JAMES

4to, 3 pp. 55 lines of text. Bifolium. Clear and complete. Fair, on aged, grubby paper. Begins with salutation to 'My Dear Sir'. He has received the two letters, the first sent 'from Clide by a gentleman to whom Mr McKingie (the gentleman you recommended to me) delivered it'. Cassillis is willing to 'use all my interest with the directors of the forfeited estates in order that he might get what he wanted', but not having heard from McKingie he assumes 'that he has got his Business done to his mind'.

12mo, 2 pp. Bifolium. Fair, on aged paper with a little light staining. The recto carries the seventeen-line letter to a 'Gentilissima Dama', in response to a request for an autograph. On the reverse of the second leaf is a four-line poem, signed and dated by Negri, beginning 'Come un Nume che si adora'. In the letter Negri writes that he does not have 'la presunzione di credere che il mio autografo meriti di essere conservato'.

12mo, 2 pp. Seventeen lines of text. Clear and complete. Bifolium. Fair, on aged and slightly-grubby paper. He has 'no recollection' of 'a work published in Edinburgh in 1843, on Mind viewed as a part of Physiology'. 'Perhaps if I saw it, I might certify it as I [sic] work that I formerly knew. Few works of that nature have escaped my notice within the last thirty years.' The work referred to by Huntly would appear to be John J. Waterston's 'Thoughts on the mental functions. Being an attempt to treat metaphysics as a branch of the physiology of the nervous system' (Edinburgh, 1843).

Folio, iv + 133 pp. One fold-out map, roughly 86 x 61 cm, titled 'Map No. 3. [the other two maps being issued separately] Coimisiún na Gaeltachta. Map of Ireland showing the Irish speaking districts [in pink] and the partly Irish speaking districts [in yellow] as defined by the Commission.' Stapled. In original cream printed wraps. Clear and complete. A fair copy, slightly dogeared but tight, on aged paper, in worn and spotted wraps and with rusted staples. A document of the highest importance in the history of the Irish language.

On one side of a piece of vellum, dimensions 25 x 35 cm. Neatly folded to make eight rectangles. Red wax under paper in top left-hand corner, embossed with the royal seal. Above this is the King's signature, in what Rawlins ('Four Hundred Years of British Autographs', p.53, no.4) describes as 'un uncommon form'. Three blue 2s 6d stamps in left-hand margin. Small paper stamp on the reverse, which is docketed 'James Paterson Gent: | Lieutenant | In the Sixty Ninth Regiment of Foot commanded by Colonel Colvill.-' Text entirely legible on lightly discoloured vellum.

On one side of a piece of wove paper, 32 x 20 cm. Laid down on a leaf from an autograph album. In fair condition, aged and dusty with slight wear to extremities. The item is of added interest, dating as it does from the year of the Society's inception. The nine-line application is in the hand of the artist John Frederick Lewis (1804-1876), and is addressed to 'Dear Sir' - presumably the final signatory 'Henry Graves. Esq. [1806-1892, printseller] Sec. to the Artists and Amateurs Conversatzion. [sic]'.

2 pp, on first leaf of bifolium of thick cream paper, dimensions roughly 40.5 x 26.5 cm. Ruled with red lines. Docketed on reverse of second leaf. Text clear and complete. In good condition, though grubby. Leverhulme ('the Settlor') is 'desirous of assisting in the foundation of a Chair of Physical Chemistry in the University', and has ('with the approbation of the Council of the University') 'transferred Five Thousand "B" Twenty per centum Cumulative Preferred Ordinary Shares of One pound each fully paid in Lever Brothers Limited into the name of the University'.

On a slip of laid paper (watermarked 'SMIT'), approximately 7 x 18 cm. Good, on lightly-aged and spotted paper. The writing by one of the twins, is in pencil, in a large, childish hand, and reads 'London England'. Beneath this, in a neat contemporary hand: 'The above two words, were written in my presence by one of the Siamese Twins. - | March 1830. | [signed] William James Smith'. The 'Siamese Twins' began their first appearance in London in 1829, at the Egyptian Hall in Piccadilly.

8vo, lxxii + 499 pp. In original embossed brown cloth, gilt, with wear to hinges. Binders ticket of Remnant and Edmonds, London. A tight copy, on lightly-aged and foxed paper, in fair binding with wear to hinges. Inscribed at head of title: 'Presented - | To George F. Knipe Esqre. with Dr. Turley's Compts | 1854 -'. (There are references to Turley on pp. vi and 41 of the book. Turley and Knipe were provincial surgeons of relative proximity: Knipe at Stratford-upon-Avon and Turley at Worcester.

