REGENCY

4to: 1 p. Thirteen lines of text. Text clear and entire on aged and creased paper. Remains of stub from previous mounting adhering to reverse, and short printed biography tipped in along margin. A formal letter in the third person. Galway is 'extremely [underlined] sorry that he shold have given Mr. Neale so much trouble respecting the eighth Part of Westminster Abbey', which the peer had assumed was missing, but 'finds upon farther examination that it is with the other numbers'.

Printed on one side of a piece of rough wove paper, approximately 24 x 10.5 cm. Text clear and entire on aged, creased paper. A production in favour of the Prince Regent, with no trace of sarcasm apparent. Consists of six four-line stanzas, each followed by the chorus 'Hearts of Oak, &c.' First stanza reads 'Come cheer up my lads, we'll no longer repine, | United, we'll triumph - OUR CAUSE is divine!

Printed on one side of a piece of rough laid paper, approximately 24.5 x 8.5 cm. Crude circular woodcut of pedlar at head, diameter 3.5 cm. Good, on aged paper with a little creasing at head and foot. Consists of four four-line stanzas with refrain 'Doodle, doodle, doo.' First stanza, heavy with double-entendre, reads 'HEAV'N bless my dearest little dear, | The wind is not quite fair, | From Portland Road I write this here - | Oh! bless your little hair. | Doodle, doodle, doo.' Clearly refers to a high society Regency scandal, possibly that concerning the Duke of York and Mary Anne Clarke.

Printed on one side of a piece of rough wove paper, 25 x 9 cm. At the head is a crude woodcut of lady playing keyboard, dimensions 2 x 3 cm. On aged, creased paper with wear to extremities. Text clear and entire, but not properly centred, with the result that the last two letters of the word 'Gre' in the address cropped. The poem consists of six stanzas of six lines each. First stanza 'YOU have heard of Mrs.

George *11864; Reid *155; Cohn *732. Printed on one side of a piece of wove paper roughly 54 x 22 cm, dimensions of print 47 x 18.5 cm. Engraved at the sides of the caption beneath the print: 'Pubd. April 1st 1812 by M Jones No 5 Newgate Stt. | G. Cruikshank fect.' Image clear and entire, on aged paper with creasing to extremities, and with one 4.5 cm closed tear in bottom left-hand corner.

On one side of a piece of unwatermarked wove paper, 32 x 25 cm. Good, on lightly aged and creased paper. Attractively produced within a decorative border, with the title in gothic script and the text beginning in a single column before splitting into two. Printer's and publishers' details at foot, with advertisement of five works published between 1815 and 1817.

12mo, 1 p. Good, on lightly aged and ruckled paper. Laid down on a piece of grey paper removed from an autograph album. Accepting an invitation, and informing the recipient that 'Mrs Callcott has recovered from her last attack - but she is still slightly affected at times, and is very weak.'

12mo, 2 pp. Good, on aged paper. A formal letter in the third person. Windham 'is almost ashamed' of sending Sharpe 'anything so trifling as what accompanies this note'. His justification for doing so is the 'wish of having his opinions stated with tolerable correctness on a subject to which Mr Sharpe, as a matter of some interest at the moment, may happen in some degree to have turned his thoughts.' Sharp's name was often misspelt by contemporaries, and he is listed in the index to the online Oxford DNB as 'also known as Sharpe, Richard'.

4to, 1 p, 7 lines. Text clear and entire on lightly aged and discoloured paper. Nicely connecting two notable nineteenth-century London architects. I'Anson has 'great pleasure in stating from long and intimate personal acquaintance with Mr Robert Abraham that his experience Talent and integrity qualify him to fill any office connected with his profession creditably to himself and beneficially to his patrons'. Docketed on reverse of second leaf of bifolium 'No 9 | Edwd I'Anson Esq'.

4to: 1 p. Very good. Tipped in by reverse edge to leaf removed from autograph album. Envelope similarly mounted, with almost-intact seal and two postmarks, including a circular one in black ink stating 'MORE TO PAY'. He met John Grant the previous day at Wycombe Quarterly Meeting, and was told by him that Lucas had 'enquired of him the Terms of Admission to my school'.

