label of 'Walter Baker, 159, Mosely Road, Birmingham. Highgate Studios.' on reverse, and the manuscript number '24704 | 98'. is a good clear head and shoulders portrait (dimensions roughly three and a half inches by two and a quarter wide), in very good condition. Although untitled, it seems to be Carl, as represented on the title-page of his book, without the moustache and a little younger. The book is twenty-eight pages, octavo, in original coloured printed boards. Numerous line drawings.

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

Small 8vo. Pages: x + 74. In original cream printed wraps. One of two hundred copies of the 'Small Paper edition'. In the 'Moray Library'. Internally sound and clean. Light spotting and wear to wraps. Minor foxing to endpapers. Trenchant observations on an interesting selection of late-Victorian authors.

Thirteen pages, octavo, and fold-out 'PLATE XXI' (eight and a half inches by twenty-two and a half wide), with nine illustrations, headed 'THE DRAWING OFFICE BY MR. ARCHIBALD DENNY.', by Robert Gardner & Co., Engineering Lithographers, Glasgow. Unbound and stapled. Good, on aged and lightly foxed paper. Original pink printed wraps detached, chipped and with minor loss. PRESENTATION COPY, with front wrap (which has minor offsetting in ink) headed in pencil 'With the Authors Compts'. Ownership inscription of 'H. J. Young | Nov: '95' at head of first page.

On piece of aged, laid paper roughly six inches by eight and a quarter wide. Two inch closed tear at head, and three-quarters of an inch closed tear, with a little loss, to the right. Quarter-inch hole towards top right-hand corner, in sky above archway. Mounted on piece of grey paper. Negligible wear to bottom left-hand corner.

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.