The six items good, on aged paper, with the copies of Luckhurst's letters lightly creased. Item One: Copy of Luckhurst to Wilson. 5 October 1948. 4to, 1 p. Asking whether Wilson 'would honour the Society by consenting to deliver the third [Cantor] lecture for which the title "Music - and the Audience" is suggested. [...] the first lecture in the series will be given on March 22nd by Mr. Benjamin Britten, and the second on March 29th by Sir Malcolm Sargent.' Gives details of arrangements and fee. Item Two: Wilson to Luckhurst. Typed Leter Signed. 8 October 1948. 12mo, 1 p.

4to, 3 pp. 42 lines of text. Good, on aged paper. He is sorry not to have known about Niggeman's bank holiday visit to Hatfield House: 'it would have been an immense pleasure to us all to see you. Do come down and pay us a private call some other time.' The 'points' she makes 'are just the kind of thing we want to know'. Salisbury did not 'go round the Hosue with the visitors, for I did not wish to embarrass the guides; but clearly there is a good deal more organisation needed before our machinery works smoothly'.

Dimensions of print sixteen inches by eleven inches wide. Mounted on piece of irregular shaped card. 'J. D. H.' in bottom left-hand corner and Cattermole's monogram on barrow in bottom right. Good, with a little light spotting and aging, except for seven and a half inch closed cut from right margin around half an inch from the foot of the print. An attractive bustling street scene, suitable for framing. Original folio version, from John Parker Lawson's 'Scotland Delineated in a Series of Views' (London 1847-1854).

8vo, 12 pp. Stapled pamphlet. Text clear and complete. On aged, worn and spotted paper. A total of 204 lots. Pencil notes to lots 4, 9 and 11, with slip indicating their purchase prices, totalling £10 12s 0d. Lot 179 ('Another Property') is given prominence: 'FRANCIS COTES, R.A. A PORTRAIT OF A LADY in White Dress with Green Sash and Pink Cloak, her hair dressed high and adorned with pearls, 3.4 length | 50in. x 40in. | Signed and dated 1788.' No copy in the British Library, on COPAC or WorldCat.

Folio, 1 page. Good, on lightly-aged paper, with an edge of the blank reverse bearing a small strip of the grey mount. A formal letter, attractively presented. He is 'directed by the Trustees of the British Museum, in the absence of the Secretary', to convey their thanks for the 'obliging Present to the Museum Collection of Prints, of a Portrait of the late Paul Colnaghi Esqr. Engraved by R Easton, proof'. Interestingly, the National Portrait Gallery does not possess any portrait of Paul Colnaghi.

On piece of watermarked laid paper 12.5 x 13.5 cm. In fair condition: lightly-aged and creased. Clearly in response to a request for an autograph. Firmly written, with the signature 5.5 cm long. Reads 'A. N. Roussoff | Cairo 1892'. Roussoff famously wagered that he could produce a dozen pastels indistinguishable from those of Whistler. He lost the bet, and was 'obliged to take a course of mud baths after his defeat'.

12mo, 1 p. In a bifolium, addressed and docketed on the reverse of the second leaf, to which the red wax seal adheres, in good condition with a clear impression of Agar-Ellis's monogram. Fair, on aged and grubby paper. If Jerdan has 'quite done' with Agar-Ellis's copy of 'G<?>'s improvements of London' asks if he will allow Agar-Ellis's 'messanger' to return it. 'If however you still wish to keep it, pray do.' Agar-Ellis has 'promised to lend it to Sir H Halford'.

12mo, 1 p. Fair, on aged paper, with traces of previous mount adhering to the corners of the blank reverse. Of course Hollingshead should 'wait till the last night of "used up" ' before writing to Mathews, who has 'hunted up Buckstone - hunted up Turpin - but in vain. Not a box to be had'. He has sent 'the best I could get': '3 Dress Circle to Mrs Smiles with "Mr Hollingshead's best compliments." '. In a postscript states that if Hollingshead wants 'a box for the "Overland Route" before the last night' he will be 'too happy'. 'There is always a run on last nights.'

On one side of a piece of wove paper, roughly 5 x 18.5 cm, cut from letter by an autograph collector. Aged, and with staining from the glue used in mounting. Reads '<...> upon it. | I hope you are quite recovered. | Yours trly | James Wilson'.

12mo bifolium: 2 pp. Text clear and complete. On aged, spotted and lightly-creased paper. Relates to the Lancaster landmark the Storey Institute, designed by Paley and his partner Hubert James Austin (1841-1915) for Sir Thomas Storey, built on the site of the old Mechanics' Institute, and opened in 1891. It now houses the Storey Art Gallery. Paley states that his firm 'will put the work in hand for the completion of niche of the Storey Institute & when this is finished in, say, a month we shall be glad to have the marble group down'.