8vo (each leaf roughly foolscap) bifolium: 3 pp. Well printed on good thick watermarked laid paper. Good, though a little grubby and lightly creased. Thirty-five pieces of business (signed in type by 'CHARLES ABBOT, Speaker'), from the 'Strensham (Worcester) Inclosure Act Amendment' to the 'Irish Lunatic Poor Committee', followed by seven Notices of Motions, ten Orders of the Day and the second reading of a Private Bill ('Dublin Gas Light Bill').

ITEM ONE: pencil sketch (roughly three inches square) of pensive woman in full dress seated on chair beside table with vase. Good. On reverse of part of envelope addressed to 'H. Wyatt Esqre. | Newman Street | Oxford Street' and postmarked in red ink oval '2 . A NOON . 2 | MY 4 | 1833'. Another postmark in black ink, and wafer still adhering. ITEM TWO: pencil sketch (roughly one inch by one and a half) of trees around long wall with spire in distance. On visiting card of 'Mr. Henry Wyatt' (the sketch over the word 'Wyatt').

Three pages, 12mo. Good, on aged paper, but with the verso of the second leaf of the bifolium covered by previous brown-paper mount. 'Mr Cecil' has passed on Procter's letter. 'The object of your Society is highly commendable, & I wish it much success.' He is 'promoting the same end, by giving what [he] can spare, to Ministers in the neighbourhood'. Praises 'Gentlemen in London' for their 'liberality in assisting poor Ministers at a distance'. '[I]n the country we have as many in our neighbourhood as we are able to relieve'.

Two pages, quarto. On slightly stained, aged paper, with a few closed tears and some wear to extremities. Black wax seal adhering to second leaf of bifolium. Docketed 'March 1814 | Manchester | Revd. R. H. Whitelocke', but the signature appears to read 'Whitelock'.

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

All items octavo. Bound together in contemporary leather half-binding with red label. Good, on aged paper. Front board beginning to split. Label and stamps of Newport Reference Library. Each title-page initialed in contemporary hand 'G. S. W.' Part 2, 1825: pp.[ii] + [103]-348, items 1666 to 6197. Part 3, 1825 ('Including the libraries of the late Rev. Dr. Ryland; J. Nott, M.D. of Clifton, Deceased; And other Collections, recently Purchased'): pp.v + 349-606. With two-page 'Brief Memoir of the late John Nott, M.D. of the Hotwells, Bristol', 'Extracted from Felix Farley's Bristol Journal'.

Two pages, on a rough-edged leaf approximately seven inches by four. Good, though aged and a lightly stained. A highly interesting list of twenty-seven titles by a radical publisher. Several works relating to Robert Wedderburn and Thomas Davison. Also 'The Cast-Iron Parson', 'A Peep after Hell' and 'GREAT GORGY: giving a Humourous Description of his Journey to Westminster, on Giff, the Ch-lor's Grey Mare'. Ends 'The Trade Supplied with all the Popular Works of the Day. | Printing & Bookbinding | NEATLY AND EXPEDITIOUSLY EXECUTED. | NEWSPAPERS SERVED IN TOWN AND COUNTRY.

Dimensions of paper roughly eight and a half inches by six and a half wide. Illustration roughly five and a half inches by five wide. Good on slightly aged and creased paper. A grey-haired Gregory, fashionably dressed in striped waistcoat and cravat, and wearing a white apron, stares at the viewer while holding a book in his left hand and writing its details in a ledger with a quill in his right hand. BBTI gives Robert Loder's trading dates as 1822-39, and Gregory's as 1793-1851.

One page, 12mo. Very good. Unobtrusive trace of previous mount adhering to blank reverse. He is engaged to dine with Sir Alexander Grant [Sir Alexander Cray Grant, 1782-1854] on the day in question and 'cannot, therefore, have the Pleasure of dining with you & Lady Holland, to whom present my Respects, and Regret. | I fear before that day the Constitution in Church & State will be in a bad way - if I could have waited upon you, I am sure my Constitution & Spirits would have been much improved during my Visit.'

EXCESSIVELY RARE. Apparently not present in the National Portrait Gallery collection. The portrait is on a piece of India paper roughly four and a half inches by three and a half wide, mounted on a piece of thick wove paper roughly eleven inches by eight and a half wide. The mount bears the text. Good, though somewhat grubby, and with the mount lightly creased and foxed. While Sayers is best-known as a Pittite caricaturist this image is certainly not a caricature.