The collection in a contemporary green leather quarter-binding, with grey paper boards and title in gilt on spine. Good, in heavily worn binding splitting at rear hinge. The letters are expertly mounted on leaves in the volume. 'Excerpta Cantiana': folio: 23 pp of letterpress, with illustrations and with three full-page engravings by J. S. Agar and one fold-out pedigree. PRESENTATION COPY from Streatfeild to the antiquary and historian Charles James Palmer of Great Yarmouth.

Dimensions roughly nineteen inches by thirteen inches. Aged and a tad grubby, but in very good condition overall. Small piece, roughly one inch square, cut away from bottom left hand corner. Government five shilling stamp in top left-hand corner.

4to: xxxii + 568 pp. Very good, on lightly spotted and discoloured paper. In heavily-worn original boards, consisting of quarter-binding with grey boards and cream spine, with slight staining at head of spine. Foxed endpapers. Lacking plates. Fifty-four papers, by James Bowdoin, Edward Augustus Holyoke, Benjamin Lincoln, Joseph Willard, Mannaseh Cutler, Caleb Gannett, Eli Forbes, Edward Wigglesworth, Jeremy Belknap and others.

12mo: 3 pp. Bifoilum. Thirty-six lines. Text clear and complete. Fair, on aged paper, with several pin holes, light spotting, and a 1 cm closed tear along a fold. A lighthearted epistle, beginning 'Dear Everard, Dear Everard | The Cistercians make an awful mistake in giving free meals. My Charity-organisation Society temperament rises in wrath: if they wd only apply the labour test for an hour or less - but free meals! I have watched the moral ravages of free meals and feel more strongly abt that kind of thing than about Home rule or Mediaeval Brases.

The letter (8vo, 1 p) is foxed, but otherwise very good. Had he not been 'engaged for ten days past to dine three or four miles off with an old acquaintance', whom it is too late to disappoint, he would have been happy to avail himself of the kind invitation. Sends best wishes and prayers to the recipient's family, 'from the elder to the youngest'.

12mo, 2 pp. Good, on lightly-aged paper, with thin strip of black mount adhering at head on reverse (not affecting text). He has received Thompson's note 'intimating to me the necessity under which the Revd Mr Lewis and the Committee of Union Chapel find themselves reluctantly placed, to refuse our deputation an opportunity of pleading the Cause of our Society on the present occasion'. Refers to the 'great liberality of the Members of the Union Chapel' and 'their attachment to the good Cause'.

Scottish geologist (1810-79). Sir Richard Owen (1804-92) was a naturalist. One page, 12mo. Very good, though grubby and creased in one corner. Traces of mount adhering to blank verso. 'I have much pleasure in at length having it in my power to send you a proof of your memoir. It has been far longer delayed than I expected. I send you the press proof as there are a good many connections and queries in the margin'. Signed 'James Nicol'. Note: Perhaps concerning "Memoir of William Clift, F.R.S." (1849).

Alexander MacLehose: Letter One: 4to, 1 p. Good, on slightly aged and lightly creased paper. He is sending a copy of his catalogue, 'which has reached me from the printers to-day'. He has 'sent a copy also to the firm'. Would like Wilson's 'advice as to whether "Memories of the Months" should have a paper jacket. The binders have sent me a nice cellophane cover, which shows the rather handsome binding. Would there be any objection, from a selling point of view, to a cellophane cover in place of the ordinary paper jacket?' Letter Two: 12mo, 2 pp.

Three pages. On vellum bifolium made from skin roughly fourteen inches by twenty wide. Three official stamps. Signed twice by 'Jas M Melville', Writer to the Signet, and his partner James Lindesay ('Jas. Lindesay'), and witnessed by their clerk William Bett ('W. Bett').

12mo, 2 pp. Good, on lightly aged paper with slight creasing at head. He is enclosing a letter (not present) apologising 'for absence from Dr. Patersons funeral'. Asks if MacLehose can help him find the address of 'A. Craig Paterson'. 'I know that one of the sons is an English clergyman, but am not sure whether this is he.' The envelope, addressed by Caird to 'Jas. MacLehose Esq. | St. Vincent St. | Glasgow', bears a purple penny stamp, postmarked '159' beside a circular postmark in black ink, containing '4 H | GLASGOW | JU 29 | 81'

8vo: 2 pp. The 'idea is worth Consideration', but Blackwood 'can hardly see how any large sale cann be depended upon, so as to repay the expense of printing advertising &c.' Asks that Morris send him 'one sermon, to indicate style, length & to estimate cost'. Asks what size of paper should be used. Notices that Morris's works are 'principally on natural history'. Likes the idea of 'the <?> natural history', and 'will take an early opportunity of looking at it'. This notable London publisher is a surprising omission from BBTI.