Mushet (died 1828) was an officer of the Mint, and author of 'An Inquiry into the Effects Produced on the National Currency, and Rates of Exchange, by the Bank Restriction Bill' (1810). The recipient (1787-1864) edited Bunyan. One page, octavo. Good, on slightly grubby discoloured paper with one spike hole. Two short printed accounts of Musket laid down at foot of page. Reads 'Dear Sir | I shall be obliged to you to send me this afternoon or early tomorrow morning a Copy of Ede's Book of Coins'. Signed 'R Musket' and addressed, on revese of second leaf of bifoliate, to 'Mr.

English author and politician (1797-1833), whose efforts resulted in the formation of the National Gallery. Colnaghi (1751-1833) was the leading printseller of the period. One page, quarto. Good, on slightly discoloured paper with traces of previous mount adhering to reverse. A formal letter in the third person. 'Mr Agar Ellis would be much obliged to Mr Colnaghi if he would procure for him the German prints in outline for "Ondine", published at Nuremberg - Also the Prints in the same style for the German play of "Faust".

Theatrical manager (1796?-1860) and poet, manager of Drury Lane and Covent Garden theatres, 1833-48. One page, quarto. Good, but somewhat grubby on lightly-creased, discoloured paper. Reads 'My dear Sir | I do not remember at this moment any point, beyond those we discussed yesterday, that requires adjustment, except the return of £63-4-8 overpaid on the rent account up to July 5th. and the four weeks salaries to your watchmen & firemen from that day up to last Saturday, amounting to £27 - | The balance of the "Warwick Box" is still unpaid.' Signed 'A Bunn'.

British sculptor (died 1864). Paper dimensions roughly five inches by two inches. Good, but on slightly discoloured paper. Reads 'I have the Honor to be | Gentlemen | Your Obedient Humble Servant | [signed] William Behnes'. From a collection of material relating to the Artists' General Benevolent Fund. Behnes ended his days in considerable distress.

Novelist and wit (1788-1841). On piece of paper roughly four inches square. Folded twice and lightly creased and with traces of glue and paper from previous mounting adhering to four corners of reverse, and affecting text. Typed title neatly attached at foot. Reads 'Will you give our kindest regards to Your Family and always believe me | Yrs Very Sincerely | The: E. Hook'. Reverse reads '<...> club.

English architect (1766-1840). Very good. On piece of paper (roughly 4 1/2 inches by 5 1/4 inches) cut from envelope, with partial Windsor address on reverse. Formal letter in the third person to Priestley & Weale, architectural booksellers in High Holborn. Reads 'Mr. J Wyatville's compts. to Messrs. Priestley & Weal [sic] supposes the number herewith returned to have been sent by mistake as he does not subscribe to the work.' Cutting from book catalogue 'tipped' to foot of letter. Docketed in pencil at head.

Author (1770-1844) and friend of Miss Mitford. Paper dimensions roughly three and a half inches by one inch. Slightly discoloured, creased, and with one small closed tear. Read 'Believe me dear friend, | your truly affectionate Cousin | B Hofland'.

English dramatist (1784-1862). One page, octavo. Ruckled, and with several closed tears. Reply to request for autograph. Reads 'Dear Sir, | Here it is. | Yours truly, | James Sheridan Knowles.'

English aristocrat and Whig politician (1721-1803). One page, quarto. In poor condition: grubby, discoloured and creased. Reads 'My Lord | Mr: Boothby of Ashbourne (who yr: Lordship may possibly know something of from his living in the neighbourhood of <?> forest has sollicited me much to apply to yr: Lordship for leave of Absence for his son who is a lieutenant in Ld: Drogheda's regiment to settle some family affairs, the time he wishes to have him with him [sic] is a month or two, if not unreasonable.

Hobhouse (1776-1854) was a Privy Councillor in 1828, and Keeper of the State Papers, 1826-54. Quarto. One page. Very good, on first leaf of bifoliate. Folded twice. On watermarked Whatman paper of 1827. Facsimile signature 'H. Hobhouse'. Begins 'The King having been pleased to comply with the prayer of an humble Address presented to His Majesty in pursuance of a Resolution of the House of Commons [...] for a Return of all Towns Cities Places of Jurisdiction within England & Wales' and ending 'I am directed by Mr.